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The Pretty Things Pretty Things - HQ Vinyl

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catalog number: SLP5223

weight in Kg 0,200

$31.80 *
 
 

The Pretty Things: Pretty Things - HQ Vinyl


 

Songs

The Pretty Things - Pretty Things - HQ Vinyl Medium 1
1: Honey I Need  
2: Rosalyn  
3: 13 Chester Street  
4: Unknown Blues  
5: I Can Never Say  
6: The Moon Is Rising  
7: SIDE TWO  
8: Don't Bring Me Down  
9: Road Runner  
10: We'll Be Together  
11: Judgement Day  
12: Big City  
13: Pretty Things  

 

Artikeleigenschaften von The Pretty Things: Pretty Things - HQ Vinyl

  • Interpret: The Pretty Things

  • Albumtitel: Pretty Things - HQ Vinyl

  • Format LP
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Vinyl - Beat / Rock / 60s / 70s
  • Music Sub-Genre 557 Vinyl - Beat/Rock/60s/70s
  • Title Pretty Things - HQ Vinyl
  • Vinyl size LP (12 Inch)
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label SUNDAZED

  • Price code VLP2
  • SubGenre Beat 60s-70s

  • EAN: 0090771522313

  • weight in Kg 0.200
 
 

Artist description "Pretty Things, The"

The Pretty Things, formed by the Rolling Stones' original bass guitarist, Dick Taylor, and Phil May (born on Sept. 11, 1944) at Sidcup Art College in the autumn of 1963, were doomed by their scruffy image and Bo Diddley-bAsed rhy-thm and blues to the role of poor man's Stones. With Taylor switching to lead guitar, the rest of the line-up was May (vocals, harmonica), Brian Pendleton (rhythm guitar), John Stax (bass, harmonica), Viv Prince (drums).

They were signed up almost at once as the R&B boom hit the music in-dustry, but after early hits, the double-sided 'Big Boss Man'/ `Rosalyn' (Miy, 1964), 'Don't Bring Me Down' (November, 1964) and 'Honey I Need' (March, 1965) on Fontana, they failed to make the Stones' shift to their own material until, in a reorganized line-up, May and Taylor composed the biographical S. F. Sorrow (Harvest, 1968), supposedly an encouragement — if not an influence — for Pete Townshend's Tommy project. Following the departure of Taylor and the failure of the highly regarded Parachute album in 1969, the band folded for a time, re-forming to record Freeway Mad-ness (Warner Bros., 1972). In 1974, with May, Peter Tol-son (guitar), John Povey (keyboards), and Skip Alan (drums) still together from the Parachute personnel, plus Jack Green (vocals) and Gordon Edwards (bass), they signed with Led Zeppelin's Swan Song label for Silk Torpedo.

 
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