Waylon Jennings Right For The Time - Remembered (LP)

Preview: Right For The Time - Remembered (LP)

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catalog number: LPBC014
weight in Kg 0.24

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(Black Country Rock Records) 13 tracks. This recording is an analog remastering of Waylon... more

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Waylon Jennings: Right For The Time - Remembered (LP)

(Black Country Rock Records) 13 tracks.

This recording is an analog remastering of Waylon Jennings' 1996 Justice Records release Right For The Time. In a unique combination, Justice Records and Black Country Rock have teamed up to reissue this memorable album by the late great Waylon Jennings. Transferred from the original 1/2″ reel-to-reel tapes, remastered directly for vinyl by Pete Lyman, this all-analog version of the record truly tracks the methods and morals that producer Randall Jamail was aiming for when he first recorded it.

Article properties: Waylon Jennings: Right For The Time - Remembered (LP)

Interpret: Waylon Jennings
Album titlle: Right For The Time - Remembered (LP)
Genre Country
Label Black COUNTRY RECORDS
Geschwindigkeit 33 U/min
Vinyl record size LP (12 Inch)
Record Grading Mint (M)
Sleeve Grading Mint (M)
Artikelart LP
EAN: 0762182159012
weight in Kg 0.24

Jennings, Waylon - Right For The Time - Remembered (LP) LP 1
01	Wbpt	Waylon Jennings
02	Cactus Texas	Waylon Jennings
03	The Most Sensible Thing	Waylon Jennings
04	The Boxer	Waylon Jennings
05	Hittin' The Bottle Again	Waylon Jennings
06	Wastin' Time	Waylon Jennings
07	Kissing You Goodbye	Waylon Jennings
08	Carnival Song	Waylon Jennings
09	Out Of Jail	Waylon Jennings
10	Lines	Waylon Jennings
11	Deep In The West	Waylon Jennings
12	Right For The Time	Waylon Jennings
13	Living Legends, Part Ii	Waylon Jennings

Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more

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"Waylon Jennings"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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