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Sandy Nelson Let There Be Drums - Drums Are My Beat

catalog number: CDCOL5887

weight in Kg 0,100


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Sandy Nelson: Let There Be Drums - Drums Are My Beat

(1997/COL) 25 tracks (65:22)


Nelson, Sandy - Let There Be Drums - Drums Are My Beat CD 1
1: Slippin' And Slidin
2: Tequila
3: My Girl Josephine
4: Big Noise From Winnetka
5: Let There Be Drums
6: Bouncy
7: Birth Of The Beat
8: Quite A Beat
9: Get With It
10: Drum Roll
11: By Blue Heaven
12: Hawaiian War Chant
13: Twisted
14: Caravan
15: Drums Are My Beat
16: Day Drumming
17: Drum Stop
18: Hum Drum
19: Topsy
20: The City
21: Teen Beat
22: Drummin' Up A Storm
23: All Night Long
24: And Then There Were Drums
25: Teen Beat '65


Artikeleigenschaften von Sandy Nelson: Let There Be Drums - Drums Are My Beat

  • Interpret: Sandy Nelson

  • Albumtitel: Let There Be Drums - Drums Are My Beat

  • Format CD
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Instrumental Rock & Roll - Beat
  • Music Sub-Genre 277 Instrumental R&R/Beat
  • Title Let There Be Drums / Drums Are My Beat
  • Release date 1997

  • SubGenre Rock - Rock'n'Roll

  • EAN: 0090431588727

  • weight in Kg 0.100

Artist description "Nelson, Sandy"

Sandy Nelson,

Sandy Nelson, born Sander Nelson in Santa Monica, Cali-fornia, on Dec. 1, 1938, attained considerable popularity in the early Sixties with a series of instrumentals which pitched his monotonous drumming against a solitary guitar playing menacing riffs. Originally a member of the same West Coast high school clique with Jan and Dean, Phil Spector and Nancy Sinatra, Nelson first played drums in an obscure local band called Kip Tyler and the Flips, which recorded for the Ebb and Challenge labels (ex-Beach Boy Bruce Johnston played piano).

In 1958, he played drums on the million-seller 'To Know Him Is To Love Him', by the Teddy Bears, with whom he also travelled during a cash-in tour. Turning to session work, he played on Gene Vincent's Crazy Times album (1959), shortly before recording 'Teen-beat' for the small Original Sound label. The record sold a million worldwide and Nelson immediately moved to the larger Imperial label where he had to wait two years for his second hit 'Let There Be Drums'.

Shortly before recording it, Nelson lost his left foot in a car crash but his drumming was unimpaired. During the Sixties, he recorded a series of near-Muzak instrumental albums covering a variety of contemporary themes but has not been active recently.


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