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T-Bone Walker Complete Imperial Records (2-CD)

catalog number: CD967372

weight in Kg 0,168

 

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T-Bone Walker: Complete Imperial Records (2-CD)

(1950-54) (2:19:06/52)
 

Songs

T-Bone Walker - Complete Imperial Records (2-CD) Medium 1
2: Strollin' With Bone  
3: The Sun Went Down  
4: You Don't Love Me  
5: Travelin' Blues  
6: The Hustle Is On  
7: Baby Broke My Heart  
8: Evil Hearted Woman  
9: I Walked Away  
10: No Reason  
11: Look Me In The Eye  
12: Too Lazy  
13: Alimony Blues  
14: Life Is Too Short  
15: You Don't Understand  
16: Welcome Blues  
17: I Get So Weary  
18: You Just Wanted To Use Me  
19: Tell Me What's The Reason  
1: 20 I'm About To Lose My Mind  
21: Cold,Cold Feeling  
22: News For My Baby  
23: Get These Blues Off Me  
24: I Got The Blues Again  
25: Through With Women  
26: Street Walking Woman  
27: Blues Is A Woman  
28: I Got The Blues  
29: Here In The Dark  
30: Blue Mood  
31: Every Time  
32: I Miss You Baby  
33: Lollie Lou  
34: Party Girl  
35: Love Is Just A Gamble  
36: High Society  
37: Long Distance Blues  
38: Got No Use For You  
39: I'm Still In Love With You  
40: Railroad Station Blues  
41: Vida Lee  
T-Bone Walker - Complete Imperial Records (2-CD) Medium 2
1: Blues Is A Woman  
2: I Got The Blues  
3: Here In The Dark  
4: Blue Mood  
5: Every Time  
6: I Miss You Baby  
7: Lollie Lou  
8: Party Girl  
9: Love Is Just A Gamble  
10: High Society  
11: Long Distance Blues  
12: Got No Use For You  
13: I'm Still In Love With You  
14: Railroad Station Blues  
15: Vida Lee  
16: My Baby Is Now On My Mind  
17: Doin' Time  
18: Bye Bye Baby  
19: When The Sun Goes Down  
20: Pony Tail  
21: Wanderin' Heart  
22: I'll Always Be In Love With You  
23: I'll Understand  
24: Hard Way  
25: Teen Age Baby  
26: Strugglin' Blues  

 

Artikeleigenschaften von T-Bone Walker: Complete Imperial Records (2-CD)

  • Interpret: T-Bone Walker

  • Albumtitel: Complete Imperial Records (2-CD)

  • Format CD
  • Genre Blues

  • Music Genre Blues
  • Music Style Texas Blues
  • Music Sub-Genre 912 Texas Blues
  • Title Complete Imperial Records (2-CD)
  • Label CAPITOL

  • SubGenre Blues - Traditional

  • EAN: 0077779673728

  • weight in Kg 0.168
 
 

Artist description "Walker, T-Bone"

T-Bone Walker

Who's the father of the electric blues? Very simple: T-Bone Walker. Of course, a handful of blues-based guitarists had already experimented with amplifying their instruments before T-Bone's appearance, but he wrote the vocabulary that everyone who followed him eagerly adopted. In short, T-Bone was the source. The elegant Mean Old World, recorded in Hollywood on July 20, 1942 with pianist Freddie Slack, bassist Jud DeNaut and drummer Dave Coleman as accompanists, was the real starting point for Walker, even though he had made his first record years earlier.

Born on 28 May 1910 in Linden, Texas, Aaron Thibeaux (T-Bone was a corruption of his middle name) Walker learned the blues from his mother, who played the guitar, and a stepfather who plucked the bass in the Dallas String Band. The famous blind Lemon Jefferson was another major influence - as a teenager Walker led him through Dallas, where Jefferson performed as a street musician. Before concentrating on his guitar playing, Walker acquired extraordinary agility as a professional dancer.

Walker made his first recordings at the end of 1929, a 78 for Columbia under the name Oak Cliff T-Bone (Oak Cliff was the district of Dallas where he grew up). At that time, of course, Walker only played acoustic guitar, even when he performed as a duo with another future pioneer of the electric guitar, Charlie Christian. T-Bone moved out to Los Angeles in the mid-1930s, where he continued to dance and concentrate on his full baritone singing - he was only a singer on his next record appearance with bandleader Les Hite in 1940.

Initially inspired by Les Paul, T-Bone began to try out the newly launched electric guitar models at that time. He decided on a Gibson ES-250 and soon developed the unusual technique of holding his guitar flat in front of him like a plate while he pecked grandiose melody single-tone lines and wonderful, voluminous niche chords. Walker's brilliant innovations prepared the field for most of the following, influential guitarists of post-war blues, from Gatemouth Brown and B.B. King to Albert Collins and Johnny Copeland. His acrobatic shows also impressed his fans.

"Man, he did the splits while he was playing the guitar behind his head," Collins raved. "It was incredible!"

 

Bill Dahl
Chicago, Illinois

 

 
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