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The Shirelles Baby It's You - King Curtis Twist

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catalog number: CDCHD1199

weight in Kg 0,100


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The Shirelles: Baby It's You - King Curtis Twist

(2008/ACE) 26 tracks 1962 with 16 page booklet. The Third And Fourth Albums From This Conerstone Girl Group - And Thei Guest, King Curtis - Plus Three Bonus Titles, Including The Rare Valli 45 That Features This Unknown Singing Over The Shirelles' Vocal.


Shirelles - Baby It's You - King Curtis Twist CD 1
1: Baby It's You
2: The Things I Want To Hear (Pretty Words)
3: Big John
4: The Same Old Story
5: Voice Of Experience
6: Irresistible You
7: Soldier Boy
8: A Thing Of The Past
9: Twenty-One
10: Make The Night A Little Longer
11: Twistin' USA
12: Putty In Your Hands
13: Mama, Here Comes The Bride
14: Take The Last Train Home (& King Curtis)
15: Welcome Home, Baby
16: I Got A Woman (& King Curtis)
17: I Still Want You (& King Curtis & SHIRELLES)
18: Take The Last Train Home (Vocal)(& King Curti
19: Love Is A Swinging Thing
20: Ooh Poo Pah Doo
21: New Orleans (& King Curtis)
22: Mister Twister
23: Potato Chips (& King Curtis)
24: I Saw A Tear (Single Version)
25: Baby It's You
26: Hurry Home To Me (Soldier Boy)


Artikeleigenschaften von The Shirelles: Baby It's You - King Curtis Twist

  • Interpret: The Shirelles

  • Albumtitel: Baby It's You - King Curtis Twist

  • Format CD
  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Title Baby It's You/King Curtis Twist
  • Release date 2008
  • Label ACE

  • SubGenre R&B Music - Classic R&B

  • EAN: 0029667034227

  • weight in Kg 0.100

Artist description "Shirelles"

The Shirelles

Will You Love Me Tomorrow

The Shirelles were the top girl group in the country in 1960. They had an impressive seller that summer with the sleek Tonight's The Night, but their coronation was due to a remorseful theme written by young New York composers Carole King and Gerry Goffin. Lyrically,Will You Love Me Tomorrow was fairly heavy stuff, lead singer Shirley Owens wondering if her lover would treat her the same way the next day after they'd had sex (one had to read between the lines). Owens had initially informed Luther Dixon, her producer at Florence Greenberg's Scepter Records, that she didn't think she could sing the tune because it was too country!

Will You Love Me Tomorrow didn't sound country at all by the time The Shirelles got done with it. King, in charge of the music, and lyricist Goffin worked for Aldon Music, the domain of Al Nevins, formerly of The Three Suns, and street-smart Don Kirshner. Located at 1650 Broadway, up the street from Manhattan's Brill Building, the publishing firm specialized in youth-oriented material tailor-made for the violin-enriched uptown soul productions that The Shirelles favored as female counterparts to The Drifters. King went all out on the sumptuous arrangement; Dixon's production technique was similarly top-notch.

With the less ambitious but thoroughly delightful rocker Boys, penned by Dixon and Wes Farrell (and later recorded by no less than the Beatles), on the B-side, the sparkling ballad cracked the pop charts in November of 1960 and rocketed to #1 by late January of '61, missing the same happy fate on the R&B side by one slot. Owens, Addie 'Micki' Harris, Doris Coley, and Beverly Lee had come a long way from their Passaic, New Jersey beginnings and their first small hit for Decca, I Met Him On A Sunday (Ronde-Ronde).


Various - Street Corner Symphonies 1960 Vol.12

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