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Howlin' Wolf The Wolf Is At Your Door (2-CD)

catalog number: CDJAS30201

weight in Kg 0,120


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Howlin' Wolf: The Wolf Is At Your Door (2-CD)

(1951-60 'Chess') (126:58/46)


Howlin' Wolf - The Wolf Is At Your Door (2-CD) CD 1
1: Moaning At Midnight
2: How Many More Years
3: The Wolf Is At Your Door
4: Howlin' Wolf Boogie
5: Getting Old And Grey
6: Mr. Highway Man
7: Saddle My Pony
8: Worried All The Time
9: Oh Red
10: My Last Affair
11: All Night Boogie
12: I Love My Baby
13: No Place To Go
14: Rockin' Daddy
15: Baby How Long
16: Evil Is Going On (Evil)
17: I'll Be Around
18: Forty Four
19: Who Will Be Next
20: I Have A Little Girl
21: Come To Me Baby
22: Don't Mess With My Baby
23: Smokestack Lightning
24: You Can't Be Beat
25: I Asked For Water
26: So Glad
27: Goin' Back Home
28: My Life
29: Somebody In My Home
30: Nature
31: Sittin' On Top Of The World
32: Poor Boy
33: I Didn't Know
34: Moanin' For My Baby
35: I'm Leaving You
36: Change My Way
37: Howlin' Blues
38: I Better Go Now
39: I've Been Abused
40: Mr. Airplane Man
41: The Natchez Burning
42: You Gonna Wreck My Life
43: Who's Been Talking
44: Tell Me
45: Howlin' For My Darling
46: Spoonful


Artikeleigenschaften von Howlin' Wolf: The Wolf Is At Your Door (2-CD)

  • Interpret: Howlin' Wolf

  • Albumtitel: The Wolf Is At Your Door (2-CD)

  • Format CD
  • Genre Blues

  • Title The Wolf Is At Your Door (2-CD)
  • Label JASMINE

  • Price code JAS
  • SubGenre Blues - Traditional

  • EAN: 0604988302028

  • weight in Kg 0.120

Artist description "Howlin' Wolf"

Howlin' Wolf

For a guy who didn't see the inside of a recording studio until he was 40 years old, Chester Arthur Burnett certainly made up for lost time. Of course, the giant known as Howlin' Wolf possessed the most fearsome, feral vocal cords in the annals of electric postwar blues. His wheezing harmonica was as distinctive as his unbeatable flair for showmanship; he routinely rolled around the stage in simulation of sexual ecstasy or climbed the stage curtains like a deranged madman.

"Wolf was the greatest that I've ever known," says his longtime saxist Eddie Shaw. "Wolf was not only a musician, he was an entertainer. That's what I respected him for."

Born June 10, 1910 in White Station, Mississippi (near West Point), Burnett got his stage moniker from his grandfather (the impressively built lad also answered to Big Foot and Bullcow). His family settled in the Delta in 1923, and the great Charley Patton gave him personal tutelage on guitar in '28. Chester picked up harmonica licks from Rice Miller—Sonny Boy Williamson #2—when the harpist was romancing Wolf's sister. He was playing electric guitar on the streets as early as 1938. After returning from an ill-fated Army stint during World War II, the big man got more serious about his music, landing a daily 15-minute program on KWEM in West Memphis in 1949. Sam Phillips caught one of Wolf's broadcasts and was transfixed.

Phillips brought Wolf into his fledgling Memphis Recording Service in the spring of 1951 for a demo date. Sam shipped the results up north to Chess, which requested a full session in either May or August. Accompanying Wolf was his sledgehammer guitarist Willie Johnson, a product of Lake Cormorant, Mississippi (he was born March 4, 1923) who played pretty ninth chords one second and barbed-wire leads the next. Also on hand were drummer Willie Steele and a pianist. How Many More Years and its eerie plattermate Moanin' At Midnight were cut at that first date, and both pierced the R&B charts on Chess, How Many peaking higher at #4. 

Meanwhile, Ike Turner had hipped the Bihari brothers to Wolf's talents and they pacted him to RPM, setting up a session at KWEM that September that yielded Morning At Midnight (Moanin' At Midnight in paper-thin disguise), a How Many More Years variant titled Dog Me Around, and two more titles. "The Modern record company would come in, and we would record the same songs for them and get 25 bucks apiece," said Turner. With Wolf now also on RPM, the feud between Leonard Chess and Modern's Bihari brothers ramped up. The battle was ultimately settled the next year when Modern held on to Memphis pianist Rosco Gordon (another Phillips discovery claimed by both labels) while the Wolf went to Chess. Great as Rosco was, looks like Leonard won that round.


Bill Dahl
Chicago, Illinois


Electric Blues 1939-2005. - The Definitive Collection!


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