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Billy Vaughn 1962's Greatest Hits & the Shifting Whispering (CD)

1962's Greatest Hits & the Shifting Whispering (CD)
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  • CDSEPIA1263
  • 0.107
(2014/Sepia) 26 tracks. 2014 reissue of two albums first time on CD from Billy Vaughn, one of... more

Billy Vaughn: 1962's Greatest Hits & the Shifting Whispering (CD)

(2014/Sepia) 26 tracks.
2014 reissue of two albums first time on CD from Billy Vaughn, one of the most successful orchestra leaders of all time based. '1962's Greatest Hits' peaked at #17 and was 32 weeks in the charts. 'The Shifting Whispering Sands' was originally a Top 5 single recorded in Mono, Vaughn re- recorded the version here in stereo and the album was his tribute to the American West with the inclusion of songs such as 'Cool Water', 'Red River Valley', 'Home on the Range' and his own musical saga 'Songs of the West'. 6 bonus tracks are from Vaughn's other best-selling albums 'Look for a Star" and 'A Swingin' Safari'.

Article properties: Billy Vaughn: 1962's Greatest Hits & the Shifting Whispering (CD)

  • Interpret: Billy Vaughn

  • Album titlle: 1962's Greatest Hits & the Shifting Whispering (CD)

  • Genre Pop

  • Year of publication 2014
  • Label SEPIA

  • Artikelart CD

  • EAN: 5055122112631

  • weight in Kg 0.107
Vaughn, Billy - 1962's Greatest Hits & the Shifting Whispering (CD) CD 1
01 Telstar
02 I Can't Stop Loving You
03 The Lonely Bull
04 Dear Lonely Hearts
05 Go Away, Little Girl
06 Roses Are Red
07 Stranger on the Shore
08 Ramblin' Rose
09 The Stripper
10 Born to Lose
11 Release Me
12 Moon River
13 The Shifting Whispering Sands, Part
14 The Shifting Whispering Sands, Part
15 Home on the Range
16 Wagon Wheels
17 Cool Water
18 Red River Valley
19 The Last Round Up
20 Song of the West
21 Look for a Star
22 Paper Roses
23 Greenfields
24 Because They're Young
25 A Swingin' Safari
26 Love Letters in the Sand
Billy Vaughn A friend of mine, who kept himself busy some forty years ago playing records... more
"Billy Vaughn"

Billy Vaughn

A friend of mine, who kept himself busy some forty years ago playing records at innumerable high school dances, or 'sock hops' as they were often referred to back in the 1950s, smiled with nostalgic pleasure recently at the mention of Billy Vaughn. "Back then, you couldn't have a dance without a pile of Billy Vaughn records,"  he recalled. "His music was so smooth, so pleasant, and so easy to dance to."  The Billy Vaughn Orchestra was a direct descendant of such great sweet bands of the 1930s and 1940s as those led by Guy Lombardo and Jan Garber, but with a twist. By ingeniously combining timeless romantic melodies with a subtle rock and roll beat, Vaughn hit upon a magic formula that bridged the generation gap and brought his music unprecedented crossover success. It was a distinctive sound, unlike any other in popular music. After the first few notes of those familiar twin alto saxophones playing in harmony, you knew instantly whose band this was and what lay ahead.

He was born Richard Smith Vaughn in a modest house on Columbia Avenue in Glasgow, Kentucky on April 12, 1919. His mother, Sally McWherter, nicknamed the infant Billy, and it stuck for the rest of his life. His father, Alvis Radford Vaughn, was a barber by trade, but he also harbored a great love of music. "My Dad was a fine country fiddle player and most of us were able to pick up some type of instrument and play with him. There were many enjoyable evenings,"  Vaughn later remembered. His sisters Inez, Grace, and Charlotte all demonstrated a degree of natural ability, but it was Billy who turned out to be something of a child prodigy.

When he was only three, and confined to a crib with the measles, young Billy began picking out notes on a ukelele. He progressed to the mandolin, though eventually veered away from the stringed instruments which his tiny fingers made difficult to play. When his sisters began piano lessons, Billy would clamber onto the bench as soon as they'd finished to try and replicate what he had heard. His mother later recalled that when the rest of the family would go to see the circus, Billy preferred to stay at home and play music. "Nobody ever encouraged him in music, but he followed his dream. I believe people are gifted at certain things, and for him it was music,"  she explained. The youngster soon gained a degree of proficiency on a wide variety of instruments, and was practically entirely self-taught on each of them. His favorite instrument was the saxophone.

Vaughn decided early that he wanted to make music his career, but his father preferred him to opt for the relative security of the family business, a barbershop in Glasgow. Billy attended barbering school in Louisville, and later a beautician's school in Bowling Green. For a while he worked in the barbershop by day while writing music at night, and later recalled that he found this situation so frustrating that it prompted the beginnings of an ulcer. On a brighter note, his obvious talent and perfect pitch soon earned him a musical  scholarship to Western Kentucky State. 

While attending college, Vaughn also served as a member of the 123rd Cavalry Mounted Band of the National Guard. He was in the 149th Infantry band of the U.S. Army in December of 1941 when Japan bombed Pearl Harbor and the United States was dragged into World War II. "I met him in 1941, before Pearl Harbor,"  recalled the bandleader's wife in a recent interview.  "He was stationed in Camp Shelby, Mississippi. That's in Hattiesburg. I lived in a patriotic little town called Hazlehurst, and we invited 100 soldiers over from the Camp for a weekend, staying in people's homes and eating home cooking. We had a dance on Saturday night, and we all went to church on Sunday morning. That's how I met Billy, at the dance. He was in the orchestra."  Vaughn is universally remembered by acquaintances today as a terribly shy man, but he fell hard for young Marion Smith, who he nicknamed 'Smitty'. He even sold one of his instruments, a saxophone, to help finance the courtship. "We started corresponding, and he would come up and visit,"  remembers Smitty.  "In two years we were married, in 1943." Their long and happy union produced three children: a daughter named Zona, Richard, Jr., and Al.

Vaughn proved a distracted soldier at best. His mind was always on music. Billy was even known to roll a portable keyboard into the latrine while on KP duty, and work on his latest compositions there!

from booklet BCD15970 - Billy Vaughn Sail Along Silvery Moon (6-CD)
Read more at: https://www.bear-family.de/vaughn-billy-sail-along-silvery-moon-6-cd.html
Copyright © Bear Family Records

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