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Lightnin' Hopkins Very Best Of (2-CD)

Very Best Of (2-CD)
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  • CD061909
  • 0.12
(1960-69) (158:45/38) more

Lightnin' Hopkins: Very Best Of (2-CD)

(1960-69) (158:45/38)

Article properties: Lightnin' Hopkins: Very Best Of (2-CD)

Hopkins, Lightnin' - Very Best Of (2-CD) CD 1
01 Mojo Hand Lightnin' Hopkins
02 Have You Ever Loved A Woman Lightnin' Hopkins
03 Trouble In Mind Lightnin' Hopkins
04 Katie Mae Lightnin' Hopkins
05 See See Rider Lightnin' Hopkins
06 Mama And Papa Hopkins Lightnin' Hopkins
07 Backwater Blues Lightnin' Hopkins
08 My Black Cadillac Lightnin' Hopkins
09 Stool Pigeon Blues Lightnin' Hopkins
10 Ain't Nothin' Like Whiskey Lightnin' Hopkins
11 Peniteniary Blues Lightnin' Hopkins
12 Blues For Gamblers Lightnin' Hopkins
13 Wimmin From Coast To Coast Lightnin' Hopkins
14 Shaggy Dad Lightnin' Hopkins
15 What'd I Say Lightnin' Hopkins
16 Mr. Dillard's Store Lightnin' Hopkins
17 Goin' Back Home Lightnin' Hopkins
18 Found My Baby Crying Lightnin' Hopkins
19 Move On Out Pt.1 Lightnin' Hopkins
20 Back Door Friend Lightnin' Hopkins
21 Fishing Clothes Lightnin' Hopkins
22 Morning Blues Lightnin' Hopkins
23 Evil Hearted Woman Lightnin' Hopkins
24 Vietnam Wars Pt.1&2 Lightnin' Hopkins
25 Last Affair Lightnin' Hopkins
26 Lovin' Arms Lightnin' Hopkins
27 Rock Me Mama Lightnin' Hopkins
28 Ride In Your New Automobile Lightnin' Hopkins
29 Lightnin' Strikes One More Time Lightnin' Hopkins
30 Wig Wearing Woman Lightnin' Hopkins
31 Lonesome Dog Blues Lightnin' Hopkins
32 West Texas Blues Lightnin' Hopkins
33 Mr. Charlie Lightnin' Hopkins
34 Got Her Letter This Morning Lightnin' Hopkins
35 Mighty Crazy Lightnin' Hopkins
36 Little School Girl Lightnin' Hopkins
37 Last Affair Lightnin' Hopkins
38 Y'All Excuse Me Lightnin' Hopkins
Lightnin' Hopkins Lightnin' Hopkins is many people's idea of what a blues-singer should be... more
"Lightnin' Hopkins"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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