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Tony Orlando & Dawn New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

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  • CDELEK003
  • 0.11
(Rhino) 15 Tracks - Rhino's very rare 'First time on CD'-series. Number 3 presents the reissue of... more

Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

(Rhino) 15 Tracks - Rhino's very rare 'First time on CD'-series. Number 3 presents the reissue of the original 1973 Bell Records album! Original factory sealed!

Video von Tony Orlando & Dawn - New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

Article properties: Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

  • Interpret: Tony Orlando & Dawn

  • Album titlle: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

  • Label Sony Music

  • Genre Pop

  • Artikelart CD

  • EAN: 0823753730594

  • weight in Kg 0.11
Orlando, Tony & Dawn - New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD) CD 1
01 Overture Tony Orlando & Dawn
02 Steppin' Out Tony Orlando & Dawn
03 Say, Has Anybody Seen My Sweet Gypsy Rose Tony Orlando & Dawn
04 If It Wasn't For You Dear Tony Orlando & Dawn
05 Sweet Summer Days Of My Life Tony Orlando & Dawn
06 Who's In The Strawberry Patch With Sally Tony Orlando & Dawn
07 Daydream Tony Orlando & Dawn
08 Atlanta Tony Orlando & Dawn
09 Ukulele Man Tony Orlando & Dawn
10 You Say The Sweetest Things Tony Orlando & Dawn
11 Jolie Tony Orlando & Dawn
12 Personality Tony Orlando & Dawn
13 Come Back Billie Jo Tony Orlando & Dawn
14 Steppin' Out Tony Orlando & Dawn
15 Reprise:Strawberry Patch Tony Orlando & Dawn
Tony Orlando, Tony Orlando, born in New York, on April 3, 1944, first worked as a singer... more
"Tony Orlando & Dawn"

Tony Orlando,

Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.

But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn

 

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