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The Swinging Blue Jeans In Paris

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catalog number: CD3930457

weight in Kg 0,100

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$16.74 *
 
 

The Swinging Blue Jeans: In Paris

(1999/MAGIC) 23 tracks, original 1963, 1964 u. 1998;
 

Songs

Swinging Blue Jeans - In Paris CD 1
1: Hippy Hippy Shake
2: One Of These Days
3: Shaking Feeling
4: It Isn't There
5: Ol' Man Mose
6: Shakin' All Over
7: Make Me Know You're Mine
8: I've Got A Girl
9: You're No Good
10: Good Golly Miss Molly
11: Promise You'll Tell Her
12: Around And Around
13: Now I Must Go
14: Shake, Rattle And Roll
15: It's So Right
16: Tutti Frutti
17: Do You Know
18: It's Too Late Now
19: Don't You Worry About Me
20: This Boy
21: Do You Believe In Magic
22: It's In Her Kiss
23: Ol' Man Mose (demo version)

 

Artikeleigenschaften von The Swinging Blue Jeans: In Paris

  • Interpret: The Swinging Blue Jeans

  • Albumtitel: In Paris

  • Format CD
  • Genre Beat

  • Music Genre Rock 'n' Roll
  • Music Style Beat - 60s / 70s
  • Music Sub-Genre 259 Beat - 60s - 70s
  • Title In Paris
  • Release date 1999
  • Label MAGIC

  • SubGenre Beat 60s-70s

  • EAN: 3700139304570

  • weight in Kg 0.100
 
 

Artist description "Swinging Blue Jeans"

The Swinging Blue Jeans

The Swinging Blue Jeans followed the classic Merseybeat route to success, from Liverpool skiifie groups to the Cavern • and Hamburg and, finally, an HMV record contract in 1963. Previously known as the Bluegenes, they were made up of Ray Ennis (lead guitar, born May 26, 1942), Ralph Ellis (rhythm, March 8, 1942), Les Braid (bass, Sept. 15, 1941) and Norman Kuhlke (drums, June 17, 1942). Like many of their compatriots, the Blue Jeans were seldom able to re-produce the excitement of their live act on record, and they also suffered from a lack of strong original material.

Their only three Top Twenty records were all covers of American songs — Chan Romero's 'Hippy Hippy Shake', Little Rich-ard's 'Good Golly Miss Molly' and Betty Everett's 'You're No Good'. The first two in particular conveyed a certain enthusiasm and excitement which took them into the American charts on Imperial.

 
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