The Playboys Over The Weekend - And Other Hits 1956-1962 (CD)

Preview: Over The Weekend - And Other Hits 1956-1962 (CD)

Over The Weekend - And Other Hits 1956-1962 (CD)

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catalog number: CDBB55107
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(DEE JAY) 27 tracks - 16 page booklet; Philadelphias's own rockin' swingin' dance outfit breaks... more

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The Playboys: Over The Weekend - And Other Hits 1956-1962 (CD)

(DEE JAY) 27 tracks - 16 page booklet; Philadelphias's own rockin' swingin' dance outfit breaks all records and shuffles together a complete set of hit tunes for first time CD released.

Article properties: The Playboys: Over The Weekend - And Other Hits 1956-1962 (CD)

Interpret: The Playboys
Album titlle: Over The Weekend - And Other Hits 1956-1962 (CD)
Genre Rock'n'Roll
Label DEEJAY
Preiscode VCD3
Artikelart CD
EAN: 4001043551074
weight in Kg 0.107

Playboys, The - Over The Weekend - And Other Hits 1956-1962 (CD) CD 1
01	Over The Weekend	The Playboys
02	Double Talk	The Playboys
03	Please Forgive Me	The Playboys
04	Sing Along	The Playboys
05	Memories	The Playboys
06	You're All I See	The Playboys
07	Careful With My Heart	The Playboys
08	Girl Of My Dreams	The Playboys
09	Sugar Lump	The Playboys
10	Golly Gosh Oh Gee	The Playboys
11	Boston Hop	The Playboys
12	Duck Walk	The Playboys
13	If I Had My Way	The Playboys
14	Whenever	The Playboys
15	We're Gonna Shuffle	The Playboys
16	Boston Hop	The Playboys
17	Hi Yo Silver	The Playboys
18	One More For My Baby	The Playboys
19	Fat Backs And Greens	The Playboys
20	Hey Mrs. Jones	The Playboys
21	Night Train Twist	The Playboys
22	Take A Chance On Love	The Playboys
23	Booty Green	The Playboys
24	Hand Clappin'	The Playboys
25	Hi Ho Silver	The Playboys
26	Misty	The Playboys
27	One More For The Road	The Playboys

The Playboys My Buddy Done Stole My Chippie The Dominoes, Checkers, and Clovers had... more

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"The Playboys"

The Playboys

My Buddy Done Stole My Chippie

The Dominoes, Checkers, and Clovers had all let tenor Charlie White go. The next step was to do his own thing. Where better than at Atlantic Records?

The Playboys didn't actually exist. Atlantic pianist/arranger/songwriter Jesse Stone had asked former Ravens/Blenders tenor Ollie Jones to assemble a quartet for studio purposes. Among his initial recruits was Winfield Scott (aka Robie Kirk), a prolific songwriter when not singing (he penned LaVern Baker's '55 smash Tweedlee Dee). Vocal group expert Marv Goldberg believes White's first Playboys single, coupling the intense self-penned blues Tell Me (Are You Really Mine) and the Lincoln Chase-penned mambo Rock, Moan And Cry, released in August of 1954, marked the first time the quartet backed an Atlantic act. It wouldn't be the last. They provided harmonies behind Ruth Brown, LaVern Baker, Joe Turner, Carmen Taylor, and Ivory Joe Hunter, always under different names, though they eventually became known as The Cues.

Perhaps White's Playboys sides would have done better on Atlantic rather than its recently established Cat subsidiary. Atlantic honcho Jerry Wexler had coined the phrase 'cat music' as a euphemism for rock and roll; it didn't take off, and neither did the label he named after it. White and his backing quartet cut his debut single as a front man on July 10, 1954 in New York, returning on December 9 for an encore session. The rollicking Good Golly Miss Molly (a shame writer Stone couldn't have patented that title) b/w Honey Bun (weirdly, this rocker front-billed White but the other side didn't) closed out The Playboys' Cat discography in early '55.

The hell-raising My Buddy Done Stole My Chippie from the December date deserved an airing too. An intriguing storyline, White's animated lead (the way he drops the last syllable of "chippie" every time is priceless) in front of The Playboys, and Sam 'The Man' Taylor's roaring sax ride were all first-rate, but it never saw the light of day on Cat. Somehow it survived Atlantic's vault fire that wiped out a lot of the label's unissued masters.

White turned up solo in 1957 on New York's Winley Records with Sweetie Baby b/w Little Mama Don't Leave Me, encoring the next year with Nobody's Fault But Mine b/w Dearest To Me. The Cues signed with Capitol and made their own string of mid-'50s singles, ending up a more bankable entity than White.

- Bill Dahl -

Various Vol.6, Street Corner Symphonies 1954

Read more at: https://www.bear-family.de/various-vol.6-street-corner-symphonies-1954.html
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