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Lightnin' Hopkins Straight Blues

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catalog number: CD586

weight in Kg 0,100

$12.15 *
 
 

Lightnin' Hopkins: Straight Blues

(1961/64 'Bluesville') (42:25/12) LIGHTNIN' HOPKINS - gtr/voc backed by LEONARD GASKIN - bass, HERBIE LOVELLE - drums (on two tracks).
 

Songs

Hopkins, Lightnin' - Straight Blues CD 1
1: Black Gal
2: Baby Don't You Tear My Clothes
3: Good Morning Little Schoolgirl
4: Coffee Blues
5: I Like To Boogie
6: Get It Straight
7: I Don't Want To Do Nothing To You
8: You Is One Black Rat
9: Got Nowhere To Lay My Head
10: Just Boogyin'
11: Take Me Back
12: I Was Down On Dowling Street

 

Artikeleigenschaften von Lightnin' Hopkins: Straight Blues

  • Interpret: Lightnin' Hopkins

  • Albumtitel: Straight Blues

  • Format CD
  • Genre Blues

  • Music Genre Blues
  • Music Style Texas Blues
  • Music Sub-Genre 912 Texas Blues
  • Title Straight Blues
  • Label FANTASY

  • SubGenre Blues - Traditional

  • EAN: 0025218058629

  • weight in Kg 0.100
 
 

Artist description "Hopkins, Lightnin'"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

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