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Waylon Jennings Live At The US Festival 1983

Live At The US Festival 1983
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  • DVDSHFA12928
  • 0.1
(2011/SHOUT) NTSC, Code 1, 4:3, Color, 22 performances (incl. duet w.Jessi Colter), bonus... more

Waylon Jennings: Live At The US Festival 1983

(2011/SHOUT) NTSC, Code 1, 4:3, Color, 22 performances (incl. duet w.Jessi Colter), bonus pre-concert interview with Waylon, 65 Min.

Article properties: Waylon Jennings: Live At The US Festival 1983

  • Interpret: Waylon Jennings

  • Album titlle: Live At The US Festival 1983

  • Label SHOUT

  • Genre Country

  • Year of publication 2011
  • DVD-SubGenre Country
  • DVD-Genre Musik & Konzerte
  • DVD-Regionalcode 1
  • Artikelart DVD

  • EAN: 0826663129281

  • weight in Kg 0.1
Jennings, Waylon - Live At The US Festival 1983 DVD 1
01 Don't You Think This Outlaws Bit's Done Got..
02 Clyde
03 Amanda
04 Just To Satisfy You
05 Only Daddy That'll Walk The Line
06 Lucille (You Won't Do Your Daddy's Will)
07 I've Always Been Crazy
08 Breakin' Down
09 Lonesome, On'ry And Mean
10 Jack-A-Diamonds
11 Theme From The Dukes Of Hazzard (Good Ol' ...
12 Storms Never Last
13 Are You Sure Hank Done It This Way
14 Rainy Day Woman
15 Women Do Know How To Carry On
16 I Ain't Livin' Long Like This
17 Good Hearted Woman
18 Honky Tonk Heroes
19 Luckenbach, Texas (Back To The Basics Of L...
20 Mental Revenge
21 Mammas Don't Let Your Babies Grow Up To Be...
22 I Can Get off On You
Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more
"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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