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Tommy Steele Singing The Blues (2-CD)

Singing The Blues (2-CD)
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$11.18 *

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  • CD38297
  • 0.11

Tommy Steele: Singing The Blues (2-CD)

Article properties: Tommy Steele: Singing The Blues (2-CD)

  • Interpret: Tommy Steele

  • Album titlle: Singing The Blues (2-CD)

  • Genre Rock'n'Roll

  • Label PINK

  • Artikelart CD

  • EAN: 5024952382972

  • weight in Kg 0.11
Steele, Tommy - Singing The Blues (2-CD) CD 1
01 Singing The Blues
02 Rock With The Caveman
03 Nairobi
04 Butterfingers
05 Water Water
06 Rebel Rock
07 Happy Guitar
08 Doomsday Rock
09 Neon Sign
10 You Gotta Go
11 A Lovely Night
12 Butterfly
13 Photograph
14 Time To Kill
15 Build Up
16 It's All Happening
17 Princess
18 Cannibal Pot
19 I Like
20 Rock Around The Town
21 Giddy Up a Ding Dong (live)
Steele, Tommy - Singing The Blues (2-CD) CD 2
01 A Handful Of Songs
02 Come On, Let's Go
03 Hey You
04 The Only Man On The Island
05 Shiralee
06 Young Love
07 Elevator Rock
08 Teenage Party
09 Knee Deep In The Blues
10 Grandad's Rock
11 Marriage Type Love
12 Number 22 Across The Way
13 Two Eyes
14 What Do You Do?
15 I Puts The Lightie On
16 Hair Down Hoe Down
17 Wedding Bells
18 Plant A Kiss
19 Take Me Back Baby
20 Will It Be You?
21 Kaw Liga (live)
Tommy Steele, born Thomas Hicks in Bermondsey, London, on Dec. 17, 1936, was Britain's first... more
"Tommy Steele"

Tommy Steele, born Thomas Hicks in Bermondsey, London, on Dec. 17, 1936, was Britain's first rock'n'roll star. Discovered singing Hank Williams material and calypsos — learnt while working on a cruiser based in New York — he became a teenage idol almost literally overnight. His first record, 'Rock With The Caveman', was made just two days after his recording test in September, 1956. Within a month it was a British Top Ten hit. Steele's first tour began in November, 1956, and introduced the amplifier to the British stage.

With Lionel Bart and Mike Pratt, Steele wrote some of his British hits of the Fifties, including 'Rock With The Caveman' and 'A Handful Of Songs' and he had further hits with cover versions of American records, 'Singing The Blues' (Guy Mitchell), 1957, and 'Tallahassee Lassie' (Freddie Can-non), 1959. The latter showed Steele in unfamiliar guise as a tough, heavy rocker. Heavy rocker he was not, however, and it was inevitable that Steele would leave rock'n'roll.

His personality was that of the archetypal cheery Cockney, and clearly stemmed more from the vaudeville tradition than from an imported rock'n'roll milieu. By the beginning of the Sixties, Steele had begun to suc-ceed in All-Round Entertainment, at which he has since triumphed. Steele's importance to British rock'n'roll simply derives from his having been there first, rather than from any subsequent creative contribution.

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