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Bill Johnson You Better Dig It - The Right To Love 7inch, 45rpm

You Better Dig It - The Right To Love 7inch, 45rpm
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  • REP10027
  • 0.05
WILD ROCKIN' STROLLER with GREAT PIANO ACTION and WAILIN' SAXOPHONE! more

Bill Johnson: You Better Dig It - The Right To Love 7inch, 45rpm

WILD ROCKIN' STROLLER with GREAT PIANO ACTION and WAILIN' SAXOPHONE!

Article properties: Bill Johnson: You Better Dig It - The Right To Love 7inch, 45rpm

  • Interpret: Bill Johnson

  • Album titlle: You Better Dig It - The Right To Love 7inch, 45rpm

  • Genre R&B, Soul

  • Label REPRO

  • Mint (M)
  • Sleeve Grading Mint (M)
  • Geschwindigkeit 45 U/min
  • Vinyl record size Single (7 Inch)
  • Artikelart 7inch

  • EAN: 4000127740953

  • weight in Kg 0.05
Johnson, Bill - You Better Dig It - The Right To Love 7inch, 45rpm 7inch 1
01 You Better Dig It Bill Johnson
02 The Right To Love Bill Johnson
Bill Johnson Bill Johnson and His Musical Notes, Vocal: Gus Gordon Don't You Think I... more
"Bill Johnson"


Bill Johnson

Bill Johnson and His Musical Notes, Vocal: Gus Gordon

Don't You Think I Oughta Know

Bill Johnson is probably better remembered for his contributions to Birmingham, Alabama-born bandleader Erskine Hawkins' orchestra - he joined the band in 1936 on alto sax and stayed seven years, co-writing Hawkins' immortal instrumental Tuxedo Junction - than his own recording career. But Johnson and his Musical Notes did score a #3 R&B hit during the autumn of 1947 with his Don't You Think I Oughta Know. In an odd twist, he scored two hits with the tune the same week.

Johnson and his New York-based group waxed it first for Mayo Williams' Harlem logo, which leased it to Syd Nathan's Queen and King labels in Cincinnati, then for RCA Victor (slightly retitled as Don't You Think I Ought To Know). The two versions battled it out for chart supremacy, ultimately ending up tied for two weeks in 'Billboard.' Born September 30, 1912 in Jacksonville, Florida, Johnson's pre-Hawkins resume listed studying at the Wisconsin Conservatory and stints with trumpeter Jabbo Smith and bandleaders Baron Lee and Tiny Bradshaw.

Bill's mellifluous alto sax solo graces Don't You Think I Ought To Know, but drummer Gus Gordon, a Savannah, Georgia native born in 1925 and a then-recent recruit to the group (Johnson had overheard him working on a demo at a New York studio), was the lead vocalist. Guitarist/tenor Clifton 'Skeeter' Best (later a busy New York sessioneer), pianist/tenor Egbert Victor, and bassist/bass Jimmy Robinson comprised the rest of the Musical Notes (Johnson also sang tenor).

RCA Victor issued 10 more singles by the group stretching into late 1948 without recapturing the commercial magic of Johnson's first Victor offering (Gordon fronted most of them, but Bill handled a few himself). It was on to King for another pair in 1949, and after wholesale personnel changes, scattered '50s outings on Regal, Tru-Blue, Ronnex, Jubilee, and Baton. Gordon loyally stuck with Johnson long after The Musical Notes moniker was jettisoned, though he did recut Don't You Think I Ought To Know under his own name in 1959 for IPS. Lung cancer claimed Johnson on July 5, 1960; Gordon moved to Canada in '63.

Bill Dahl

Various - Street Corner Symphonies Vol.01

1939-1949 The Complete Story Of Doo Wop

Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.01-1939-1949-the-complete-story-of-doo-wop.html
Copyright © Bear Family Records

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