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POINTER SISTERS Jump: Best Of

Jump: Best Of
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  • CD289862
  • 0.1
(2008/Sony) 18 tracks. more

POINTER SISTERS: Jump: Best Of

(2008/Sony) 18 tracks.

Article properties: POINTER SISTERS: Jump: Best Of

  • Interpret: POINTER SISTERS

  • Album titlle: Jump: Best Of

  • Label Sony

  • Year of publication 2008
  • Genre Soul

  • Artikelart CD

  • EAN: 0743212898620

  • weight in Kg 0.1
Pointer Sisters - Jump: Best Of CD 1
01 Jump (For My Love) POINTER SISTERS
02 Someday We'll Be Together POINTER SISTERS
03 Automatic POINTER SISTERS
04 He's So Shy POINTER SISTERS
05 Should I Do It POINTER SISTERS
06 Slow Hand POINTER SISTERS
07 Heart To Heart POINTER SISTERS
08 Telegraph Your Love POINTER SISTERS
09 Overnight Success POINTER SISTERS
10 Fire POINTER SISTERS
11 I'm So Excited POINTER SISTERS
12 Goldmine POINTER SISTERS
13 Back In My Arms POINTER SISTERS
14 I Need You POINTER SISTERS
15 Neutron Dance POINTER SISTERS
16 Dare Me POINTER SISTERS
17 See How The Love Goes POINTER SISTERS
18 I'm Ready For Love POINTER SISTERS
The Pointer Sisters Yes We Can Can The Pointer Sisters Yes We Can Can Impossible... more
"POINTER SISTERS"

The Pointer Sisters

Yes We Can Can

The Pointer Sisters

Yes We Can Can

Impossible to pigeonhole, The Pointer Sisters blended R&B, jazz, rock, and country into a singular hybrid, their funky ‘30s/‘40s-derived fashion sense as refreshing as their sound. The family’s gospel roots came naturally; their father pastored a church in Oakland, California. Ruth (born March 19, 1946), Anita (January 23, 1948), Bonnie (July 11, 1950), and June (November 30, 1953) came together a little at a time. First Bonnie and June worked as a duo, then Anita joined them.

The trio sang backgrounds for Taj Mahal and Elvin Bishop while under the aegis of impresario Bill Graham and made two 1971-72 singles for Atlantic (Don’t Try To Take The Fifth and Destination No More Heartaches) with producer Wardell Quezergue at Malaco Studios in Jackson, Mississippi. Precious few noticed. Ruth made it a full complement of Pointers in the family act before 1972 was through.

Producer David Rubinson, who’d worked with the Pointers when he ran Graham’s labels, introduced the Pointers to the sublime joys of jazz vocalists Lambert, Hendricks & Ross, Eddie Jefferson, and King Pleasure. Those influences were emphasized on their eponymous 1973 debut album for Blue Thumb Records, though their first single from the set was a funky redo of the Allen Toussaint-penned Yes We Can Can, a 1970 hit for New Orleans mainstay Lee Dorsey on Polydor. Its message of brotherhood resonated anew equally with pop (#11) and R&B (#12) audiences during the fall of ‘73, establishing the Pointers as a force to be reckoned with even if they steadfastly defied convenient categorization.

After a revival of Willie Dixon’s party anthem Wang Dang Doodle did some business for the Pointers at year’s end, the quartet took a temporary right turn into country music with Bonnie and Anita’s Fairytale, which made a #13 pop showing in ’74. One thing was for certain: The Pointer Sisters were anything but predictable.

- Bill Dahl -


Various - Sweet Soul Music 23 Scorching Classics From 1973

Read more at: https://www.bear-family.de/various-sweet-soul-music-23-scorching-classics-from-1973.html
Copyright © Bear Family Records

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