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Hank Thompson In The Studio, On The Road (LP)

In The Studio, On The Road (LP)

catalog number: LPSEE263

weight in Kg 0,210


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Hank Thompson: In The Studio, On The Road (LP)

(1989/See For Miles) 26 tracks - Rare 'See For Miles' LP with Capitol recordings from 1956 to 1966, including 14 live tracks, recorded at the 'Texas State Fair' in 1963!

Last copies!



Thompson, Hank - In The Studio, On The Road (LP) LP 1
1: John Henry
2: Crying In The Deep Blue Sea
3: You'll Be The One
4: Hang Your Head In Shame
5: There's No You
6: Give A Little, Take A Little
7: Summit Ridge Drive
8: Shot Gun Boogie
9: September In The Rain
10: Warm Red Wine
11: Total Stranger
12: Honky Tonk Town
13: Welcome To The Fair Introduction
14: Deep In The Heart Of Texas
15: My Heart Is A Playground
16: Charmaine
17: How Many Teardrops
18: New Wears Off Too Fast
19: Rub A Dub Dub
20: Beautiful Texas
21: We Will Start It All Over
22: River Road 2 Step
23: Texas Fight Song
24: I Cast A Lonesome Shadow
25: Simple Simon
26: There's A Little Bit Of Everything


Artikeleigenschaften von Hank Thompson: In The Studio, On The Road (LP)

  • Interpret: Hank Thompson

  • Albumtitel: In The Studio, On The Road (LP)

  • Format LP
  • Genre Country

  • Title In The Studio, On The Road
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 1989

  • SubGenre Rockabilly

  • EAN: 5014661026311

  • weight in Kg 0.210

Artist description "Thompson, Hank"

Hank Thompson


Everything about Hank Thompson was modern. He was one of the first country singers to record on audio tape, the first to record a live album. For years, he flew his own plane to shows. Sick of dealing with crappy dancehall sound systems, he designed and built his own. Handed a coveted membership in the Grand Ole Opry in 1949, soured by the low pay and Nashville's musical conservatism, he quickly went back to his native Texas.

Actually, the Waco-born Thompson grew up favoring Gene Autry, the Carter Family, Vernon Dalhart, Jimmie Rodgers, Ernest Tubb and the Opry over the locally generated Western Swing of the Light Crust Doughboys and Milton Brown. After he got his first guitar in 1935 at age ten, his singing won so many amateur shows at the Waco Theater that by the time he was in high school, WACO gave him a Monday-Friday morning radio show as 'Hank The Hired Hand.' He did the final broadcast in January, 1943, the morning he left for the Navy. Home in 1946, studying toward a degree (and career) in electronics, he began playing Tubb-influenced honky tonk with his new band, the Brazos Valley Boys. By fall, he had his first regional hit, Whoa Sailor, on the local Globe label. A year later, after opening for Tex Ritter in Waco, Ritter recommended Hank to Capitol where Humpty Dumpty Heart became his first national hit in 1948.

Quick to adapt to changing realities, and aiming at the dancehall circuit, Hank directed guitarist Billy Gray to reinvent the Brazos Valley Boys as a danceable Western Swing-influenced outfit, minus the jazzy instrumental solos he never cared for. Dissatisfied with the small crowds he drew performing around Dallas, he relocated to Oklahoma City in 1951, by then boasting a sound as identifiable as Lefty Frizzell's or Ray Price's. He was blending his jovial honky tonk vocals with swing-flavored accompaniment. The band's high standards earned them awards for over a decade. From 1953 on, his buddy Merle Travis played on nearly all Hank's sessions and on a good many tours.

Hank's way with a ballad was apparent on his biggest hit, his 1952 cover of Jimmie Heap's The Wild Side Of Life, which inspired the answer song, It Wasn't God Who Made Honky Tonk Angels (Kitty Wells's first hit). He further demonstrated his ballad skills on I'll Sign My Heart Away and other numbers. Nonetheless, he made his reputation on upbeat bounces like Wake Up Irene, Rub-A-Dub-Dub, A Fooler A Faker, Honky Tonk Girl and A Six Pack To Go. His hits helped keep the Western Swing sound alive during the '50s and '60s when it was largely out of favor.

Jim Halsey, who became Hank's manager in 1952, brought new ideas to the table like Hank's longtime relationship with Falstaff Beer in a day when corporate sponsorship of country acts was rare. Halsey suggested Capitol record Hank onstage at the Golden Nugget in Vegas in 1961—making him the first country artist to record a live album. Hank parted ways with Capitol in 1964. After two years with Warner Bros., he spent 13 years with Dot/MCA, recording in Nashville. The Dot era brought a few major hits. Nonetheless, while reflecting on his recording career in the book accompanying Bear Family's Thompson box set, he concluded, "I’d play one of those Dot records then drop one of those old Capitols on, and it was all the difference in the world between the presence and quality of the Capitols and what Dot put out." The Country Music Hall Of Fame inducted him in 1989.


Hank, who settled in Keller, Texas, northwest of Dallas, remained on the road, performing with local bands after dissolving the Brazos Valley Boys. His later albums included 1997’s 'Hank Thompson And Friends,'an underpromoted all-star effort on Curb, and HighTone's far superior 'Seven Decades,' released in 2000. Like fellow Hall of Famer Porter Wagoner, he literally continued until the end. At times, he'd appear with the Brazos Valley Boys, who'd reformed as an independent band, and billed more recent shows as part of his 'Sunset Tour.' He headlined a show back in Waco on October 8, 2007, proclaimed by Texas' governor as 'Hank Thompson Day.' Late that month, doctors discovered fast-moving, terminal lung cancer. He announced his retirement November 4; two days later, he was gone. In lieu of a funeral, friends and fans assembled at Billy Bob's Texas in Fort Worth on November 14 to celebrate his remarkable life and career. In 2008, Bear Family will release a 33 track Thompson collection as part of its 'Gonna Shake This Shack Tonight' series.


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