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WALKER, T-Bone The Chronological Vol.5

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catalog number: CDCLASS5152

weight in Kg 0,100

Instead of: $17.49 * (49.8 % Saved)
$8.78 *
 
 

WALKER, T-Bone: The Chronological Vol.5

(1952-54 'Imperial') (51:54/20)
 

Songs

WALKER, T-Bone - The Chronological Vol.5 Medium 1
1: Lollie Lou  
2: Party Girl  
3: Love Is Just A Gamble  
4: High Society  
5: Long Distance Blues  
6: Got No Use For You  
7: I'm Still In Love With You  
8: Railroad Station Blues  
9: Vida Lee  
10: My Baby Is Now On My Mind  
11: Doin' Time  
12: Bye Bye Baby  
13: When The Sun Goes Down  
14: Pony Tail  
15: Wanderin' Heart  
16: I'll Always Be In Love With You  
17: I'll Understand  
18: Hard Way  
19: Teen-Age Baby  
20: Strugglin' Blues  

 

Artikeleigenschaften von WALKER, T-Bone: The Chronological Vol.5

  • Interpret: WALKER, T-Bone

  • Albumtitel: The Chronological Vol.5

  • Format CD
  • Music Genre Blues
  • Music Style Special
  • Music Sub-Genre 968 CD Einzelstuecke/Single Copies
  • Title The Chronological Vol.5
  • Label CLASSICS

  • EAN: 3448967515224

  • weight in Kg 0.100
 
 

Artist description "Walker, T-Bone"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

 

Bill Dahl
Chicago, Illinois

 

 
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