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Waylon Jennings The Dark Side Of Fame

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catalog number: CDOMNI135

weight in Kg 0,100

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$21.00 *
 
 

Waylon Jennings: The Dark Side Of Fame

(2010/OMNI) 28 tracks RCA 1965-71 with 20 page booklet.
 

Songs

Waylon Jennings - The Dark Side Of Fame Medium 1
1: Don't Play The Game  
2: Delia's Gone  
3: MacArthur Park  
4: Love Of The Common People  
5: Destiny's Child  
6: The House Song  
7: Games People Play  
8: Grey Eyes You Know  
9: A Legend In My Time  
10: The Chokin' Kind  
11: Sunday Mornin' Comin' Down  
12: Where Love Has Died  
13: The Days Of Sand And Shovels  
14: The Road  
15: Beautiful Annabel Lee  
16: Julie  
17: Yes, Virginia  
18: Singer Of Sad Songs  
19: Six String Away  
20: Cedartown Georgia  
21: Just To Satisfy You  
22: For The Kids  
23: Another Bridge To Burn  
24: Just Cross The Way  
25: I've Been Needing Someone Like You  
26: Rock, Salt And Nails (& Lee Hazlewood)  
27: Life Goes On  
28: The Dark Side Of Fame  

 

Artikeleigenschaften von Waylon Jennings: The Dark Side Of Fame

  • Interpret: Waylon Jennings

  • Albumtitel: The Dark Side Of Fame

  • Format CD
  • Genre Country

  • Title The Dark Side Of Fame
  • Release date 2010
  • Label OMNI

  • Price code N1
  • SubGenre Country - General

  • EAN: 0021908509242

  • weight in Kg 0.100
 
 

Artist description "Jennings, Waylon"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

 
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