Tony Orlando & Dawn New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

Preview: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

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catalog number: CDELEK003
weight in Kg 0.11

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(Rhino) 15 Tracks - Rhino's very rare 'First time on CD'-series. Number 3 presents the reissue of... more

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Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

(Rhino) 15 Tracks - Rhino's very rare 'First time on CD'-series. Number 3 presents the reissue of the original 1973 Bell Records album! Original factory sealed!

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Article properties: Tony Orlando & Dawn: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)

Interpret: Tony Orlando & Dawn
Album titlle: New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD)
Label Sony Music
Genre Pop
Artikelart CD
EAN: 0823753730594
weight in Kg 0.11

Orlando, Tony & Dawn - New Ragtime Follies - Tony Orlando & Dawn Series No.3 (CD) CD 1
01	Overture	Tony Orlando & Dawn
02	Steppin' Out	Tony Orlando & Dawn
03	Say, Has Anybody Seen My Sweet Gypsy Rose	Tony Orlando & Dawn
04	If It Wasn't For You Dear	Tony Orlando & Dawn
05	Sweet Summer Days Of My Life	Tony Orlando & Dawn
06	Who's In The Strawberry Patch With Sally	Tony Orlando & Dawn
07	Daydream	Tony Orlando & Dawn
08	Atlanta	Tony Orlando & Dawn
09	Ukulele Man	Tony Orlando & Dawn
10	You Say The Sweetest Things	Tony Orlando & Dawn
11	Jolie	Tony Orlando & Dawn
12	Personality	Tony Orlando & Dawn
13	Come Back Billie Jo	Tony Orlando & Dawn
14	Steppin' Out	Tony Orlando & Dawn
15	Reprise:Strawberry Patch	Tony Orlando & Dawn

Tony Orlando, Tony Orlando, born in New York, on April 3, 1944, first worked as a singer... more

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"Tony Orlando & Dawn"

Tony Orlando,

Tony Orlando, born in New York, on April 3, 1944, first worked as a singer on demonstration discs for Don Kirshner's famous Brill Building music publishing operation. Orlando cut the originals of 'Will You Still Love Me To-morrow' and 'Some Kind Of Wonderful' (hits for the Shirelles and the Drifters) before Kirshner realized his potential as a singer in his own right. He specialized in the perfectly organized pop single and had three hits on Epic during 1961: 'Halfway To Paradise' (a British hit for Billy Fury), 'Bless You' (Top Twenty) and `Happy Times'. As a vocalist, he was one of the first 'blue-eyed soul' singers and the productions — by Kirshner and Al Nevins — were almost symphonic.

But despite the rich strings, Spanish guitars, castanets and girl choruses, it was Orlando that you heard. Hours of practice in acappella groups had helped to perfect a distinctive voice which often outshone the Goffin-King songs he was given. Machine-tooled, market-tested pop can be fine when you hum like Ben E. King. Although the Orlando voice disappeared later in the Sixties, he re-appeared in the next decade with a string of equally successful records with Dawn

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