Rhythm And Blues

Early rock & roll derived the lion's share of its en-ergy and inspiration from black music. In the Fif-ties "rock & roll" was often taken to be simply a new name for "rhythm & blues," or "R&B," the music industry's generic term for any popular music primarily produced and consumed by African-Americans.

The R&B scene of the early Fifties was diverse enough to accommodate the suave stylings of a Charles Brown, the earthy, fiery Chicago blues of a Muddy Waters and everything in between. But when one thinks today of R&B in the early Fifties, it's usually the vocal groups that first come to mind—the Drifters, the Dominoes, the Midnighters, so many more. During those years, the years just before rock & roll became a worldwide phenomenon, a new en-ergy came into black vocal group music. In the For-ties it had been dominated by the Ravens, the Orioles and other groups that sang love songs sweet and low, after the fashion of the Ink Spots, who became world famous just before World War II.

Around 1950, though, certain R&B vocal groups began moving away from the sweet tones of the Ink Spots' Bill Kenny and toward something much closer to the sanctified shouts of such contemporary gospel groups as the Soul Stirrers, the Pilgrim Trav-elers and the Swan Silvertones. For some in the black community, this was tan-tamount to blasphemy. The new mix of gospel-style singing, sensual R&B rhythms and risque lyrics on such trend-setting records as "Honey Love" by the Drifters and "Work with Me Annie" by the Mid-nighters was as outrageous to conservatives as the rap excesses of 2 Live Crew would be some thirty-five years later.

(When Sam Cooke launched his pop career in 1957 after six years of singing pure gospel with the Soul Stirrers, the schism among his fans was deeper and more permanent even than what happened among Bob Dylan's folk fans after he went electric in 1965.) For young R&B fans, though—blacks and whites—this was electrifying stuff...

Early rock & roll derived the lion's share of its en-ergy and inspiration from black music. In the Fif-ties "rock & roll" was often taken to be simply a new name for "rhythm & blues,"... read more »
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Rhythm And Blues

Early rock & roll derived the lion's share of its en-ergy and inspiration from black music. In the Fif-ties "rock & roll" was often taken to be simply a new name for "rhythm & blues," or "R&B," the music industry's generic term for any popular music primarily produced and consumed by African-Americans.

The R&B scene of the early Fifties was diverse enough to accommodate the suave stylings of a Charles Brown, the earthy, fiery Chicago blues of a Muddy Waters and everything in between. But when one thinks today of R&B in the early Fifties, it's usually the vocal groups that first come to mind—the Drifters, the Dominoes, the Midnighters, so many more. During those years, the years just before rock & roll became a worldwide phenomenon, a new en-ergy came into black vocal group music. In the For-ties it had been dominated by the Ravens, the Orioles and other groups that sang love songs sweet and low, after the fashion of the Ink Spots, who became world famous just before World War II.

Around 1950, though, certain R&B vocal groups began moving away from the sweet tones of the Ink Spots' Bill Kenny and toward something much closer to the sanctified shouts of such contemporary gospel groups as the Soul Stirrers, the Pilgrim Trav-elers and the Swan Silvertones. For some in the black community, this was tan-tamount to blasphemy. The new mix of gospel-style singing, sensual R&B rhythms and risque lyrics on such trend-setting records as "Honey Love" by the Drifters and "Work with Me Annie" by the Mid-nighters was as outrageous to conservatives as the rap excesses of 2 Live Crew would be some thirty-five years later.

(When Sam Cooke launched his pop career in 1957 after six years of singing pure gospel with the Soul Stirrers, the schism among his fans was deeper and more permanent even than what happened among Bob Dylan's folk fans after he went electric in 1965.) For young R&B fans, though—blacks and whites—this was electrifying stuff...

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Southern Bred Vol.4 - Mississippi R&B Rockers (CD)
Various: Southern Bred Vol.4 - Mississippi R&B Rockers (CD) Art-Nr.: CDKM037

only 1x still available
Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Digisleeve -
$17.75
Wild Life - And All About Love (CD)
Various: Wild Life - And All About Love (CD) Art-Nr.: CDKM14

only 2x still available
Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Ecopack - The Mojo Man says: I guess it all goes back to the days of Adam and Eve in the Garden of Eden. They must have “shook that thing.” Adam told Eve “don’t be so cute, and give me some of that...
$17.75
Voo Doo Lou (CD)
Various: Voo Doo Lou (CD) Art-Nr.: CDKM13

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Ecopack - The Mojo Man says: To get in a mellow groove you gotta know how to move. You riff low and you riff high. Then you jump high frantic and fly. Then all the weird people will raise a shout somebody...
$17.75
Move On! (CD)
Various: Move On! (CD) Art-Nr.: CDKM05

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo) 28 Tracks - Ecopack - A Rhythm'n'Blues Collection! Vernacular Dances Off The Dance Track!
$17.75
Don't Mess With Me, Baby (CD)
Various: Don't Mess With Me, Baby (CD) Art-Nr.: CDKM03

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo) 28 Tracks - Ecopack - A Rhythm'n'Blues Collection! Don't Mess With Me, Baby! 'Cause The Trouble With Me Is You!
$17.75
Holy Smoke (CD)
Various: Holy Smoke (CD) Art-Nr.: CDKM12

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Ecopack - The Mojo Man says: Here is some advice for the lovesick in the hep world; if strong winds are rocking your boat and the grapevine is sounding loud and wrong, don’t howl and growl, just bring all...
$17.75
Cockroach Run (CD)
Various: Cockroach Run (CD) Art-Nr.: CDKM08

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Ecopack - Well, well. well, we got a second helping of danceable funny ones here. It takes a whole lot of bulling jive to keep the joints alive!
$17.75
It's A Man Down There (CD)
Various: It's A Man Down There (CD) Art-Nr.: CDKM06

Ready to ship today, delivery time** appr. 1-3 workdays

(Koko Mojo Records) 28 Tracks - Ecopack - Jumping jills and jiving cats, this mighty fine collection is devoted to the relation of men and women. What else is there to say? Dig these Rhythm And Blues and WAIT FOR BETTER TIMES!
$17.75