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Tony Orlando & Dawn New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)
 
 
 

catalog number: CDELEK003

weight in Kg 0,110

 

Ready to ship today,
Delivery time appr. 1-3 workdays

$46.74 *
 
 
 
 
 

Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

Video von Tony Orlando & Dawn - New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

(Rhino) 15 Tracks - Rhino's very rare 'First time on CD'-series. Number 3 presents the reissue of the original 1973 Bell Records album! Original factory sealed!
 

Songs

Tony Orlando & Dawn - New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD) Medium 1
1: Overture  
2: Steppin' Out  
3: Say, Has Anybody Seen My Sweet Gypsy Rose  
4: If It Wasn't For You Dear  
5: Sweet Summer Days Of My Life  
6: Who's In The Strawberry Patch With Sally  
7: Daydream  
8: Atlanta  
9: Ukulele Man  
10: You Say The Sweetest Things  
11: Jolie  
12: Personality  
13: Come Back Billie Jo  
14: Steppin' Out  
15: Reprise:Strawberry Patch  

 

Artikeleigenschaften von Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

  • Interpret: Tony Orlando & Dawn

  • Albumtitel: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

  • Format CD
  • Genre Pop

  • Title New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)
  • Release date 2005
  • Label SONY MUSIC

  • SubGenre Pop - Vocal Pop

  • EAN: 0823753730594

  • weight in Kg 0.110
 
 

Artist description "Orlando, Tony & Dawn"

Tony Orlando,

Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.

But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn

 

 
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