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Tommy Steele Hey You ! Story & Stage Show...plus

Hey You ! Story & Stage Show...plus
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$11.59 * $14.49 * (20.01% Saved)

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  • CDREX118
  • 0.1
(2008/REX) 29 tracks more

Tommy Steele: Hey You ! Story & Stage Show...plus

(2008/REX) 29 tracks

Article properties: Tommy Steele: Hey You ! Story & Stage Show...plus

  • Interpret: Tommy Steele

  • Album titlle: Hey You ! Story & Stage Show...plus

  • Genre Rock'n'Roll

  • Year of publication 2008
  • Label REX

  • Artikelart CD

  • EAN: 0827565029020

  • weight in Kg 0.1
Steele, Tommy - Hey You ! Story & Stage Show...plus CD 1
01 Singing The Blues
02 Shiralee
03 Knee Deep In The Blues
04 Hey You
05 Grandad's Rock
06 The Tommy Steele Story:
07 Take Me Back Baby
08 Butterfingers
09 I Like
10 A Handful Of Songs
11 You Gotta Go
12 Water Water
13 Cannibal Pot
14 Will It Be You
15 Two Eyes
16 Build Up
17 Time To Kill
18 Elevator Rock
19 Doomsday Rock
20 Teenage Party
21 The Tommy Steele Stage Show (Live):
22 Giddy Up A Ding-Dong (Live)
23 Treasure Of Love (Live)
24 Honky Tonk Blues (Live)
25 Razzle Dazzle (Live)
26 Kaw-Liga (Live)
27 Teenage Party (Live)
28 Wedding Bells (Live)
29 What Is This Thing Called Love (Live)
30 On The Move Rock (Live)
31 Rock With The Caveman (Live)
Tommy Steele, born Thomas Hicks in Bermondsey, London, on Dec. 17, 1936, was Britain's first... more
"Tommy Steele"

Tommy Steele, born Thomas Hicks in Bermondsey, London, on Dec. 17, 1936, was Britain's first rock'n'roll star. Discovered singing Hank Williams material and calypsos — learnt while working on a cruiser based in New York — he became a teenage idol almost literally overnight. His first record, 'Rock With The Caveman', was made just two days after his recording test in September, 1956. Within a month it was a British Top Ten hit. Steele's first tour began in November, 1956, and introduced the amplifier to the British stage.

With Lionel Bart and Mike Pratt, Steele wrote some of his British hits of the Fifties, including 'Rock With The Caveman' and 'A Handful Of Songs' and he had further hits with cover versions of American records, 'Singing The Blues' (Guy Mitchell), 1957, and 'Tallahassee Lassie' (Freddie Can-non), 1959. The latter showed Steele in unfamiliar guise as a tough, heavy rocker. Heavy rocker he was not, however, and it was inevitable that Steele would leave rock'n'roll.

His personality was that of the archetypal cheery Cockney, and clearly stemmed more from the vaudeville tradition than from an imported rock'n'roll milieu. By the beginning of the Sixties, Steele had begun to suc-ceed in All-Round Entertainment, at which he has since triumphed. Steele's importance to British rock'n'roll simply derives from his having been there first, rather than from any subsequent creative contribution.

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