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Quincy Jones Big Band Bossa Nova (LP, 180g Vinyl, Colored Vinyl, Ltd.)

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  • LP350229
  • 0.3
(20th Century Masterworks) 12 tracks, album + 2 bonus tracks. With this successful album Quincy... more

Quincy Jones: Big Band Bossa Nova (LP, 180g Vinyl, Colored Vinyl, Ltd.)

(20th Century Masterworks) 12 tracks, album + 2 bonus tracks.
With this successful album Quincy Jones proved in 1962 that light and airy Bossa Novas can also be played with a big band, if the arrangements are made by a maestro like himself.
Solo highlights were provided by flugelhornist Clark Terry, alto saxophonist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall and flutist Rahsaan Roland Kirk.

The track "Soul Bossa Nova" was sampled by the Dream Warriors in 1991 for their hit "My Definition of a Boombastic Jazz Style."

Article properties: Quincy Jones: Big Band Bossa Nova (LP, 180g Vinyl, Colored Vinyl, Ltd.)

  • Interpret: Quincy Jones

  • Album titlle: Big Band Bossa Nova (LP, 180g Vinyl, Colored Vinyl, Ltd.)

  • Genre Jazz

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Limited Edition
  • Artikelart LP

  • Year of publication 2021
  • Label 20th Cemtury Masterworks

  • EAN: 8436563183492

  • weight in Kg 0.3
Jones, Quincy - Big Band Bossa Nova (LP, 180g Vinyl, Colored Vinyl, Ltd.) LP 1
01 Soul Bossa Nova Quincy Jones
02 Boogie Bossa Nova Quincy Jones
03 Desafinado Quincy Jones
04 Manha De Carnaval Quincy Jones
05 Se E Tarde, Me Perdoa Quincy Jones
06 A Taste Of Honey Quincy Jones
07 On The Street Where You Live Quincy Jones
08 Samba De Uma Nota So Quincy Jones
09 Lalo Bossa Nova Quincy Jones
10 Serenata Quincy Jones
11 Chega De Saudade Quincy Jones
12 Shag Nasty Quincy Jones
Quincy Jones Quincy Jones is a composer, artist, arranger, conductor, multi-instrumentalist,... more
"Quincy Jones"

Quincy Jones


Quincy Jones is a composer, artist, arranger, conductor, multi-instrumentalist, record company executive, magazine founder, and record, film, and TV producer. As a master inventor of musical hybrids, he has shuffled Pop, Rhythm & Blues, Soul, Hip-Hop, Jazz, Classical, African, and Brazilian music into many dazzling fusions in every medium, including records, live performances, movies, and TV.

Jones’ creative magic has spanned over seven decades, beginning with the music of the post-swing era, and continues to influence today’s high-technology.

Quincy Jones was born on March 14, 1933, on the Southside of Chicago and raised in Seattle. He began playing the trumpet under the tutor Clark Terry, and continued his musical studies at the prestigious Schillinger House (now known as Berklee College of Music) in Boston. He remained there until the he received the chance to tour with Lionel Hampton’s band as a trumpeter, arranger, and pianist at only 20 years old. By the mid-1950s, he was arranging and recording for musical greats such as Sarah Vaughan, Ray Charles, Count Basie, Duke Ellington, Big Maybelle, Dinah Washington, Cannonball Adderley, and LaVern Baker.

In 1957, Jones furthered his musical education under the discipline of Nadia Boulanger, the legendary Parisian tutor who also instructed American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies, he took a job with Barclay Disques, Mercury’s French distributor, and recorded many European artists, namely Charles Aznavour, Jacques Brel, and Henri Salvador, as well as American artists, Sarah Vaughan, Billy Eckstine, and Andy Williams.

In 1961, Jones became the Vice President of Mercury Records and was the first high-level black executive of an established major record company. Toward the end of his association with the label, Quincy turned his attention to another sector of the industry that had been closed to blacks—the world of film scores. As the first black composer to be embraced by the Hollywood establishment in the 1960s, he helped refresh film scores with infusions of Jazz and Soul. He scored the music for Sidney Lumet’s,'The Pawnbroker' in 1963, which would turn out to be the first of his nearly 40 major motion picture scores. Furthermore, Jones was the first popular conductor-arranger to record with a Fender bass, and his theme from the hit TV series 'Ironside,' was the first synthesizer-based Pop theme song.

In 1985, Jones co-produced Steven Spielberg’s adaptation of Alice Walker’s 'The Color Purple,' which garnered eleven Oscar nominations and marked his debut as a film producer. He is also credited with introducing Whoopi Goldberg and Oprah Winfrey to film audiences through this major motion picture.

Many more landmarks and legendary productions came out of his creativity through the decades up till today and Quincy Jones is still active. A legend!

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