Waylon Jennings The Dark Side Of Fame
- catalog number:CDOMNI135
- weight in Kg 0.1
Waylon Jennings: The Dark Side Of Fame
Article properties:Waylon Jennings: The Dark Side Of Fame
Interpret: Waylon Jennings
Album titlle: The Dark Side Of Fame
Genre Country
- Preiscode N1
Label OMNI
Artikelart CD
EAN: 0021908509242
- weight in Kg 0.1
Jennings, Waylon - The Dark Side Of Fame CD 1 | ||||
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01 | Don't Play The Game | Waylon Jennings | ||
02 | Delia's Gone | Waylon Jennings | ||
03 | MacArthur Park | Waylon Jennings | ||
04 | Love Of The Common People | Waylon Jennings | ||
05 | Destiny's Child | Waylon Jennings | ||
06 | The House Song | Waylon Jennings | ||
07 | Games People Play | Waylon Jennings | ||
08 | Grey Eyes You Know | Waylon Jennings | ||
09 | A Legend In My Time | Waylon Jennings | ||
10 | The Chokin' Kind | Waylon Jennings | ||
11 | Sunday Mornin' Comin' Down | Waylon Jennings | ||
12 | Where Love Has Died | Waylon Jennings | ||
13 | The Days Of Sand And Shovels | Waylon Jennings | ||
14 | The Road | Waylon Jennings | ||
15 | Beautiful Annabel Lee | Waylon Jennings | ||
16 | Julie | Waylon Jennings | ||
17 | Yes, Virginia | Waylon Jennings | ||
18 | Singer Of Sad Songs | Waylon Jennings | ||
19 | Six String Away | Waylon Jennings | ||
20 | Cedartown Georgia | Waylon Jennings | ||
21 | Just To Satisfy You | Waylon Jennings | ||
22 | For The Kids | Waylon Jennings | ||
23 | Another Bridge To Burn | Waylon Jennings | ||
24 | Just Cross The Way | Waylon Jennings | ||
25 | I've Been Needing Someone Like You | Waylon Jennings | ||
26 | Rock, Salt And Nails (& Lee Hazlewood) | Waylon Jennings | ||
27 | Life Goes On | Waylon Jennings | ||
28 | The Dark Side Of Fame | Waylon Jennings |
Waylon Jennings
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.
There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.
Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.
There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.
Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records
Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records
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