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Frankie Laine Rawhide (9-CD)

Rawhide (9-CD)
 
 
 

catalog number: BCD16522

weight in Kg 2,200

 

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Frankie Laine: Rawhide (9-CD)

9-CD box (LP-size) with 104-page hardcover book, 215 tracks. Playing time 615:42 mns

This, the third of the Bear Family boxed sets of Frankie Laine recordings, completes the series, and takes in his studio work for the Columbia label through the years 1956 to 1964. The hit singles, which were hitherto his stock in trade, came along less frequently during this period. As with many of the balladeers of the 1940s and 1950s, rock 'n' roll swept aside many of the fine recordings he made for the singles market. Nevertheless, he was to enjoy a million selling hit in 1956 with Moonlight Gambler, and was still charting during his final year at Columbia with Don't Make My Baby Blue. But it was his recording of the TV Western theme Rawhide that would be his most significant and best remembered single of this era.

It will be noted in the earlier Bear Family sets that Frankie Laine had already begun to establish himself as the voice of Western movies, with notable themes for 'Blowing Wild' and 'Strange Lady In Town' - but during the period covered here he cemented that role for all-time by recording the classics Gunfight At The O.K. Corral and The 3:10 To Yuma. This was reflected also in the concept albums made in subsequent years, beginning in 1960 with 'Hell Bent For Leather,' and continuing with 'Deuces Wild' and 'Call Of The Wild.' These, together with his final album for Columbia, 'Wanderlust', benefited from the exciting orchestrations of Johnny Williams.

Throughout the entire period covered by this boxed set, Frankie Laine was to make giant strides into the rapidly blossoming concept album market with a wide-ranging series of LPs. In 1957 he revisited 12 of the songs, mostly jazz standards, that had established him during his early years with the Mercury label - Paul Weston giving sparkling new life to these old warhorses for the album 'Rockin''. It enjoyed a healthy run in the then recently inaugurated 'Billboard' Pop Album charts. Standards too were the order of the day in two albums with French maestro Michel Legrand - 'Foreign Affair' and 'Reunion In Rhythm'. 

Here too you will find the Laine fans' favourite, 'Torchin'', and the rarer sequel 'You Are My Love' - both with Frank Comstock. Another long sought after album is the folksy 'Balladeer'. Collectors will delight in hearing a number of previously unissued tracks and alternate takes sprinkled throughout the 9 CDs in this set. Equally fascinating is the inclusion on CD for the first time, and often in stereo, of all those lost, but no less exciting singles that failed to chart. Try Choombala Bey, Et Voila or Miss Satan and be amazed at how fresh they sound 40 years on. The customary hardback book packed with stunning and often previously unseen illustrations, a fully annotated discography and the conclusion of Todd Everett's biography make this an essential collection for anyone who has thrilled to the magnificent voice of
Frankie Laine.

9-CD box (LP-size) with 104-page hardcover book, 215 tracks. Playing time 615:42 mns.


 

Songs

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Artikeleigenschaften von Frankie Laine: Rawhide (9-CD)

  • Interpret: Frankie Laine

  • Albumtitel: Rawhide (9-CD)

  • Format Box set
  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Edition 2 Deluxe Edition
  • Title Rawhide 9-CD Box & 104-Page Book
  • Label BEAR FAMILY RECORDS

  • Price code IL
  • SubGenre Pop - Vocal Pop

  • EAN: 4000127165220

  • weight in Kg 2.200
 
 

Artist description "Laine, Frankie"

Frankie Laine

Francesco Paolo LoVecchio was born on March 30, 1913 in Chicago's 'Little Italy' district. His parents, Cresenzia 'Anna' Concetta Salerno and Giovanni LoVecchio, had both emigrated from the Sicilian village of Monreale, near Palermo.

Anna was twelve years old when her father, who had emigrated to the United States in search of work, sent for her, her mother and five siblings. Her father had worked as a laborer on the railroad, among other jobs, before settling in Chicago as a butcher. Giovanni had come from Sicily about the same time as Anna, 1906, and was working for the railroad when he took rooms in the home owned by the Salerno family.

Giovanni ambitiously entered trade school and studied to be a barber. He and Anna were married, and Francesco was born on March 30, 1913. Several years later, the family moved to larger quarters in an ethnically disparate neighborhood, where their neighbors were of Italian, German, French, Scandinavian and African ancestry. Giovanni continued cutting hair (Al Capone was a regular customer), and Anna worked in her father's grocery store in addition to raising her eight children -- Francesco being the eldest.

Young Francesco went to school and served as an altar boy at the Church of the Immaculate Conception, when he wasn't pl

aying stickball in the streets or following Chicago White Sox baseball games. His parents weren't particularly musically-inclined, he recalls, though they had a Victrola phonograph and a small collection of opera recordings. He also remembers an Italian pop singer named Carlo Buti. Francesco was more impressed, though, by two Americans: blues singer Bessie Smith and blackface entertainer Al Jolson. Seeing a Jolson film called 'The Singing Fool', Laine later explained, "After watching him sink to his knees and sing 'Sonny Boy', I knew what I wanted to do with my life: I wanted to be like Jolson and captivate an audience with the power of a song.

"I felt I had a tremendous instinctive empathy for jazz music, and as much as I admired Jolson the performer, I never really wanted to sing in his style. I wanted to be more like Louis Armstrong. After I heard his 1928 recording of 'West End Blues' on the radio. I started singing jazz tunes to anyone who'd listen."

In high school, Laine says, his participation in track and field events helped him develop lung power and breath control that he'd later use in
a far different capacity. At the age of fifteen he made his public debut as a singer, entertaining at a friend's sister's 18th birthday party. "A fellow named Tony Benson had bought a tiple(a ten-string ukulele-like instrument) to the party, and we launched into 'Mia Bella Rosa', an Italian flavored pop song of the day. Every girl in the place started bawling, and every guy seemed stunned at what they had heard, as if this was the last thing they'd expected from (me). From then on, every time there was a party or a picnic, I was included in the plans because I could entertain."

It cost fourteen cents' fare to get to the Merry Garden Ballroom on Chicago's North Side, but Francesco made the trip often, helping develop his musical taste by watching the best. The house band, led by Joe Kayser, included among its ranks jazz legends in the making Frankie Trumbauer on C-melody saxophone, clarinetist Frank Teschemacher, cornetist Muggsy Spanier, drummer Gene Krupa, and -- on piano -- a young man named David Rose, who would go on to become one of Hollywood's most prominent composers and arrangers. Visiting stars including Paul Whiteman's Orchestra with vocalist Mildred Bailey, and Cab Calloway. LoVecchio first took the Merry Garden stage, singing Whiteman's 1930 hit Old New England Moon with visiting bandleader Charlie Agnew (who, with his 'Stevens Hotel Orchestra', would have an early hit version of Don't Blame Me); he subsequently joined Kayser's band from time to time for a number or two.

from book BCD16361 -- Frankie Laine That Lucky Old Sun (6CD & 1PD)
Read more at: https://www.bear-family.de/laine-frankie-that-lucky-old-sun-6cd-und-1pd.html
Copyright © Bear Family Records

 
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