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Professor Longhair Mardi Gras In New Orleans

catalog number: LPNH108

weight in Kg 0,280

 

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Professor Longhair: Mardi Gras In New Orleans

(2014/unknown) 16  tracks.
Reissue of the 1981 Nighthawk LP with recordings from 1949-1957.

(2014/unknown) 16 tracks.


 

Songs

Professor Longhair - Mardi Gras In New Orleans Medium 1
1: Bye Bye Baby  
2: She Ain't Got No Hair  
3: Mardi Gras In New Orleans  
4: Professor Longhair's Boogie  
5: Her Mind Is Gone  
6: Hadacol Bounce  
7: Oh Well  
8: Rockin' With Fes  
9: Curly Haired Baby  
10: Gone So Long  
11: East St. Louis baby  
12: Boyd's Bounce  
13: Tipitina  
14: No Buts No Maybes  
15: Baby Let Me Hold Your Hand  
16: Misery  

 

Artikeleigenschaften von Professor Longhair: Mardi Gras In New Orleans

  • Interpret: Professor Longhair

  • Albumtitel: Mardi Gras In New Orleans

  • Format LP
  • Genre Blues

  • Music Genre 992 Vinyl - Blues
  • Music Style 992 Vinyl - Blues
  • Music Sub-Genre 992 Vinyl - Blues
  • Title Mardi Gras In New Orleans
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2014
  • Label UNKNOWN

  • SubGenre Blues - General

  • EAN: 4000127786241

  • weight in Kg 0.280
 
 

Artist description "Professor Longhair"

Professor Longhair, next to Fats Domino, must rank as New Orleans' most influential musician. Born Henry Roeland Byrd in Bogalusa, Louisiana, on Dec. 18, 1918, his family moved to New Orleans when he was still a child.

He soon picked up the wonderfully diverse styles of the old pianists who used to play the clubs and clip joints, and moulded them into his unique way of playing, with Spanish and rhumba accents predominating. He made his first record in 1949 for Star Talent as Professor Longhair and the Shuffling Hungarians and in 1950 'Bald Head' on Mercury was his one and only record to dent the R&B charts. Records for Atlantic, Federal, Wasco, Ebb, Rip and Watch flopped badly although his 1959 Ron recording of 'Go To The Mardi Gras' still sells well every year at New Orleans' annual blow-out.

He was out of work for much of the Sixties, but there has been a welcome revival of interest in his music of late, which has led to many live appearances and a visit to Europe.

 
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