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The Pretty Things The Very Best Of

The Very Best Of
 
 
 
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catalog number: CDRR4990

weight in Kg 0,100

$8.13 *
 
 

The Pretty Things: The Very Best Of

(2003/REPERTOIRE) 26 tracks 1964-1976 / last copies

(2003/REPERTOIRE) 26 tracks 1964-1976 / last copies


 

Songs

The Pretty Things - The Very Best Of Medium 1
1: Rosalyn
2: Don't Bring Me Down
3: Honey, I Need
4: I Can Never Say
5: Cry To Me
6: Sittin' All Alone
7: Midnight To Six Man
8: Come See Me
9: L.S.D.
10: A House In The Country
11: Me Needing You
12: Progress
13: Children
14: Death Of A Socialite
15: Photographer
16: Defecting Grey
17: Mr. Evasion
18: Talkin' About The Good Times
19: Walking Through My Dreams
20: Private Sorrow
21: The Good Mr. Square
22: October 26
23: Cold Stone
24: Stone-Hearted Mama
25: Havana Bound
26: Tonight

 

Artikeleigenschaften von The Pretty Things: The Very Best Of

  • Interpret: The Pretty Things

  • Albumtitel: The Very Best Of

  • Format CD
  • Genre Beat

  • Title The Very Best Of
  • Release date 2003
  • Label REPERTOIRE

  • SubGenre Beat 60s-70s

  • EAN: 4009910499023

  • weight in Kg 0.100
 
 

Artist description "Pretty Things, The"

The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil May (born on Sept. 11, 1944) at Sidcup Art College in the autumn of 1963, were doomed by their scruffy image and Bo Diddley-bAsed rhy-thm and blues to the role of poor man's Stones. With Taylor switching to lead guitar, the rest of the line-up was May (vocals, harmonica), Brian Pendleton (rhythm guitar), John Stax (bass, harmonica), Viv Prince (drums).

They were signed up almost at once as the R&B boom hit the music in-dustry, but after early hits, the double-sided 'Big Boss Man'/ `Rosalyn' (Miy, 1964), 'Don't Bring Me Down' (November, 1964) and 'Honey I Need' (March, 1965) on Fontana, they failed to make the Stones' shift to their own material until, in a reorganized line-up, May and Taylor composed the biographical S. F. Sorrow (Harvest, 1968), supposedly an encouragement — if not an influence — for Pete Townshend's Tommy project. Following the departure of Taylor and the failure of the highly regarded Parachute album in 1969, the band folded for a time, re-forming to record Freeway Mad-ness (Warner Bros., 1972). In 1974, with May, Peter Tol-son (guitar), John Povey (keyboards), and Skip Alan (drums) still together from the Parachute personnel, plus Jack Green (vocals) and Gordon Edwards (bass), they signed with Led Zeppelin's Swan Song label for Silk Torpedo.

 
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