Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson Highwayman - Desperados Waiting For A Train (7inch, 45rpm)

Preview: Highwayman - Desperados Waiting For A Train (7inch, 45rpm)

Highwayman - Desperados Waiting For A Train (7inch, 45rpm)

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catalog number: 45CBS08406
weight in Kg 0.05

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(Columbia) 2-Track Single - 45 rpm, large inner hole suitable for jukebox, with company sleeve! more

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Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson: Highwayman - Desperados Waiting For A Train (7inch, 45rpm)

(Columbia) 2-Track Single - 45 rpm, large inner hole suitable for jukebox, with company sleeve!

Article properties: Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson: Highwayman - Desperados Waiting For A Train (7inch, 45rpm)

Interpret: Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson
Album titlle: Highwayman - Desperados Waiting For A Train (7inch, 45rpm)
Genre Country
Label CBS RECORDS
Record Grading Mint (M)
Geschwindigkeit 45 U/min
Vinyl record size Single (7 Inch)
Sleeve Grading Very Good Plus (VG+)
Artikelart 7inch
EAN: 0074640840678
weight in Kg 0.05

Jennings, Waylon - Highwayman - Desperados Waiting For A Train (7inch, 45rpm) 7inch 1
01	Highwayman	Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson
02	Desperados Waiting For A Train	Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson

Waylon Jennings The Jennings family was like many in West Texas, subsistence farmers and... more

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"Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson"

Waylon Jennings

The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called
The Jennings family was like many in West Texas, subsistence farmers and odd jobbers. His folks, William Albert Jennings and Lorene Beatrice Shipley, had married in 1935, and he was the oldest child, born June l5, 1937. Littlefield was a town built around the cotton fields, carved up from a three million acre ranch that had been under the aegis of Major George Washington Littlefield at the turn of the twentieth century. The seat of Lamb County, it was bisected by the Panhandle and Santa Fe Railroad, and it was as typical a small town Texas life as could be, working in his Daddy's produce store, chasing girls through the town square, watching the cowboy pictures at the Palace Theatre.

There was music in the family - his Daddy loved to sing like Bill Monroe and pluck his guitar thumb-and-finger style, while his Momma showed him how to form his first chords - and more crackling over the radio: the Grand Ole Opry and the Louisiana Hayride and Stan's Record Rack and, one morning in the fall of 1954, the echoings of a countryish singer who sounded like no other country singer before: Elvis Presley, reprising Arthur Crudup's That's Alright, Mama and Bill Monroe's Blue Moon Of Kentucky.

Waylon himself leaned toward Hank Williams and Ernest Tubb, and soon enough was trying to emulate his idols by appearing at the weekly Palace Theatre talent shows. Finding he wasn't much good at most of the available menial labors in town, he found a job at the Voice of Lamb County, KVOW, as a disc jockey, playing a variety of music from Mantovani to country to the classics. Slowly his circle of performing expanded, and he was able to watch the rise of rock and roll first-hand when a local boy from Lubbock, Buddy Holly, had a hit record called That'll Be The Day.
Excerpt from the book BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Read more at: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

Auszug aus dem Buch BCD 16320 - Waylon Jennings - The Journey: Destiny's Child - Lesen Sie mehr unter: https://www.bear-family.com/jennings-waylon-the-journey-destiny-s-child-6-cd.html
https://www.bear-family.com/jennings-waylon/
Copyright © Bear Family Records

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