Tony Orlando Bless You

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catalog number: CDJAS276
weight in Kg 0.1

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(2014/Jasmine) 26 teenage strollers and ballads (64:08) 1959-63 incl. some rare bonus tracks. more

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Tony Orlando: Bless You

(2014/Jasmine) 26 teenage strollers and ballads (64:08) 1959-63 incl. some rare bonus tracks.

Article properties: Tony Orlando: Bless You

Interpret: Tony Orlando
Album titlle: Bless You
Label JASMINE
Genre Rock'n'Roll
Artikelart CD
EAN: 0604988027624
weight in Kg 0.1

Orlando, Tony - Bless You CD 1
01	Halfway To Paradise	Tony Orlando
02	Lonely Tomorrows	Tony Orlando
03	Bless You	Tony Orlando
04	Am I The Guy?	Tony Orlando
05	Happy Times (Are Here To Stay)	Tony Orlando
06	Lonely Am I	Tony Orlando
07	The Lovin' Touch	Tony Orlando
08	Some Kinda Wonderful	Tony Orlando
09	Tell Me Where To Run To	Tony Orlando
10	Dream Lover	Tony Orlando
11	Will You Love Me Tomorrow	Tony Orlando
12	My Baby's A Stranger	Tony Orlando
13	Talkin' About You	Tony Orlando
14	I'd Never Find Another You	Tony Orlando
15	Love On Your Lips	Tony Orlando
16	Chills	Tony Orlando
17	At The Edge Of Tears	Tony Orlando
18	The Loneliest	Tony Orlando
19	Beautiful Dreamer	Tony Orlando
20	Shirley	Tony Orlando
21	Joanie	Tony Orlando
22	Ding Dong - Tony Orlando & The Milos	Tony Orlando
23	All The World Loves A Lover - Bertell Dache	Tony Orlando
24	You Gotta Have Chicks - Bertell Dache	Tony Orlando
25	Not Just Tomorrow, But Always - Bertell Dache	Tony Orlando
26	Love Eyes - Bertell Dache	Tony Orlando

Tony Orlando, Tony Orlando, born in New York, on April 3, 1944, first worked as a singer... more

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"Tony Orlando"

Tony Orlando,

Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.

But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn

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