Peter Kraus Die neue LP - Peter Kraus Live (2-LP)

Preview: Die neue LP - Peter Kraus Live (2-LP)

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catalog number: LPBTS964444
weight in Kg 0.42

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Peter Kraus: Die neue LP - Peter Kraus Live (2-LP)

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Interpret: Peter Kraus
Album titlle: Die neue LP - Peter Kraus Live (2-LP)
Genre Schlager und Volksmusik
Label BEAR TRACKS
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
EAN: 4000127644442
weight in Kg 0.42

Kraus, Peter - Die neue LP - Peter Kraus Live (2-LP) LP 1
01	Rumsti Bumsti	Peter Kraus
02	Nur Wir zwei auf Hawaii	Peter Kraus
03	Truck Driving Man	Peter Kraus
04	James Bond	Peter Kraus
05	Wopbabaluba	Peter Kraus
06	Goggomobil	Peter Kraus
07	Tiger	Peter Kraus
08	Dianas Comeback	Peter Kraus
09	100 Mann und kein Bufett	Peter Kraus
10	Wenn Teenager träumen.	Peter Kraus
11	Das kannst Du nicht ahnen (live)	Peter Kraus
12	Rock Around The Clock	Peter Kraus
13	Hound Dog	Peter Kraus
14	Blueberry Hill	Peter Kraus
15	Skinny Minnie	Peter Kraus
16	Rock And Roll Music	Peter Kraus
17	Johnny B. Goode	Peter Kraus
18	Lucille	Peter Kraus
19	What'd I Say	Peter Kraus
20	Let's Have A Party	Peter Kraus
21	Hula Baby	Peter Kraus
22	Mit Siebzehn	Peter Kraus
23	Modenschau	Peter Kraus
24	Ich bin ja so allein	Peter Kraus
25	Wenn Teenager träumen	Peter Kraus
26	Jailhouse Rock	Peter Kraus
27	Va Bene	Peter Kraus
28	Sweety	Peter Kraus
29	Diana	Peter Kraus
30	Sugar Baby	Peter Kraus
31	Let's Twist Again	Peter Kraus
32	Are You Lonesome Tonight	Peter Kraus
33	See You Later Alligator	Peter Kraus
34	Shake, Rattle And Roll	Peter Kraus
35	Marina	Peter Kraus
36	Yakety Sax	Peter Kraus
37	Kitty Cat	Peter Kraus

Peter Kraus Peter Kraus Peter Kraus - Die SinglesIf Peter Kraus has earned the... more

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"Peter Kraus"

Peter Kraus

Peter Kraus - Die SinglesIf Peter Kraus has earned the reputation of a rock'n' roll singer, it goes back especially to the years 1957 and 1958. When Elvis Presley just left show business to drive tanks in Germany, Polydor producer Gerhard Mendelson plundered the Presley catalogue to establish his pupil Kraus - and later Ted Herold - in the hit market. Gerhard 'Mosche' Mendelson (1913 - 14 March 1976) from Berlin, Austria, had now set himself the task of launching young stars in his Vienna studio in addition to looking after Austrian pop singers. The current US charts offered an excellent area for local producers who wanted to poach in foreign territories. In addition to Presley, Gene Vincent, Jackie Wilson, Buddy Knox, Paul Anka and others had provided plenty of templates. There was a market for these records with copies of American titles. Example Peter Kraus: Liebelei (Butterfly), Teddy Bear (Teddy Bear), Make yourself beautiful (Treat Me Nice), Hafen-Rock (Jailhouse Rock), Just like back then (Since I Met You Baby), Rosmarie (Reet Petite), Hula Baby (Hula Love). The closest to Peter Kraus was actually the Canadian child star Paul Anka, whose Diana he also sang after.

Peter Kraus - Die Singles

Anka was no more a rock'n' roll singer than Kraus, in whose interpretation everything always became a hit. After all, pop culture reached the previously immune strata of German society through him, albeit with a restrained dynamic. "Rock'n' Roll in homoeopathic dilution", the WDR amused itself in a retrospective television program about this music, which however led to the fact that rock'n' roll was gradually no longer used as a swearword in the Federal Republic. The term was even used in German: "Peter Kraus playing rock scooter". And they showed understanding for the youth represented by Peter Kraus. The'New Leaf': "He is as modern as his whole generation, who grew up in breeches instead of the uniforms of the air force helpers". Fashion played an important role in pop culture from the outset. Leather jackets and jeans were not only clothes, but symbols with which one could already show oneself externally as inappropriate. But to dismiss rock'n' roll now only as fashion, as happened in the media of the Federal Republic, corresponded to the desire to get the misunderstood phenomenon under control.

Peter Kraus - Die SinglesThen it belonged to depict dance steps to rock'n' roll in magazines. And that included a fast-moving teen fashion. Film actors such as Marlon Brando and James Dean set an example by making the T-shirt socially acceptable. Brando had already shown it in'Endstation Sehnsucht'. In'The Savage' he made it the symbol of the rebel. And in'for they know not what they do' James Dean did it like him by casually wearing a leather jacket over the white shirt. There were consequences: In'Bravo' a James Dean jacket was advertised ("He preferred to wear the combined leather cardigan in Hollywood cut. He sometimes dipped them in cognac"), and a sweater called'Peter-Kraus-Coll' was added for pop fans. The rock'n' roll seemed to be a step in the right direction for Peter Kraus because he had made a name for himself in this field two years earlier. With his Elvis and Bill Haley songs rehearsed at home, he had performed in 1956 in front of a full hall in a competition of the Munich'Abendzeitung'.

Peter Kraus - Die Singles

He had already pra

cticed for the performance with Hugo Strasser, whose orchestra accompanied him that evening. This is how the result was programmed. Peter Kraus gave the rock'n' roll star on stage. And the crowd raged. Three times he had to repeat the Rock-A-Beatin boogie. The whole thing had been announced as a jazz concert in the Deutsches Museum - and so he was initially sold in the media as a jazz musician. The'Neue Blatt' soon wrote: "His career as a German jazz singer is unparalleled." Part of his image was that he was described in the same article as a "likeable boy". This arrived. But Peter Kraus certainly didn't mind that the'Frankfurter Abendpost' called him the'Rock'n' Roll singer no.' and pronounced him the'German Presley'. So it made sense to record the successful Presley title Treat Me Nice (from the film'Jailhouse Rock') in the original arrangement with Peter Kraus-O-tone.

What was lost was not only the dynamics of RCA recording. Lyricist Peter Mösser also left nothing of the meaning of the song. Instead of asking his mistress to treat him nicely and to remain loyal to him, it's now, as so often in the Schlager der Zeit, all about going dancing together again. And about teenage fashion - Make yourself beautiful: "Take the blue dress, because it suits you so well, and with it the cute little cheeky yellow hat." The ladies' hat really belonged to the - elderly

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