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Stevie Wonder Stevie Wonder - At The Close Of A Century (Book & 4CD)

catalog number: 9783937406909

weight in Kg 1,200

 

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Stevie Wonder: Stevie Wonder - At The Close Of A Century (Book & 4CD)

ear BOOKS - Fester Einband - Sprache: Englisch - ISBN-13: 9783937406909 - Umfang: 108 Seiten - Sonstiges: w. num. photos, mostly col. - Gewicht: 1145 g - Maße: 286 x 285 mm - Stärke: 17 mm

Stevie Wonder ist einer der einflussreichsten Songwriter und Live-Künstler aller Zeiten. Wonder macht bereits seit fast einem halben Jahrhundert Musik und es ist schwer, sich die Musikwelt ohne ihn vorzustellen. At The Close Of The Century eigentlich bereits 1999 veröffentlicht präsentiert den größten Überblick über Wonders Schaffen bis heute.

 Aufwendig gestaltet und mit zahlreichen Begleittexten versehen, reicht dieses Vier-CD-Set von der Debutsingle Fingertips Parts 1 and 2 über die bemerkenswerten Hits der 60er und den Höhepunkten seiner klassischen Alben in den 70ern bis hin zu herausragenden Balladen der 80er und 90er. At The Close Of The Century ist eines der ganz großen Zeugnisse der Popmusik.
 

Songs

Stevie Wonder - Stevie Wonder - At The Close Of A Century (Book & 4CD) Medium 1
1: Fingertips Pts 1 & 2
2: Uptight (Everything's alright)
3: Nothing's too good for me baby
4: Blowin' in the wind
5: A place in the sun
6: Hey love
7: I was made to love her
8: Until you come back to me (That's what I'm gonna do)
9: I'm wondering
10: Shoo-be-doo-be-doo-da-day
11: You met your match
12: For once in my life
13: I don't know why
14: My cherie amour
15: Yester-me, yester-you, yesterday
16: Never had a dream come true
17: Signed, sealed, delivered I'm yours
18: Heaven help us all
19: We can work it out
20: If you really love me
21: Never dreamed you'd leave in summer
22: Superwoman (Where were you when I needed you)
23: I love every little thing about you
Stevie Wonder - Stevie Wonder - At The Close Of A Century (Book & 4CD) Medium 2
1: Superstition
2: You are the sunshine of my life
3: You and I
4: I believe (When I fall in love it will be forever)
5: Too high
6: Visions
7: Living for the city
8: Golden lady
9: Higher ground
10: All in love is fair  
11: Don't you worry 'bout a thing  
12: He's misstra know it all  
13: You haven't done nothin'  
14: Heaven is 10 zillion light years away  
15: Too shy to say  
16: Boogie on reggae woman  
17: Creepin'  
Stevie Wonder - Stevie Wonder - At The Close Of A Century (Book & 4CD) Medium 3
1: Sir Duke  
2: I wish  
3: Knocks me off my feet  
4: Pastime paradise  
5: Isn't she lovely  
6: Es una historia / I am singing Ngiculela  
7: If it's magic  
8: As  
9: Another star  
10: Send one your love  
11: All I do  
12: Rocket love  
13: I ain't gonna stand for it  
14: Master blaster (Jammin')  
15: Lately  
16: Happy birthday  
Stevie Wonder - Stevie Wonder - At The Close Of A Century (Book & 4CD) Medium 4
1: That girl  
2: Ribbon in the sky  
3: Do I do  
4: Love light in flight  
5: I just called to say I love you  
6: Overjoyed  
7: Part-time lover  
8: Go home  
9: You will know  
10: Skeletons  
11: Gotta have you  
12: These three words  
13: For your love  
14: How come, how long  

 

Artikeleigenschaften von Stevie Wonder: Stevie Wonder - At The Close Of A Century (Book & 4CD)

  • Interpret: Stevie Wonder

  • Albumtitel: Stevie Wonder - At The Close Of A Century (Book & 4CD)

  • Seiten 108
  • Größe 286 x 285 mm x 17 mm
  • Format BUCH
  • Verleger earBOOKS
  • Sprache Englisch
  • Einband Gebundene Ausgabe
  • Genre Pop

  • Title At The Close Of A Century Book&4-CD Set
  • Release date 2006
  • Label EAR BOOKS

  • SubGenre Pop - Vocal Pop

  • EAN: 9783937406909

  • weight in Kg 1.200
 
 

Artist description "Wonder, Stevie"

Stevie Wonder

Uptight (Everything's Alright)

Stevie Wonder

Uptight (Everything's Alright)

 

When he first arrived at Motown, everyone could tell 11-year-old Stevland [Steveland ?] Morris was a musical prodigy. Harnessing that raw talent into something marketable, however, took some time. Born May 13, 1950 in Saginaw, Michigan but brought up in Detroit, the sightless lad knew the brother of The Miracles' Ronnie White, who saw him play his bongos and harmonica and singing in the White family's living room. "It just blew my mind,” said the late White. "So I took him over to the studio and introduced him to Berry (Gordy), and to Brian and Eddie Holland and Lamont Dozier. They signed him and put him to work with Clarence Paul, who was one of the persons who was very influential in Stevie's development.” Judged by either Gordy or his sister Esther (accounts vary) to be a wonder, the handle stuck like glue.

Little Stevie Wonder made his first platter for Tamla in 1962. Under the tutelage of assistant A&R man Paul (the brother of The '5' Royales' guitarist Lowman Pauling), the ebullient young multi-instrumentalist tried everything from R&B to jazz but kept missing the hit parade until Gordy recorded his show at Chicago's Regal Theater. Fingertips had originally been an instrumental, but in front of a roaring big band at the Regal, he turned it into a singalong. "He would say, 'Everybody say yeah!' And it caught on,” said its late co-writer, saxist Hank Cosby. "Next thing I know, Stevie was blowin' his harmonica and tearing the place down.”  Edited into a two-sided 45, Fingertips (Part 2) topped the pop and R&B charts in 1963, rough spots and all.

Stevie's next few studio-cut Tamla singles—Workout Stevie, Workout, Castles In The Sand, Hey Harmonica Man—were mid-level hits, and he mainstream exposure in the films 'Muscle Beach Party' and 'Bikini Beach.' Along the way, he discarded the 'Little' part of his moniker. But in 1966, his 15-year-old voice noticeably maturing, Wonder topped the R&B charts and sailed to #3 pop with the pounding Uptight (Everything's Alright),  which he co-wrote with Cosby and lyricist Sylvia Moy.

Moy had just joined Hitsville when A&R boss Mickey Stevenson asked for volunteers to write for Wonder in hopes of shaking him out of his slump, which threatened his future there. "I said, 'I don't think it's over for him,' " says Moy. "The guys didn't know what to do with the changing voice and everything.” Sylvia asked Stevie to play his fresh material but heard no potential hits. "Just as I was going to start going in my bag, he said, 'Wait a minute! I have one more thing,'” she says. "And he did 'Baby, everything's all right, uptight.' And I said, 'Stevie, that's it! Let's work with that!'”

Cosby put together an aggressive brass-leavened arrangement ignited by Benny Benjamin's jackhammer drum rolls. "I did the music, and I used about four or five horns,” said Cosby, who produced Uptight with Stevenson. "The track was cut when Stevie heard it.”  The way Moy and Wonder laid it out, the word 'uptight' assumed a positive meaning. Stevie thus entered the next phase of his astounding career.

- Bill Dahl -

Various - Sweet Soul Music

Various - Sweet Soul Music 29 Scorching Classics From 1966

Read more at: https://www.bear-family.de/various-sweet-soul-music-29-scorching-classics-from-1966.html
Copyright © Bear Family Records

 
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