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Lee Halewood The Complete Reprise Recordings, Vol.1 (CD)

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  • CDLHI068
  • 0.1
​(1994/LHI) 22 tracks more

Lee Halewood: The Complete Reprise Recordings, Vol.1 (CD)

​(1994/LHI) 22 tracks

Article properties: Lee Halewood: The Complete Reprise Recordings, Vol.1 (CD)

  • Interpret: Lee Halewood

  • Album titlle: The Complete Reprise Recordings, Vol.1 (CD)

  • Year of publication 1994
  • Label LHI

  • Artikelart CD

  • EAN: 0801119630689

  • weight in Kg 0.1
Hazlewood, Lee - The Complete Reprise Recordings, Vol.1 (CD) CD 1
01 First Street Blues Lee Halewood
02 I Had A Friend Lee Halewood
03 I'm Gonna Fly Lee Halewood
04 Go Die Big City Lee Halewood
05 I Ain't Gonna Be Lee Halewood
06 Have You Made Any New Bombs Today Lee Halewood
07 Everybody Calls Me Something Lee Halewood
08 Save Your vote For Clarence Mudd Lee Halewood
09 I Might Break Even Lee Halewood
10 Just Bluesin' Lee Halewood
11 Friday's Child Lee Halewood
12 Hutchinson Jail Lee Halewood
13 By The Way Lee Halewood
14 Four Kinds Of Lonely Lee Halewood
15 Houston Lee Halewood
16 Sally Was A Good Old Girl Lee Halewood
17 Since You're Gone Lee Halewood
18 A Real Live Fool Lee Halewood
19 I'm Blue Lee Halewood
20 The Fool Lee Halewood
21 That Old Freight Train Lee Halewood
22 Me And Charlie Lee Halewood
Lee Hazelwood Lee Hazelwood, born in 1929 in Mannford, Oklahoma, went to Southern Methodist... more
"Lee Halewood"

Lee Hazelwood

Lee Hazelwood, born in 1929 in Mannford, Oklahoma, went to Southern Methodist University before the Army took him to Korea. On his discharge in 1953, he became one of the most popular deejays in Phoenix, Arizona, where he broadcast C&W music locally. In 1955, he branched out into songwriting and began dabbling in record production after experimenting in his radio studio. His production of 'The Fool', by Sanford Clark, sold 800,000 copies on Dot Records in 1956 and Dot subsequently signed him as a record pro-ducer for a year, but he failed to make another hit. In 1957, he teamed up with entrepreneur Lester Sill and they formed the Jamie label in Philadelphia with a distribu-tor and Dick Clark of Bandstand fame.

Through Bandstand, they launched Duane Eddy with the 'twangy' guitar sound which made him a star. In three and a half years, Hazelwood sold 20 million Duane Eddy records which despite their crass commerciality were the earliest 'sound' productions in rock. In 1961, Hazelwood and Sill formed the Gregmark label which scored with Phil Spector-produced records by the Paris Sisters (Sill and Hazelwood had earlier run two less successful labels called Trey and East-West). They parted company in 1962 and Hazelwood formed an unsuccessful label, Eden.

In 1964, he left the business but the following year, Jimmy Bowen at Reprise asked him to produce the bubblegum trio of Dino, Desi and Billy for whom he pro-duced four consecutive hits. He also began recording Nancy Sinatra at Reprise and established her as a potent chart-force with 'These Boots Are Made For Walkin" and re-corded countrified duets, like 'Jackson', with her. In the late Sixties, be ran his own LHI label in Hollywood but lack of success ended the project.

Always something of a bohemian, Hazelwood — now in semi-retirement — commutes between homes in Sweden, Paris and Los Angeles.

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