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Link Wray Law Of The Jungle (CD)

Law Of The Jungle (CD)
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catalog number: CDCHD837

weight in Kg 0,100


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$18.66 *

Link Wray: Law Of The Jungle (CD)

(ACE Records) 30 Tracks - 

Link Wray never disappoints. This CD contains classic Swan 45s, rarities and seven stunning previously unreleased stereo mixes from the original Swan label multi-tracks 

In the scheme of things, Link Wray occupies a spot well above cult status and some way below Superstar level, and that's the way he likes it. "Maybe if I'd had the right Superstar push behind me then I'd have had more success," he once remarked, "but then I wouldn't have my freedom, I wouldn't be an eagle. I want to be like the eagles, to be free and do my own thing." 

Between 1963 and 1967, Link recorded for the Swan label of Philadelphia, usually under the skillful direction of his elder brother Vernon, professionally known as Ray Vernon. A self-taught sound engineer and producer, Ray ran his own recording studio in Washington DC which allowed Link the luxury of working in sympathetic if markedly functional surroundings. 

After a decade playing together, the nucleus of Link's band comprising his younger brother, Doug, on the drums and Shorty Horton on bass, had developed an almost telepathic empathy. For much of that time, Ray Vernon had sat in on second guitar and vocals adding to the rapport between the four men. They were cohesive but never dull, as the wild, woolly and frequently jagged sounds heard on this CD attest. 

Aside from a carefully programmed selection of Swan 45s, little heard cuts from their only Swan LP and other rarities (some of which were previously only available on our two vinyl LPs), there are 7 stunning previously unissued stereo re-mixes of classics such as Ace Of Spades and Heartbreak Hotel taken directly from the original multi-tracks. These sound as though they were recorded yesterday and are probably worth the price of the CD alone. Most notable is Link's interpretation of the Beatles' Please Please Me, scheduled for release on a Swan 45 in 1965 but withdrawn at the last moment before eventually appearing on Rollercoaster's Swan Singles collection in 1998. We've included an earlier take in glorious stereo (complete with studio chat) which is noticeably more visceral than the final master. 

Widely acknowledged as the Godfather of Grunge, Link Wray has survived four decades of prevailing trends in popular music to become an American music legend. He never disappoints.

By Rob Finnis



Link Wray - Law Of The Jungle (CD) Medium 1
1: Good Rockin' Tonight (vocal)
2: The Black Widow
3: Law Of The Jungle
4: Hidden Charms (vocal)
5: Hang On
6: Alone
7: Ruby Baby
8: Soul Train (vocal)
9: Heartbreak Hotel
10: Big Ben
11: Peggy Sue
12: Week End
13: Return Of The Birdland
14: Please Please Me
15: Dinosaur
16: Steel Trap
17: My Alberta
18: Ace Of Spades (long vers.)
19: Honky Tonk
20: Scatter
21: Stop And Listen To Me (vocal)
22: Cross Ties
23: The Shadow Knows
24: Mr. Guitar
25: Girl From The North Country (vocal)
26: Bo Diddley
27: Rumble (Swan vers.)
28: Zip Code
29: What A Price (vocal)  


Artikeleigenschaften von Link Wray: Law Of The Jungle (CD)

  • Interpret: Link Wray

  • Albumtitel: Law Of The Jungle (CD)

  • Format CD
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Title Law Of The Jungle (CD)
  • Release date 2002
  • Label Ace Records

  • SubGenre Rock - Rock'n'Roll

  • EAN: 0029667183727

  • weight in Kg 0.100

Artist description "Wray, Link"


La De Da

recorded October 1970 at Wray's Shack Three Track, Accokeek, Maryland; Producers: Steve Verroca and Ray Vernon in association with Bob Feldman

with Lincoln 'Link' Wray: vocal/guitars/Dobro/bass; Billy Hodges: piano/organ/ backing vocal; Bobbie Howard: mandolin/piano; Doug Wray: drums/backing vocal; Steve Verroca: percussion/backing vocal

Polydor 24-4064 (LP)


Link Wray played the most important D chord in history: it opened Rumble. Guitarists often remember where they were when they first heard it. Thirteen years later, Wray signed with the newly-launched American division of Polydor, and his back porch sound could almost have emanated from another Link Wray. The extended Wray family was living almost communally on the family farm near Accokeek, Maryland, an hour south of Washington. "Papa started building a chicken coop and a porch on the house," Link told Tom Zito in 1971. "Then he built a room onto the porch, and then another room onto that and pretty soon it was all connected. Ray moved his three-track recorder into one of the rooms and we converted the coop into a studio, but the two were never connected so we still have to yell back and forth, 'Is it running, Ray?' every time we want to start."

 One of Link's steady gigs was at the Two Thieves Club in suburban Maryland. There, he was heard by Steve Verocca, an Italian who'd come to the States in the wake of Volare, an Italian song he claimed to have produced in its original version by Domenico Modungo. "I was overwhelmed by [Link's] music," said Verroca. "Here was a man on-stage singing out his soul, so I asked him about recording an album and he told me about his past experiences, and I suggested we do it at the Shack. I believe the Shack has a soul. You can hear people burping on the record, and that's great. It's real."

When Verroca had no success placing the LP, it was handed to Bob Feldman, who'd been in the Strangeloves and had produced the Angels' My Boyfriend's Back. Feldman had known Link when they were touring together in the late '50s, and was both moved and intrigued by the new record. "Every so often, magic happens," he said. Given the rights for ninety days, he placed the LP with the new American division of Polydor Records. Lyrically, Wray's new songs weren't especially strong, but the funky, organic vibe was compelling. If Rick Nelson's reinvention was still in character; Wray's was a complete 180 degree turn.

Various - Truckers, Kickers, Cowboy Angels Vol.04, The Blissed-Out Birth Of Country Rock 1971 (2-CD)

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