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Ike Turner Trouble Up The Road - The 1961 recordings

Trouble Up The Road - The 1961 recordings
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(2013/SECRET) 26 tracks, all recorded as a part of Ike & Tina and as a session musician! more

Ike Turner: Trouble Up The Road - The 1961 recordings

(2013/SECRET) 26 tracks, all recorded as a part of Ike & Tina and as a session musician!

Article properties:Ike Turner: Trouble Up The Road - The 1961 recordings

  • Interpret: Ike Turner

  • Album titlle: Trouble Up The Road - The 1961 recordings

  • Genre R&B, Soul

  • Label DREAM CATCHER

  • Artikelart CD

  • EAN: 5036436084623

  • weight in Kg 0.1
Turner, Ike - Trouble Up The Road - The 1961 recordings CD 1
01I Idolize YouTURNER, Ike & Tina
02Letter From TineTURNER, Ike & Tina
03I'm JealousTURNER, Ike & Tina
04Trouble Up The RoadBRENSTON, Jackie
05You Ain't The OneBRENSTON, Jackie
06My Man Rock HeadCARTER, Eloise
07I Need YouCARTER, Eloise
08I Wanna Marry YouJIMMY & JEAN
09I Can't BelieveJIMMY & JEAN
10I'm HurtingGALES, Billy
11I'm Dreaming Of YouGALES, Billy
12It's Gonna Work Out FineTURNER, Ike & Tina
13Won't You Forgive MeTURNER, Ike & Tina
14Baby You're So FineMICKEY & SYLVIA
15Love DropsMICKEY & SYLVIA
16Poor FoolTURNER, Ike & Tina
17You Can't Blame MeTURNER, Ike & Tina
18What Kind Of LoveLANE, Ernest
19Sliced ApplesLANE, Ernest
20Don't Throw Your Love On Me So StrongKING, Albert
21This MorningKING, Albert
22IfTURNER, Ike & Tina
23You Can't Love TwoTURNER, Ike & Tina
24I Had A NotionTURNER, Ike & Tina
25SleeplessTURNER, Ike & Tina
26Chances AreTURNER, Ike & Tina
Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the... more
"Ike Turner"

Ike and TinaTurnerevolved one of the most dramatically successful rock stage acts of the Seventies after a career em­bracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musi­cians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while play­ing piano and guitar himself.

He found the focal point for the act in Annie Mae Bul­lock, who was born on Nov. 26, 1938 in Brownsville, Tennes­see, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&Bcharts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the con­struction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work OutFine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots(United Artists, 1971), which suggested that the increasingly spec­tacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

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