John Lee Hooker Blues In Transition - 1955-59 (2-CD)
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- catalog number: CDJAS562
- weight in Kg 0.12
John Lee Hooker: Blues In Transition - 1955-59 (2-CD)
Article properties: John Lee Hooker: Blues In Transition - 1955-59 (2-CD)
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Interpret: John Lee Hooker
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Album titlle: Blues In Transition - 1955-59 (2-CD)
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Label JASMINE
- Preiscode JAS
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Genre Blues
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Artikelart CD
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EAN: 0604988056228
- weight in Kg 0.12
| Hooker, John Lee - Blues In Transition - 1955-59 (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Mambo Chillun | John Lee Hooker | ||
| 02 | Time Is Marchin' | John Lee Hooker | ||
| 03 | I'm So Worried Baby | John Lee Hooker | ||
| 04 | Baby Lee | John Lee Hooker | ||
| 05 | Dimples | John Lee Hooker | ||
| 06 | Every Night | John Lee Hooker | ||
| 07 | The Road Is Rough | John Lee Hooker | ||
| 08 | Trouble Blues | John Lee Hooker | ||
| 09 | Stop Talking | John Lee Hooker | ||
| 10 | Everybody Rockin' | John Lee Hooker | ||
| 11 | I'm So Excited | John Lee Hooker | ||
| 12 | I See You When You're Weak | John Lee Hooker | ||
| 13 | Crawlin' Black Spider | John Lee Hooker | ||
| 14 | Little Wheel | John Lee Hooker | ||
| 15 | Little Fine Woman | John Lee Hooker | ||
| 16 | Rosie Mae | John Lee Hooker | ||
| 17 | I Love You Honey | John Lee Hooker | ||
| 18 | You've Taken My Woman | John Lee Hooker | ||
| 19 | Mama You Got A Daughter | John Lee Hooker | ||
| 20 | Maudie | John Lee Hooker | ||
| 21 | Tennessee Blues | John Lee Hooker | ||
| 22 | I'm In The Mood | John Lee Hooker | ||
| 23 | Boogie Chillun | John Lee Hooker | ||
| 24 | Hobo Blues | John Lee Hooker | ||
| 25 | Crawlin' Kingsnake | John Lee Hooker | ||
| 26 | Black Snake | John Lee Hooker | ||
| 27 | How Long Blues | John Lee Hooker | ||
| 28 | Wobblin' Baby | John Lee Hooker | ||
| 29 | She's Long, She's Tall, She Weeps Like A Will | John Lee Hooker | ||
| 30 | Pea Vine Special | John Lee Hooker | ||
| 31 | Tupelo Blues | John Lee Hooker | ||
| 32 | I'm Prison Bound | John Lee Hooker | ||
| 33 | I Rowed A Little Boat | John Lee Hooker | ||
| 34 | Water Boy | John Lee Hooker | ||
| 35 | Church Bell Tone | John Lee Hooker | ||
| 36 | Bundle Up And Go | John Lee Hooker | ||
| 37 | Good Morning Lil' School Girl | John Lee Hooker | ||
| 38 | Behind The Plow | John Lee Hooker | ||
| 39 | Burning Hell | John Lee Hooker | ||
| 40 | Graveyard Blues | John Lee Hooker | ||
| 41 | Baby, Please Don't Go | John Lee Hooker | ||
| 42 | Jackson, Tennessee | John Lee Hooker | ||
| 43 | You Live Your Life And I'll Live Mine | John Lee Hooker | ||
| 44 | Smokestack Lightnin' | John Lee Hooker | ||
| 45 | How Can You Do It | John Lee Hooker | ||
| 46 | I Don't Want No Woman If Her Hair Ain't Longe | John Lee Hooker | ||
| 47 | I Rolled And Turned And Cried The Whole Night | John Lee Hooker | ||
| 48 | Blues For My Baby | John Lee Hooker | ||
| 49 | Key To The High Way | John Lee Hooker | ||
| 50 | Natchez Fire | John Lee Hooker | ||
John Lee Hooker
After nomadically label-hopping for the first seven years of his astonishingly prolific recording career, Mississippi Delta émigré John Lee Hooker settled into a relatively exclusive relationship with Chicago’s Vee-Jay Records in 1955. Things had changed dramatically on the R&B front since 1949; no longer would a haunting solo blues piece like the Hook’s Boogie Chillen (it’s on BCD 16921, Disc One) find its way to the top of the charts now that rock 'n' roll had captured the teenage demographic.
Still, there remained a solid southern market for blues, and John Lee was happy to help fill it on Vee-Jay through 1964 (granted, there were dalliances with a number of other labels during that span). His first Vee-Jay date, conducted in Chicago in October of ’55, found him in the company of labelmate Jimmy Reed, guitarist Eddie Taylor (a steadying presence for both Reed and Hooker whenever they entered the studio), bassist George Washington, and drummer Tom Whitehead, who had been playing sessions with the Boogie Man since 1953 and clearly knew the territory.
Reed was absent for Hooker’s Vee-Jay encore session, held March 27, 1956, but the rhythm section remained constant. Among the enduring gems laid down that day was the rollicking Dimples, a standard in John Lee’s repertoire from then on. He’s listed as writing it with Jimmy Bracken, the co-owner of Vee-Jay. Hooker was fretting an electric guitar instead of the acoustic he used on his first Detroit sessions (ironically, he’d have to retrieve it when the folk-blues trend hit).
Hooker’s Vee-Jay stint produced some of the most polished recordings he ever made, thanks to stellar musicianship by Taylor and his comrades, who seemed to cope with Hooker’s erratic timing better than just about anyone else he’d recorded with. At the end of 1958, John Lee would find his way back onto the R&B charts for the first time in more than seven years with I Love You Honey. He scored nationally again in 1960 with No Shoes. But as it turned out, the John Lee Hooker story was just getting underway.
Bill Dahl
Chicago, Illinois
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