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Joe Meek Lone Rider - Maximum Pop!

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catalog number: CD263476

weight in Kg 0,100

 

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$13.99 *
 
 

Joe Meek: Lone Rider - Maximum Pop!

(2014/Hoodoo) 30 tracks

(2014/Hoodoo) 30 tracks


 

Songs

Meek, Joe - Lone Rider - Maximum Pop! CD 1
1: Jungle Fever-The Tornados
3: It's Just A Matter Of Time-Mike With The Admirals Berry
4: Hurtin' Inside-Cliff Bennett & The Rebel Rousers
5: Lone Rider-John Leyton
6: Honey 'cause I Love You-Michael Cox
7: Lonely Week-End-Ray Dexter
8: 'til The Following Night-Screaming Lord Sutch With The Savag
9: My Baby Doll-Mike Berry & The Outlaws
10: Black Buffalo-The Flee-Reckkers
11: Big Beat Drum-Neil Christian & The Crusaders
12: Bad Boy-Marty Wilde & His Wildcats
13: North Wind-Houston Wells
14: Mr Lovebug-Iain Gregory
15: Girl Bride-Geoff Goddard
16: Telstar-The Tornados
17: Can't You Hear My Heart-Danny Rivers
18: Dear One-Tony Victor
19: Stand Up-Michael Cox
20: Johnny Remember Me-John Leyton
21: Taboo-Charles And His Orchest Blackwell
22: You Gave Me The Blues-Alan Klein
23: Golden Cage-John Fraser
24: Night Of The Vampire-The Moontrekkers
25: The Story Of My Life-Gary Miller
26: Two Timing Baby-Carter-Lewis & The Southerners
27: Can't You Hear The Beat Of A Broken Heart-Iain Gregory
28: Poppin'-The Chaps (The Outlaws)
29: Just Too Late-Peter Jay & The Blue Men
30: Hot Chick A'roo-Ricky Wayne & The Flee-Rekkers
31: Guess That's The Way It Goes-Don Charles

 

Artikeleigenschaften von Joe Meek: Lone Rider - Maximum Pop!

  • Interpret: Joe Meek

  • Albumtitel: Lone Rider - Maximum Pop!

  • Format CD
  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Title Lone Rider - Maximum Pop!
  • Release date 2014
  • Label HOODOO

  • SubGenre Rock - Rock'n'Roll

  • EAN: 8436542015967

  • weight in Kg 0.100
 
 

Artist description "Meek, Joe"

Joe Meek

Meek came from Gloucester and did his National Service in the RAF as a radio technician in the early Fifties. In 1953, he came out and went to work as an engineer at the IBC studio, at that time one of only two independent studios in London. There he engineered records by Frankie Vaughan (`Green Door'), Denis Lotis, Lita Roza, Shirley Bassey, Anne Shelton, Harry Secombe and Petula Clark. In 1956, Meek went to work for Denis Preston at Lans-downe Studios, where he was engineer on several of Lonnie Donegan's early hits, including 'Cumberland Gap' and `Don't You Rock Me Daddy-O' as well as trad jazz records by Humphrey Lyttelton and Chris Barber. He also began dabbling in songwriting and in 1958 wrote Tommy Steele's Tut A Ring On Her Finger'.

Leaving Lansdowne in 1960, Meek built his own studio in a flat above a shop in Holloway, North London, equipping it with £3,000 worth of second-hand equipment. He called it RGM Sound and simultaneously activated his own label, Triumph, going against all odds at a time when British pop was monopolized by the three major labels.

A cover version of an American hit, 'Angela Jones' by Michael Cox, reached the Top Ten in June, 1960 but none of Triumph's other releases were successful and Meek discontinued the label in favour of tape-lease deals with the majors. He scored the following year with John Leyton's eerie, futuristic 'Johnny Remember Me' and 'Wild Wind', Mike Berry's poignant `Tribute to Buddy Holly' and several smaller hits by the Outlaws (with Richie Blackmore) who backed many of Meek's artists on record.

In 1962, a combination of Meek's session musicians recor-ded an instrumental he wrote titled `Te!star', under the name of the Tornados, which proved his biggest selling hit, reach-ing No. 1 in both Britain and America. In production terms, it still remains far ahead of contemporary records. The Tor-nados followed up with several slightly less successful records including 'Robot', 'Globetrotter' and 'Ice Cream Man' be-fore being swamped in the ensuing Merseybeat craze. Never-theless, Meek scored early in 1963 with Mike Berry's 'Don't You Think It's Time' and in 1964 with the Honeycomb's `Have I The Right', but found the going hard in the mid-Sixties.

He had no hits in 1966 and faced with increasing anxiety through personal problems, blew his brains out with a shotgun on February 3, 1967.

 

 
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