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Lightnin' Hopkins Lightnin' Strikes (Vee-Jay 1960-61) re

Lightnin' Strikes (Vee-Jay 1960-61) re
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Approx. delivery time: up to 3 weeks. (as far as available at the supplier - can be faster, but sometimes unfortunately not)

  • VJ1044
  • 0.25
(1960-62 'Vee Jay') Neuauflage / Re-issue. more

Lightnin' Hopkins: Lightnin' Strikes (Vee-Jay 1960-61) re

(1960-62 'Vee Jay') Neuauflage / Re-issue.

Article properties: Lightnin' Hopkins: Lightnin' Strikes (Vee-Jay 1960-61) re

  • Interpret: Lightnin' Hopkins

  • Album titlle: Lightnin' Strikes (Vee-Jay 1960-61) re

  • Genre R&B, Soul

  • Label VEE JAY

  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Artikelart LP

  • EAN: 4000127718952

  • weight in Kg 0.25
Hopkins, Lightnin' - Lightnin' Strikes (Vee-Jay 1960-61) re LP 1
01 Got Me A Louisiana Woman Lightnin' Hopkins
02 Want To Come Home Lightnin' Hopkins
03 Please Don't Quit Me Lightnin' Hopkins
04 Devil Is Watching You Lightnin' Hopkins
05 Rolling And Rolling Lightnin' Hopkins
06 War Is Starting Again Lightnin' Hopkins
07 Walkin' Round In Circles Lightnin' Hopkins
08 Mary Lou Lightnin' Hopkins
09 Heavy Snow Lightnin' Hopkins
10 Coon IS hard To Catch Lightnin' Hopkins
Lightnin' Hopkins Lightnin' Hopkins is many people's idea of what a blues-singer should be... more
"Lightnin' Hopkins"

Lightnin' Hopkins

Lightnin' Hopkins is many people's idea of what a blues-singer should be : an endlessly inventive folk-poet, whose imagination is touched by almost everything but whose sing-ing and playing express nothing but the blues. And this, despite nearly 30 years of performing and recording, and all the pressures that might have made him something else, he unswervingly has been. But he has not, outside his own com-munity, been very obviously influential on either American or British rock; his blues, sung by others, are not self-sustaining, as many of the Chicagoans' are.

 

His early recordings, in the Forties and Fifties, were characterised by thunderous amplification - as any number of reissues demonstrate - but his first ventures into a different market, with acoustic guitar, compensate in subtlety for what they lose in force (e.g. the Folkways and some Bluesville albums). Later sessions placed him with accompanying groups, rarely successfully, though his album for Jewel is an exception.

Through all these records he balances slow blues with vivid boogies, occasionally leaving his guitar to essay an idiosyncratic piano style. Born in Centerville, Texas, in 1912, he spent most of his life in Houston, and his refusal to extract himself from that milieu is the chief reason for his undiminished authenticity as an observer, through the blues, of black life.

PLUG IT IN! TURN IT UP!
Electric Blues 1939-2005. - The Definitive Collection!

 

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