Dinah Washington The Very Best Of Dinah Washington (3-CD)
- catalog number: CDEMI68356
- weight in Kg 0.18
Dinah Washington: The Very Best Of Dinah Washington (3-CD)
Article properties: Dinah Washington: The Very Best Of Dinah Washington (3-CD)
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Interpret: Dinah Washington
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Album titlle: The Very Best Of Dinah Washington (3-CD)
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Label EMI
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Genre Pop
- Year of publication 2006
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Artikelart CD
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EAN: 0094636835624
- weight in Kg 0.18
| Washington, Dinah - The Very Best Of Dinah Washington (3-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Call Me Irresponsible | Dinah Washington | ||
| 02 | Lover Man (Oh Where Can You Be) | Dinah Washington | ||
| 03 | Fly Me To The Moon (In Other Words) | Dinah Washington | ||
| 04 | These Foolish Things | Dinah Washington | ||
| 05 | Destination Moon | Dinah Washington | ||
| 06 | Why Was I Born? | Dinah Washington | ||
| 07 | I'm Glad For Your Sake | Dinah Washington | ||
| 08 | You're A Sweetheart | Dinah Washington | ||
| 09 | That's My Desire | Dinah Washington | ||
| 10 | I Used To Love You | Dinah Washington | ||
| 11 | I'll Be Around | Dinah Washington | ||
| 12 | Soulville | Dinah Washington | ||
| 13 | That Sunday (That Summer) | Dinah Washington | ||
| 14 | I Ran Out Of Reasons | Dinah Washington | ||
| 15 | Just One More Chance | Dinah Washington | ||
| 16 | To Forget About You | Dinah Washington | ||
| 17 | Romance In The Dark | Dinah Washington | ||
| 18 | No Hard Feelings | Dinah Washington | ||
| 19 | He's My Guy | Dinah Washington | ||
| 20 | The Key To The Highway | Dinah Washington | ||
| 21 | How Long How Long Blues | Dinah Washington | ||
| 22 | The Blues Ain't Nothing (But A Woman Crying F | Dinah Washington | ||
| 23 | I Left My Heart In San Francisco | Dinah Washington | ||
| 24 | Say It Isn't So | Dinah Washington | ||
| Washington, Dinah - The Very Best Of Dinah Washington (3-CD) CD 2 | ||||
|---|---|---|---|---|
| 01 | The Man That Got Away | Dinah Washington | ||
| 02 | Do Nothin' Till You Hear From Me | Dinah Washington | ||
| 03 | What Kind Of Fool Am I? | Dinah Washington | ||
| 04 | Don't Say Nothing At All | Dinah Washington | ||
| 05 | If It's The Last Thing I Do | Dinah Washington | ||
| 06 | My Devotion | Dinah Washington | ||
| 07 | Me & The One That I Love | Dinah Washington | ||
| 08 | Somebody Else Is Taking My Place | Dinah Washington | ||
| 09 | Me & My Gin | Dinah Washington | ||
| 10 | Take Your Shoes Off | Dinah Washington | ||
| 11 | Make Believe Dreams | Dinah Washington | ||
| 12 | I'll Never Stop Loving You | Dinah Washington | ||
| 13 | Something's Gotta Give | Dinah Washington | ||
| 14 | The Show Must Go On | Dinah Washington | ||
| 15 | I Wanna Be Around | Dinah Washington | ||
| 16 | Don't Come Running Back To Me | Dinah Washington | ||
| 17 | Take Me In Your Arms | Dinah Washington | ||
| 18 | Stars Over My Shoulder | Dinah Washington | ||
| 19 | A Handful Of Stars | Dinah Washington | ||
| 20 | Where Are You? | Dinah Washington | ||
| 21 | Just Friends | Dinah Washington | ||
| 22 | Nobody Knows The Way I Feel This Morning | Dinah Washington | ||
| 23 | Baby Won't You Please Come Home | Dinah Washington | ||
| 24 | Miss You | Dinah Washington | ||
| Washington, Dinah - The Very Best Of Dinah Washington (3-CD) CD 3 | ||||
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| 01 | Is You Is Or Is You Ain't My Baby? | Dinah Washington | ||
| 02 | You're Nobody 'Till Somebody Loves You | Dinah Washington | ||
| 03 | Red Sails In The Sunset | Dinah Washington | ||
| 04 | Coquette | Dinah Washington | ||
| 05 | There Must Be A Way | Dinah Washington | ||
| 06 | Let Me Be The First To Know | Dinah Washington | ||
| 07 | Drinking Again | Dinah Washington | ||
| 08 | Bill | Dinah Washington | ||
| 09 | Drown In My Own Tears | Dinah Washington | ||
| 10 | A Stranger On Earth | Dinah Washington | ||
| 11 | I Didn't Know About You | Dinah Washington | ||
| 12 | I'll Close My Eyes | Dinah Washington | ||
| 13 | For All We Know | Dinah Washington | ||
| 14 | What's New | Dinah Washington | ||
| 15 | Funny Thing | Dinah Washington | ||
| 16 | That Old Feeling | Dinah Washington | ||
| 17 | He's Gone Again | Dinah Washington | ||
| 18 | It's A Mean Old Man's World | Dinah Washington | ||
| 19 | Make Someone Happy | Dinah Washington | ||
| 20 | Icy Stone | Dinah Washington | ||
| 21 | If I Never Get To Heaven | Dinah Washington | ||
| 22 | Love Is The Sweetest Thing | Dinah Washington | ||
| 23 | The Good Life | Dinah Washington | ||
| 24 | On The Street Of Regret | Dinah Washington | ||
Dinah Washington
What A Diff'rence A Day Makes
Dinah Washington
What A Diff'rence A Day Makes
(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.
I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.” In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”
Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.
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