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Keely Smith The Very Best Of (2-CD)

The Very Best Of (2-CD)
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(2008/EMI) 50 tracks Capitol 1957-59more

Keely Smith: The Very Best Of (2-CD)

(2008/EMI) 50 tracks Capitol 1957-59

Article properties:Keely Smith: The Very Best Of (2-CD)

  • Interpret: Keely Smith

  • Album titlle: The Very Best Of (2-CD)

  • Label EMI

  • Genre Pop

  • Artikelart CD

  • EAN: 5099922713926

  • weight in Kg 0.12
Smith, Keely - The Very Best Of (2-CD) CD 1
01You Got To My HeadKeely Smith
02I'll Get By (A LOng As I Have You)Keely Smith
03Sweet And LonelyKeely Smith
04The Song Is YouKeely Smith
05Don't Take Your Love From MeKeely Smith
06That Old Black Magic (& LOUIS PRIMA)Keely Smith
07You're Driving Me CrazyKeely Smith
08On The Sunny Side Of The StreetKeely Smith
09StardustKeely Smith
10All The WayKeely Smith
11The Man I LoveKeely Smith
12I Can't Get StartedKeely Smith
13I'm In The Mood For Love (& LOUIS PRIMA,live)Keely Smith
14It's Been A Long, Long TimeKeely Smith
15There Will Never Be Another YouKeely Smith
16What Can I Say After I Say I'm Sorry?Keely Smith
17Mr WonderfulKeely Smith
18If We Never Meet AgainKeely Smith
19I've Got You Under My Skin (& LOUIS PRIMA)Keely Smith
20ImaginationKeely Smith
21Stormy WeatherKeely Smith
22When Day Is DoneKeely Smith
23When Your Love Has GoneKeely Smith
24Indian Love CallKeely Smith
25Baby, Won't You Please Come HomeKeely Smith
Smith, Keely - The Very Best Of (2-CD) CD 2
01You'll Never KnowKeely Smith
02What Is This Thing Called LoveKeely Smith
03Autumn Leaves (& LOUIS PRIMA)Keely Smith
04The Birth Of The BluesKeely Smith
05I UnderstandKeely Smith
06Sentimental Journey (& LOUIS PRIMA)Keely Smith
07Good BehaviorKeely Smith
08A Foggy DayKeely Smith
09I Gotta Righ..(& PRIMA,BUTERA,WITNESSES,live)Keely Smith
10East Of The Sun (And West Of The Moon)Keely Smith
11As You Desire MeKeely Smith
12I Never Knew (I Could Love Anybody Like...)Keely Smith
13It's MagicKeely Smith
14Cocktail For TwoKeely Smith
15Lullaby Of The LeavesKeely Smith
16I Wish You LoveKeely Smith
17Fools Rush InKeely Smith
18You Are My LoveKeely Smith
19Somewone To Watch Over MeKeely Smith
20S'Posin'Keely Smith
21I'll Never Smile AgainKeely Smith
22The Nearess Of YouKeely Smith
23Embraceable You (& LOUIS PRIMA, live)Keely Smith
24I Got It Bad And..(& LOUIS PRIMA, Live)Keely Smith
25Hey, Boy! Hey, Girl! (& LOUIS PRIMA)Keely Smith
Keely Smith Dorothy Jacqueline Keely, born March 9, 1928 -  December 16, 2017 Keely... more
"Keely Smith"

Keely Smith

Dorothy Jacqueline Keely, born March 9, 1928 -  December 16, 2017

Keely Smith

"My first solo album on Capitol was I Wish You Love with Nelson [1957]. No one could get to Nelson. He really belonged to Frank," Keely explained. "I'm sure that Frank had a lot to do with me getting him."

Keely had already covered some formidable musical ground, including scads of hit records and a Grammy win) with ex-husband Louis Prima. She enjoyed a strong professional relationship and per-sonal friendship with Sinatra and greatly respected his melding of artistic and com-mercial success. And Frank, in turn, clearly admired Keely. As soon as her contractual obligation to Dot ended in late 1962, he brought her to Reprise. In January 1963, at Frank's suggestion, Keely entered a New York studio to record a single with one of his new "favorite" arranger-producers: Don Costa. That non-LP single is included here in stereo for the first time, having been restored from the original masters.


Costa's work with Sinatra had made him a star. A gifted guitarist, Don — like Nelson Riddle — was multi-faceted, and could weave virtually any musical spell his client desired. Sinatra and Costa's 1961 Reprise LP Sinatra and Strings was immediately recognized as one of the singer's finest; the musical canvas Costa painted was forlorn, atmospheric, and thrilling...

Impressed with the results, Sinatra helped plan Keely's first LP for the label, Little Girl Blue/Little Girl New, recorded in early spring 1963. It marked Keely's first full-fledged Reprise album - and the first major project for her own company, Keely Records. The LP represented an artistic reinvention - a chance for Keely to show-case her solo prowess on a dozen classic and contemporary standards. Strikingly di-verse, the "double 'A' side" concept album featured two front covers and the best of all musical worlds.

Nelson Riddle was a perfect choice for this album. His presence is immediately felt in the gorgeous string voicings and flute accents on the opening track (Rodgers & Hart's "Little Girl Blue"), which Keely imbues with sincerity, tenderness, and warmth. Her timing is impeccable; she lin-gers without dwelling, flirting with the lyric and giving each word precisely the weight it deserves...


While he'd previously arranged and recorded many of the songs on Little Girl Blue with other vocalists, Riddle devised vastly differ-ent musical settings for Keely's versions. All the hallmarks of the Riddle style are there: the sinewy, melodic bass trombone lines, the effortless ebb and flow of the strings, the relentless driving of the drums, the taste-ful use of percussion and woodwinds, and Nelson's exquisite use of the harp. It's the way the arranger employs these sounds that separates Keely's orchestrations from his others. A perfect illustration of this is the ultra-romantic harp introduction for "Gone with the Wind." He'd arranged the song for Sinatra's Only the Lonely album five years earlier, yet the treatment he created for this album with Keely bears little resemblance to the earlier recording.

The flip side of the album - Little Girl New - offers a vibrant program of contempo-rary songs brimming with optimism and vitality, opening with "I'm Gonna Live Till I Die." Here, Riddle gives it the full-tilt big band treatment at breakneck tempo. The brass bites, the reeds sting, and unre-strained sax and trombone solos offer the perfect backing for Keely's high-intensity vocal. Her perceptive renditions of "It's Good to Be Alive," "A Lot of Livin' to Do" (from the Tony-winning musical Bye Bye Birdie), "New Sun in the Sky" (from the musical comedy The Bandwag-on), and "Blue Skies" round out a thor-oughly swinging set that highlights Keely's superb jazz sensibilities.

With this album, Keely and Nelson sought to present a program rich with contrast and dichotomy. Daring at the time, the concept could have easily failed. But, as this newly restored edition of the album attests, Little Girl Blue/Little Girl New was solid in both concept and execution - an album that is as delightful today as it was fifty-four years ago. Once again, Billboard highlighted Keely's efforts in its June 29, 1963 issue, selecting the album for Special Merit in the Pop category: "Whether Little Keely Smith is Little Girl Blue or Little Girl New, she's fine on this new package. She generates lots of excitement, whether it's on an up tempo ditty like 'A Lot of Livin' to Do' or a more relaxed 'Gone with the Wind.'"

The word to describe the Keely Smith-Nelson Riddle partnership is simpatico. "Nel-son was quiet - very much in command and in control," said Keely. "He was kind, and I wasn't afraid of him, or making the album. I always had this thing that what-ever I had to do, I just went and did it. I never thought about how big it was, how important it was, or how wonderful it was having your own contract. I was a girl liv-ing her life with her family, and singing is what I did."

As with the music, Frank Sinatra's masterful, generous gift to his Reprise cohorts — ownership and control of their master recordings — endures. Keely Smith and Nancy Sinatra (two of the last surviving "original" Reprise artists) — as well as the estates of Dean Martin, Sammy Davis, Jr., Bing Crosby et al — still benefit from this proviso, and it's one of the primary rea-sons why magnificent albums such as Little Girl Blue/Little Girl New can be presented to a new and adoring audience.
Little Girl Blue/Little Girl New is an album of top-quality songs, beautifully arranged and sung to perfection. I hope you enjoy it as much as I do!
- Charles L. Granata

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