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Link Wray & The Wraymen The Original 1958 Cadence Sessions

The Original 1958 Cadence Sessions
 
 
 
Please inform me as soon as the product is available again.
 
 

catalog number: LP2011091

weight in Kg 0,220

$19.39 *
 
 

Link Wray & The Wraymen: The Original 1958 Cadence Sessions

(2014/Rumble Records) 18 tracks, original Cadence recordings 1958.
This is the album that Link Wray originally offered to the Cadence label in the wake of his groundbreaking debut hit 'Rumble' back in 1958. Even though people loved 'em in Washington, D.C. Link and the boys did not last long on the label. Faster than you can say Rumble, everyone was talking about the new threat to the morals of American youth. their street image seemed to be sharply at odds with Cadence Records' formality, so the guys were dropped. Link eventually re- recorded some of the tracks for his next label, Epic, who actually released his debut album but these are the original Cadence versions from the original session tapes. Finally on vinyl, Link's debut album the way it was meant to be! Rumble! 

(2014/Rumble Records) 18 tracks, original Cadence recordings 1958.


 

Songs

Wray, Link - The Original 1958 Cadence Sessions LP 1
1: Oddball a.k.a. Rumble
2: Pancho Ville
3: Walking With Link
4: Comanche
5: The Swag
6: Raw Hide
7: Dance Contest
8: School Girl
9: Heartbreak Hotel
10: Drag Race
11: Rebel Rouser
12: Patricia
13: The Freeze
14: I'll Be So Good To You
15: Window Shopping
16: Missing Link
17: White Lightnin'
18: Creepy

 

Artikeleigenschaften von Link Wray & The Wraymen: The Original 1958 Cadence Sessions

  • Interpret: Link Wray & The Wraymen

  • Albumtitel: The Original 1958 Cadence Sessions

  • Format LP
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Vinyl - Rock & Roll
  • Music Sub-Genre 553 Vinyl - Rock & Roll
  • Title The Original 1958 Cadence Sessions
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2014
  • Label RUMBLE RECORDS

  • SubGenre Surf und Garage

  • EAN: 0889397104337

  • weight in Kg 0.220
 
 

Artist description "Wray, Link"

LINK WRAY

La De Da

recorded October 1970 at Wray's Shack Three Track, Accokeek, Maryland; Producers: Steve Verroca and Ray Vernon in association with Bob Feldman

with Lincoln 'Link' Wray: vocal/guitars/Dobro/bass; Billy Hodges: piano/organ/ backing vocal; Bobbie Howard: mandolin/piano; Doug Wray: drums/backing vocal; Steve Verroca: percussion/backing vocal

Polydor 24-4064 (LP)

 

Link Wray played the most important D chord in history: it opened Rumble. Guitarists often remember where they were when they first heard it. Thirteen years later, Wray signed with the newly-launched American division of Polydor, and his back porch sound could almost have emanated from another Link Wray. The extended Wray family was living almost communally on the family farm near Accokeek, Maryland, an hour south of Washington. "Papa started building a chicken coop and a porch on the house," Link told Tom Zito in 1971. "Then he built a room onto the porch, and then another room onto that and pretty soon it was all connected. Ray moved his three-track recorder into one of the rooms and we converted the coop into a studio, but the two were never connected so we still have to yell back and forth, 'Is it running, Ray?' every time we want to start."

 

One of Link's steady gigs was at the Two Thieves Club in suburban Maryland. There, he was heard by Steve Verocca, an Italian who'd come to the States in the wake of Volare, an Italian song he claimed to have produced in its original version by Domenico Modungo. "I was overwhelmed by [Link's] music," said Verroca. "Here was a man on-stage singing out his soul, so I asked him about recording an album and he told me about his past experiences, and I suggested we do it at the Shack. I believe the Shack has a soul. You can hear people burping on the record, and that's great. It's real." When Verroca had no success placing the LP, it was handed to Bob Feldman, who'd been in the Strangeloves and had produced the Angels' My Boyfriend's Back. Feldman had known Link when they were touring together in the late '50s, and was both moved and intrigued by the new record. "Every so often, magic happens," he said. Given the rights for ninety days, he placed the LP with the new American division of Polydor Records. Lyrically, Wray's new songs weren't especially strong, but the funky, organic vibe was compelling. If Rick Nelson's reinvention was still in character; Wray's was a complete 180 degree turn.

Various - Truckers, Kickers, Cowboy Angels Vol.04, The Blissed-Out Birth Of Country Rock 1971 (2-CD)


Read more at: https://www.bear-family.de/various-truckers-kickers-cowboy-angels-vol.04-the-blissed-out-birth-of-country-rock-1971-2-cd.html
Copyright © Bear Family Records

 

 
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