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Dinah Washington The Dinah Washington Story (2-CD)

The Dinah Washington Story (2-CD)
 
 

catalog number: CD514841

weight in Kg 0,200

 

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Dinah Washington: The Dinah Washington Story (2-CD)

(1993/Verve) 46 Tracks - Original Mercury, Verve, Keynote, Wing, and EmArcy recordings, 1943-1962! Including the two hit duets with Brook Benton and some live recordings! 20 page booklet with song-by-song notes, the story and rare pictures! Fantastic Anthology! MM/Bear Family Records
 

Songs

Dinah Washington - The Dinah Washington Story (2-CD) Medium 1
1: Evil Gal Blues
2: Salty Papa Blues
3: Embraceable You
4: A Slick Chick (On The Mellow Side)
5: Postman Blues
6: That's Why A Woman Loves A Heel
7: Walkin' And Talkin'
8: Record Ban Blues
9: (What Can I Say Dear) After I Say I'm Sorry
10: I'll Wait (master take)
11: Good Daddy Blues
12: I Only Know
13: Baby Get Lost
14: It Isn't Fair
15: I'll Never Be Free
16: I Wanna Be Loved
17: Time Out For Tears
18: I Won't Cry Anymore
19: New Blowtop Blues
20: Wheel Of Fortune
21: Trouble In Mind
22: I Cried For You
23: T.V. Is The Thing This Year
24: Am I Blue?
25: Blue Skies
Dinah Washington - The Dinah Washington Story (2-CD) Medium 2
1: Love For Sale
2: I've Got You Under My Skin
3: I Don't Hurt Anymore
4: Crazy He Calls Me
5: Lover, Come Back To Me
6: Teach Me Tonight
7: Blue Gardenia
8: Smoke Gets In Your Eyes  
9: If I Had You  
10: Sometimes I'm Happy  
11: Keepin' Out Of Mischief Now  
12: Back Water Blues  
13: All Of Me  
14: What A Difference A Day Made  
15: Unforgettable  
16: Baby, You've Got What It Takes  
17: A Rockin' Good Way  
18: A Bad Case Of The Blues  
19: This Bitter Earth  
20: September In The Rain  
21: Mad About The Boy  

 

Artikeleigenschaften von Dinah Washington: The Dinah Washington Story (2-CD)

  • Interpret: Dinah Washington

  • Albumtitel: The Dinah Washington Story (2-CD)

  • Format CD
  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Title The Dinah Washington Story (2-CD)
  • Release date 1993
  • Label POLYGRAM

  • SubGenre R&B Music - Classic R&B

  • EAN: 0731451484124

  • weight in Kg 0.200
 
 

Artist description "Washington, Dinah"

Dinah Washington

What A Diff'rence A Day Makes

Dinah Washington

What A Diff'rence A Day Makes

(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.

I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.”  In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”  

Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.

 

Various - Blowing The Fuse 1959

Classics That Rocked The Jukebox


Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

 
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