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T-Bone Walker The Truth (LP, 180g Vinyl, Ltd.)

The Truth (LP, 180g Vinyl, Ltd.)
 
 
 
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catalog number: LPBL754126

weight in Kg 0,290

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$19.83 *
 
 

T-Bone Walker: The Truth (LP, 180g Vinyl, Ltd.)

Video von T-Bone Walker - The Truth (LP, 180g Vinyl, Ltd.)

Reissue of the original 1968 Brunswick album! 11 Tracks! Classic electric blues, man! Limited Edition!
 

Songs

T-Bone Walker - The Truth (LP, 180g Vinyl, Ltd.) Medium 1
1: Treat Your Daddy Well  
2: You Ought To Know Better  
3: Let Your Hair Down Baby  
4: Old Time Used To Be  
5: You Don't Love Me And I Don't Care  
6: It Aint No Right In You  
7: I Aint Your Fool No More  
8: Dont Let Your Heartache Catch You Crying  
9: I Dont Be Jiving  
10: Hate To See You Go  
11: Takes Alot Of Know-how  

 

Artikeleigenschaften von T-Bone Walker: The Truth (LP, 180g Vinyl, Ltd.)

  • Interpret: T-Bone Walker

  • Albumtitel: The Truth (LP, 180g Vinyl, Ltd.)

  • Format LP
  • Genre Blues

  • Edition 2 Limited Edition
  • Title The Truth (LP, 180g Vinyl, Ltd.)
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label BRUNSWICK

  • SubGenre Blues - Electric

  • EAN: 4000127817822

  • weight in Kg 0.290
 
 

Artist description "Walker, T-Bone"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

 

Bill Dahl
Chicago, Illinois

 

 
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