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Mary Roos Die Polydor Jahre (3-CD)

Die Polydor Jahre (3-CD)
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(2013/KOCH UNIVERSAL) 44 Titel more

Mary Roos: Die Polydor Jahre (3-CD)

(2013/KOCH UNIVERSAL) 44 Titel

Article properties:Mary Roos: Die Polydor Jahre (3-CD)

  • Interpret: Mary Roos

  • Album titlle: Die Polydor Jahre (3-CD)

  • Genre Schlager und Volksmusik


  • Artikelart CD

  • EAN: 0602537333332

  • weight in Kg 0.3
Roos, Mary - Die Polydor Jahre (3-CD) CD 1
01Nimm dir nie ein TeufelsweibMary Roos
02Liebe ist mehrMary Roos
03Komm zu mirMary Roos
04Gib die Band aufMary Roos
05Baby (es tut weh)Mary Roos
06Die Einsamkeit in meinem ZimmerMary Roos
07Macht doch auf-lasst mich reinMary Roos
08Schenk' die Jahre nicht herMary Roos
09Auch morgen schlaegt mein Herz fuer dichMary Roos
10Frei geborenMary Roos
11Nur der SpielmannMary Roos
12Addio GoodbyeMary Roos
13Bonus-Tracks:Mary Roos
14Santo DomingoMary Roos
15PinocchioMary Roos
Roos, Mary - Die Polydor Jahre (3-CD) CD 2
01Ich bin Mary und nicht JaneMary Roos
02Lass mich geh'nMary Roos
03Die erste BegegnungMary Roos
04Dann werde ich versuchen nicht zu weinenMary Roos
05Country BoyMary Roos
06Eine Runde im WeltkarussellMary Roos
07Ein Komoediant ist jeder MannMary Roos
08Tony BellMary Roos
09Ich bin ein Spielzeug deiner LaunenMary Roos
10Wenn Irland erwachtMary Roos
11Kind unserer ZeitMary Roos
12Wann werd' ich dich wiedersehnMary Roos
13Bonus-Tracks:Mary Roos
14Little Teenager SongMary Roos
15Dann waer was losMary Roos
16Jodel RosemarieMary Roos
17Ich moecht' schon sechzehn Jahre seinMary Roos
Roos, Mary - Die Polydor Jahre (3-CD) CD 3
01Doch mich selber kenn ich nichtMary Roos
02Genuegt nur eine LiebeMary Roos
03Was ist denn schon dabeiMary Roos
04Fremder MannMary Roos
05Alles hab ich dir verziehenMary Roos
06Schliess mich ein in deinem TraumMary Roos
07Samba D'amourMary Roos
08Maenner die noch traeumenMary Roos
09Mexican Love SongMary Roos
10MarianneMary Roos
11Der dunkle SchattenMary Roos
12Nur ein TraumMary Roos
13Bonus-Tracks:Mary Roos
14In Musik hab ich 'ne EinsMary Roos
15Wir fahren mit der Choo-Choo-ChooMary Roos
Mary Roos Mary Roos The photo album is a memento of German families. In it life takes... more
"Mary Roos"

Mary Roos

Mary Roos

The photo album is a memento of German families. In it life takes place chronologically, again and again callable and beautiful to look at with a lot of time colouring. Mary Roos has only one small album, and she didn't even create it herself. It comes from the director of her fan club and shows the singer's autograph cards - right from the start. Mary Roos keeps her personal photos in a big box in a pleasantly nonchalant way, there are large formats next to small pictures, black and white photos next to colour photos. For example a scene with the black African singer Max Kutta, whom she met on a tour and who was later killed by his wife. Or a picture with Cornelia Froboess - once a child star like Mary, who was initially called Rosemarie. When you rummage in the box, the whole hit scene appears - from 1958 on.

On April 30, 1958, a'public big colourful evening' took place in the Stadthalle in Bingen am Rhein, "followed by a dance into May. It's inviting: Union of German Railway Workers". Participants'from film, radio and television': Willy Hagara and... Rosemarie Schwab. Behind her name in parentheses was'Bingen'. Her parents, Maria and Karl Schwab, owned a hotel in which little Rosemarie (born on January 9, 1949) had her first contacts with show business. In the hotel, the entertainment programme included a 5 o'clock dance tea, which was performed by friendly musicians. According to Mary Roos, the parents, who were concerned about the independence of the children, always had their first-born children sing along to the band - under supervision. Later, too, they watched over Rosemarie, but gave her the freedom to get into the pop music business. "They let me do it, had a lot of faith. There were few bans. My father was an absolute gentleman. And the mother would have been on lookout if they'd robbed the Kreissparkasse. Two absolute opposites." Logically, it was the mother who negotiated with producers and signed contracts with record companies.

The impetus came from the composer Karl Götz, who experienced the singing daughter of the house in the hotel in Bingen. He had the self-written Polka Ja, the Dicken are so comfortably ready and took them to the studio in Bruchsal for their first recording. Mary Roos: "This was a huge hall, because of the good acoustics in cinemas at that time." A second title, I am always so happy when holidays are (holiday polka), had at least reference to the artist. The little Rosemarie got her first contact to studio owner Horst Heinz Henning and released her first single on the Hamburg Metronome label. Henning should still play a big role in her life. However, it took ten years for her name to reappear on a metronome record. The Hamburg Polydor, who achieved commercial success in 1958 with the two years older Gabriele Clonisch from Bavaria, soon showed interest in Rosemarie and brought her together with professionals: with producer Werner Cyprys, orchestra director Horst Wende and the authors Lotar Olias, Charles Nowa and Carl-Ulrich Blecher. Karl Götz also supplied material. His Little Teenager song written for his protégé even ended up in the movie'Die Straße' (with Heinz Drache).

The contract with Berlin-based Rex Film brought in 500 D-Mark Gage for the short appearance in'Die Straße'. A lot of money in a time in which appearances in the double-digit range were remunerated. She and her parents were telegramed to Hamburg by producer Schmidt-Norden: "Expect a double room with daughter Rosemarie at noon STOP Hotel Bellevue orders STOP. Götz was also there to rehearse the title with her. And Cyprys always practiced diligently with her so that she would drop her dialect and not lisp so much - due to a gap in her teeth. They tried a lot with her - from the yodel rosemary ("I love to sing where the Alps glow") to the'rock'"I want to be 16 years old" (text: "But I can sing the Rick'n Rack'n Rock 'n' Roll"). The hope that she could sing with Louis Armstrong in the film'La Paloma' vanished. Producer Gerhard Mendelson had already launched his child star Gabriele for Uncle Satchmos Lullaby. But neither for Gabriele nor for Rosemarie did Polydor develop a lasting career.

Excerpt from BCD16521 - Mary Roos Jugendsünden (3-CD)


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