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George Jones A Good Year For The Roses (4-CD)

A Good Year For The Roses (4-CD)
 
 
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catalog number: BCD16929

weight in Kg 1,400

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$86.35 *
 
 

George Jones: A Good Year For The Roses (4-CD)

4-CD box, LP size, 52 pages book, 131 tracks, playing time 341:00.

George Jones' classic Musicor recordings have been out of circulation for years while a lawsuit was resolved. George Jones' Musicor recordings were never issued systematically or in full until now! George Jones' Musicor recordings were never issued in premium sound quality until now! The set includes 20 previously unissued recordings. Includes all-time classic George Jones hits, such as When The Grass Grows Over Me, I'll Share My World With You, As Long As I Live, and one of the greatest ever country classics, A Good Year For The Roses! Plus the earliest duets with Tammy Wynette! The second of two boxes. Together, they include every Musicor recording, except the duets with Gene Pitney (available elsewhere on Bear Family)!

These were George Jones' truly classic years. After more than a decade as one of country music's top stars, newfound maturity and soulfulness augmented what was already the greatest voice in country music. The six years from 1965 to 1971 that Jones spent on Musicor Records were marked by personal turmoil and unprecedented success, but through it all he kept minting one country standard after another. This is the second part of Bear Family's comprehensive two volume edition of Jones' complete Musicor recordings, covering all sessions from 1965 until 1971.

Until now, the Musicor sides were randomly packaged and many were unavailable, but the two Bear Family boxes (plus one CD of duets with Gene Pitney available elsewhere on Bear Family) will tell the complete story. It was during these years that George Jones married Tammy Wynette and this set includes his earliest duets with Tammy... plus a rare duet with Johnny Paycheck! And then there are the original versions of such all-time George Jones standards as When The Grass Grows Over Me, I'll Share My World With You, As Long As I Live, and one of the greatest ever country classics, A Good Year For The Roses! They're all here in stunningly restored sound together with 20 previously unissued recordings. In 1971, George Jones broke acrimoniously from Musicor's co-owner, Pappy Daily, who'd discovered and nurtured him, to join Tammy Wynette on Epic Records. The hits would continue, but George Jones would never sound as good again! This set includes liner notes by Rich Kienzle and a complete discography by Don Roy, Kittra Moore, and Richard Weize.

4-CD box, LP size, 52 pages book, 131 tracks, playing time 341:00


 

Songs

Jones, George - A Good Year For The Roses (4-CD) Box set 1
1: Wrong Side Of The World
2: As Long As I Live
3: The Poor Chinee
4: New Man In Town
5: Beneath Still Waters
6: The Green Grass Grows All Around
7: Let It Rain Let It Shine
8: I'll Sail My Ship Alone
9: Possum Holler
10: I Can't Go Home
11: How Wonderful A Poor Man's Life Can Be
12: Unwanted Babies
13: Tell Me Something I Don't Know
14: Even The Loser (Likes To Dream)
15: Between My House And Town
16: Mansion Hill
17: Your Angel Steps Out Of Heaven
18: On Second Thought
19: Barbara Joy
20: When The Grass Grows Over Me
21: Burn Another Honky Tonk Down
22: Same Old Boat
23: When The Wife Runs Off
24: I Don't Have Sense Enough (To Come In Out Of
25: Do What You Think's Best
26: Third Time Down
27: Our Happy Home
28: You've Become My Everything
29: My Mom And Santa Claus
30: Lonely Christmas Call
31: I Cried Myself Awake
32: Heartaches And Hangovers
33: Divorce Or Destroy
34: Great Big Spirit Of Love
35: Milwaukee Here I Come
36: Just An Average Couple
37: I'll See You While Ago
38: She's Mine
39: If Not For You
40: The Race Is On
41: I'll Share My World With You
42: The Hardest Part Of All
43: How Much Rain
44: Where Grass Won't Grow
45: Old Blue Tomorrow
46: Shoulder To Shoulder
47: The Fortune I've Gone Through
48: For Better Or For Worse (But Not For Long)
49: She's As Close As I Can Get
50: No Blues Is Good News
51: I Know
52: Among The Few
53: Papa's Wagon
54: Never Grow Cold
55: Mama Take Me Home
56: Playing Possum
57: I Just Got Tired Of Being Poor
58: You Can Always Come Back
59: Going Life's Way
60: Okie From Muskogee
61: Image Of Me
62: Love Me
63: I Stayed Long Enough
64: All I Have To Offer You Is Me
65: Mama's Hungry Eyes
66: Each Season Changes You
67: Will You Visit Me On Sunday
68: I'm Finally Over You
69: Rosie Bokay
70: These Hands
71: A Wound Time Can't Erase
72: Try
73: Where Could I Go
74: Loving You Makes You Mine
75: Tell Me My Lying Eyes Are Wrong
76: Leaning On The Shoulder Of Love
77: A Good Year For The Roses
78: A Day In The Life Of A Fool
79: You And Your Sweet Love
80: A Good Year For The Roses
81: I'll Follow You (Up To Our Cloud)
82: With Half A Heart
83: A Good Old Fashioned Cry
84: Imitation Of Love
85: You're Still On My Mind
86: Open Pit Mine
87: Poor Little Rich Boy
88: My Favorite Lies
89: The Old, Old House
90: There's No Justice
91: I Made Leaving (Easy For You)
92: Brothers Of The Bottle
93: Late Getting Home
94: They'll Never Take Her Love From Me
95: Lifetime To Regret
96: You Put Living Back In Life
97: She's Lonesome Again
98: You Gotta Be My Baby
99: Wrong Number
100: I Wouldn't Know About That
101: Yearning
102: Would It Do Me Any Good
103: Someone Sweet To Love
104: Sometimes You Just Can't Win
105: Right Won't Touch A Hand
106: Getting Over The Storm
107: Wrapped Around Her Finger
108: I Can Still See Him In Your Eyes
109: Fightin' Side Of Me
110: Come Sundown
111: Knock Three Times
112: The Last One To Touch Me
113: Free As A Breeze
114: After You
115: Love Makes It Alright
116: Saginaw Michigan
117: Who'll Turn Out The Lights
118: Hello Darlin'
119: High On The Thought Of You
120: You Made A Believer Out Of Me
121: I Fall In Love Everyday
122: Get Some Loving Done
123: Our Love Is Forever
124: Everything's Gonna Be Alright
125: Will I Ever Love Again
126: I Had You
127: My Special Memory
128: Everytime I Think Of You
129: She's More Of A Woman
130: Heaven Made Women
131: I Can Love You Enough

 

Artikeleigenschaften von George Jones: A Good Year For The Roses (4-CD)

  • Interpret: George Jones

  • Albumtitel: A Good Year For The Roses (4-CD)

  • Format Box set
  • Genre Country

  • Music Genre Country Music
  • Music Style Classic Country Artists
  • Music Sub-Genre 002 Classic Country Artists
  • Edition 2 Deluxe Edition
  • Title A Good Year For The Roses 4CD-Box & 52-Page B
  • Label BEAR FAMILY RECORDS

  • Price code DI
  • SubGenre Country - General

  • EAN: 4000127169297

  • weight in Kg 1.400
 
 

Artist description "Jones, George"

George Jones

12.9. 1931  Saratoga - Texas / 26. 04. 2013

Record Labels: Starday, Mercury, Longhorn, Power Pak, Hillside, United Artists, Musicor, RCA, Intercord, Ace, Rounder, Epic.
First Top Ten Hit: Why Baby, Why (1955)
First No. 1 Hit: White Lightning (1959)

In November, 1953, he was fresh out of the Marines, having joined two years earlier in the wake of an unraveling marriage. Before taking the oath, he'd been a denizen of honky tonk stages in and around Beaumont, Texas. Born in a rough-cut log house near Saratoga in East Texas' mysterious, often violent Big Thicket region on September 12, 1931, hillbilly music surrounded him as a kid; his singing voice turned heads even when he was an adolescent.

Jones wasn't back long when he heard about Starday, a new record company. Lefty Frizzell's ex-manager Jack Starnes and hard-bitten Houston area railroader-turned-juke box and slot machine impresario-turned record label owner, distributor and retailer Harold 'Pappy' Daily co-founded it in 1952. George's buddy, aspiring local singer Sonny Burns, had dealings with them, so Jones returned to playing the dives around the area, expanding his profile in 1954 as a disc jockey over KTRM. He soon found Starday interested in auditioning him.

His audition and first session took place in Jack Starnes' living room-turned-improvised recording studio. With an amateur's passion for the era's great singers, he tried to emulate the best of all of them as he sang--until Daily asked with great sincerity, "George, you've sung like Roy Acuff, Lefty Frizzell, Hank Williams and Bill Monroe. Can you sing like George Jones?"

No Money In This Deal, the first single, came from that session. It didn't take. Neither did the next five singles.

It was single number seven, the Hankish Why Baby Why that landed in the Top Ten in 1955. More Starday hits followed. After a brief, abortive alliance between Starday and Mercury Records, Daily, who still co-owned Starday with his partner Don Pierce, (Jack Starnes had departed earlier) fell out with Pierce in 1958. When the smoke cleared, Pierce took Starday; George wound up contracted to Pappy and remained a Mercury artist. Pappy kept his hand in the regional market. He'd formed Houston-based D and Dart Records as a regional operation aimed at finding new talent, Gabe Tucker helping him run things. Glad Music, Daily's new publishing company, would handle that end of things.

Jones came up with some landmark hits on Mercury, among them Color Of The Blues and the Chuck Berry-influenced White Lightning, from the pen of Daily discovery and Jones buddy, KTRM disc jockey-singer-composer J. P. 'The Big Bopper' Richardson. He originally recorded his hard-driving rocker Chantilly Lace for D, until Mercury, who'd initially passed on it, re-released it nationally. That put it over the top and made the Bopper and fulltime rock star from later '58 until February 3, 1959, when the small private plane carrying him, Buddy Holly and Ritchie Valens crashed killing everyone on board.

At Mercury, Jones's vocal style began evolving, his keening, edgy nasality morphed into a more distinctive type of phrasing. Overtones of Hank and Acuff remained, but Jones's voice moved into a lower register. He could wrench emotion out of a phrase or lyric by bearing down on it as he sang. The new maturity manifested itself in his final Mercury hits: The Window Up Above and especially the #1 single Tender Years, where the formerly twangy accompaniment replaced by muted Nashville Sound backing.

 

The new Jones style quickly began influencing others, Buck Owens among them. Interviewed in 1988, Buck confirmed that point. "I thought that George was the greatest thing since sliced bread. I could not help it and later on in the last years I've tried to make a concerted effort to not get into that, but if you listen on (my records in the) early years, you're sure gonna hear George because he was a big influence on me as far as the singers go," he said. As time passed, George began singing in lower registers that combined with his distinctive phrasing his singular sound brought more admiration among fans and his peers.

Pappy came to know Mercury executive Art Talmadge, who'd left to join United Artists Records. Daily and Jones followed him there. The label was only four years old. Originally created to distribute soundtracks from UA-produced films, it branched out, becoming a hip jazz label and then broadened into other areas. Their newly-created country division consisted mainly of Daily acts with Jones as the flagship, Pappy serving as UA's de facto country producer.

Jones's relationship with Daily was business only, and fostered deep resentment that hadn't abated in his 1996 autobiography 'I Lived To Tell It All,' where he wrote bitterly, "I made a lot of money for Pappy Daily, Starday and Mercury. Basically, I was a naïve guy who was overly trusting of some people who proved to be untrustworthy. I was never paid royalties on a regular basis. It became very frustrating to hear my songs on the radio, see them listed high on the charts and not have enough money to hire a band."

 

His two-year UA contract yielded exactly 151 recordings. Some singles and albums from that period stand among his most memorable. Every album was 'produced by Pappy Daily.' Or so it seemed. In 2001, Jones clarified their 16 year studio relationship, which continued through his 1965-1970 stint with Talmadge's Musicor Records. "A lot of people think (Pappy) was the producer, but he really wasn't. He timed the songs in the studio and he wrote out the paperwork. That was about all he did. I worked with the musicians myself and we worked out the arrangements. I basically left it up to the musicians after we run through the songs. I wanted them to be more a part of the production."

 

Jones created many great moments in the studio during his UA phase. Some were captured on tape, some not. His legendary reputation as a drinker and hellraiser already established, his stature continued to rise. Many Nashville insiders began hanging at George's sessions, both to marvel at the voice and to see what whiskey-fueled mischief he'd make this time. One frequent sideman explained that while Jones was usually well-lubed throughout a recording session, a certain sweet spot existed. Too few drinks didn't loosen him up sufficiently; too many washed out a session. An amount of alcohol in between those extremes unleashed every bit of his unrestrained, uninhibited power.

Excerpt from the book BCD16818 - George Jones - She Thinks I Sttill Care - Read more at:https://www.bear-family.com/jones-george-she-thinks-i-still-care-62-64-5-cd.html Copyright © Bear Family Records

Read more at: https://www.bear-family.com/jones-george/
Copyright © Bear Family Records

 

 
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