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Waylon Jennings Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)
 
 
 
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catalog number: LPNW5053

weight in Kg 0,560

 

Item is temporarily out of stock.
Approx. delivery time: up to 3 weeks. (if available from supplier)

$41.24 *
 
 

Waylon Jennings: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

Video von Waylon Jennings - Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

(2012/New West 17 tracks (3-sided vinyl set) Gatefold/Klappcover, recorded April 1, 1989 KLRU-TV, Austin,TX. Audio mastering 2012 - Amazing Sound!
 

Songs

Waylon Jennings - Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition) Medium 1
1: I'm A Ramblin' Man  
2: Rainy Day Woman  
3: America  
4: I May Be Used (But Baby I Ain't Used Up)  
5: Amanda  
6: Me And Bobby Mcgee  
7: Trouble Man  
8: Mamas Don't Let Your Babies Grow Up To Be Cowboys  
9: Good Ol' Boys [Theme From The Dukes Of Hazzard]  
10: Bob Wills Is Still The King  
11: Are You Sure Hank Done It This Way  
12: Suspicious Minds  
13: Honky Tonk Angels  
14: Good Hearted Woman  
15: I've Always Been Crazy  
16: Luckenbach, Texas (Back To The Basics Of Love)  
17: I Ain't Living Long Like This  

 

Artikeleigenschaften von Waylon Jennings: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

  • Interpret: Waylon Jennings

  • Albumtitel: Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)

  • Format LP
  • Genre Country

  • Music Genre Country Music
  • Music Style Vinyl - Country
  • Music Sub-Genre 551 Vinyl - Country
  • Edition 2 BEAR Family Records
  • Title Live From Austin TX 1989 (2-LP, 180g Vinyl, Ltd. Edition)
  • Vinyl size LP (12 Inch)
  • Vinyl weight 180g Vinyl
  • Speed / RPM 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Release date 2012
  • Label NEW WEST

  • SubGenre Country - General

  • EAN: 0607396505319

  • weight in Kg 0.560
 
 

Artist description "Jennings, Waylon"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

 
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