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Buddy Holly The Buddy I Knew (7-CD)

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  • CDTMM3259
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(Tex-Mex) 218 tracks, including interviews and newscasts, 14 x 2.5 x 12.5 cm hardcover... more

Buddy Holly: The Buddy I Knew (7-CD)

(Tex-Mex) 218 tracks, including interviews and newscasts, 14 x 2.5 x 12.5 cm hardcover digisleeve with seven wallets and a 20 page booklet.
 -
 Unofficial release - deleted for years. Package is dated 2000 but each dics states 1995.

Article properties: Buddy Holly: The Buddy I Knew (7-CD)

  • Interpret: Buddy Holly

  • Album titlle: The Buddy I Knew (7-CD)

  • Genre Rock'n'Roll

  • Year of publication 2000
  • Artikelart CD

  • Label Tex-Mex Music

  • EAN: 2500001207708

  • weight in Kg 0.25
Holly, Buddy - The Buddy I Knew (7-CD) CD 1
01 Buddy's Guitar
02 Wait Till The Sun Shines Nellie
03 Learning The Game
04 Crying, Waiting, Hoping
05 Love Is Strange
06 Dearest
07 That's What They Say
08 What To Do
09 That makes It Tough
10 Slippin' And Slidin' (take 1)
11 Smokey Joe's Cafe
12 Slippin' And Slidin' (take 2)
13 Slippin' And Slidin' (take 3)
14 Peggy Sue Got Married
15 Maria Elena
16 Dearest
17 I'm Gonna Love You Too
18 Listen To Me
19 Go Boy Go
20 The Golden Rocket
21 Gone
22 I Overlooked An Orchid
23 Sugartime
24 Oh You Beautiful Doll
25 Real Wild Child
26 Don't Treat Me This Way
27 Don't Cha Know
28 Stay Close To Me
Holly, Buddy - The Buddy I Knew (7-CD) CD 2
01 My Two Timin' Woman
02 I'll Just Pretend
03 Take These Shackles From My Heart
04 Footprints In The Snow
05 Gotta Get You Near Me Blues
06 You And I Are Through
07 Memories
08 Baby Let's Play House
09 Down The Line
10 Baby Won't You Come Out Tonight
11 I Guess I Was Just A Fool
12 Don't Come Back Knockin'
13 Love Me
14 Love Me (Take 10)
15 Don't Come Back Knockin'
16 Because I Love You
17 It's Not My Fault
18 Rock-A-Bye Rock
19 Rock Around With Ollie Vee (False and Take 8)
20 I'm Changin' All Those Changes (Take 4)
21 That'll Be The Day (Take 19)
22 Girl On My Mind (Take 3)
23 Ting-A-Ling (Take 7)
24 Rock Around With Ollie Vee (Take 12)
25 You are My One Desire (False and Take 3)
26 Gone (Take 1)
27 Gone (Take 2)
28 Have You Ever Been Lonely (Take 1)
29 Have You Ever Been Lonely (Take 2)
30 Have You Ever Been Lonely (Take 3)
31 Brown-Eyed Handsome Man
32 Good Rockin' Tonight
33 Rip It Up
34 Blue Monday
35 Honky Tonk
Holly, Buddy - The Buddy I Knew (7-CD) CD 3
01 Love me
02 Rock Around With Ollie Vee
03 Changing All Those Changes
04 That'll Be The Day
05 Girl On My Mind
06 Don't Come Back Knockin'
07 Ting-A-Ling
08 Rock Around With Ollie Vee (2)
09 Modern Don Juan
10 You Are My One Desire
11 Midnight Shift
12 Blue Days, Black Nights
13 That'll Be The Day
14 That'll Be The Day
15 Mona
16 Last Night
17 Not Fade Away
18 Come Back Baby
19 Reminiscing
20 Love Made A Fool Of You
21 True Love Ways
22 Moondeams
23 Raining In My Heart
24 It Doesn't Matter Any More
Holly, Buddy - The Buddy I Knew (7-CD) CD 4
01 Take Your Time (take 1)
02 Take Your Time (take 2)
03 Take Your Time (take 3)
04 Oh Boy
05 Peggy Sue
06 Think It Over (Take 1)
07 Think It Over (Take 2)
08 Think It Over (Take 3)
09 Fool's Paradise (Take 1)
10 Fool's Paradise (Take 2)
11 Bo Diddley
12 Brown-Eyed Handsome man
13 Lonesome tears
14 Rock-A-Bye Rock
15 Maybe Baby
16 Baby Won't You Come Out Tonight
17 Starlight
18 Believe Me
19 A Whole Lot Of Lovin
20 A Whole Lot Of Lovin (Take 2)
21 When Sin Stops
22 When Sin Stops (Alt)
23 When Sin Stops (Alt)
24 Jole Blon
25 Real Wild Child
26 Oh You Beautiful Doll
27 Moondreams
28 Honey Honey
29 Look To The Future
30 Stay Close To Me
31 By The Mission Wall
32 Don't Cha Know
Holly, Buddy - The Buddy I Knew (7-CD) CD 5
01 That'll Be The Day (Take 1) With The Three Tunes
02 That'll Be The Day (Take 2) With The Crickets
03 That'll Be The Day (Take 3) Live With The Crickets
04 That'll Be The Day (Take 4) Live With The Crickets
05 That'll Be The Day (Take 5) Norman Petty Jingle
06 That'll Be The Day (Take 6) Norman Petty Jingle
07 Blue Days, Black Nights (Take 1) With The Three Tunes
08 Blue Days, Black Nights (Take 2) With The Crickets
09 I'm Changing All Those Changes (Take 1) With The Three Tunes
10 I'm Changing All Those Changes (Take 2) Dubbed Version
11 Maybe Baby (Take 1) Rare Version
12 Maybe Baby (Take 2) With The Crickets
13 Maybe Baby (Take 3) With The Crickets
14 Maybe Baby (Take 4) Rare Master With The Crickets
15 Rock Around With Ollie Vee (Take 1) With The Three Tunes
16 Rock Around With Ollie Vee (Take 2) Alt With The Three Tunes
17 Rock Around With Ollie Vee (Take 3) With The Picks
18 You Are My One Desire (Take 1) With The Three Tunes
19 You Are My One Desire (Take 2) With The Picks
20 Modern Don Juan (Take 1) With The Three Tunes
21 Modern Don Juan (Take 2) With The Picks
22 Oh Boy (Take 1) With The Crickets
23 Oh Boy (Take 2) Live With The Crickets
24 Ting-A-Ling (Take 1) With The Picks
25 Love Me (Take 1) With The Picks
26 Don't Come Back Knockin' (Take 1) With The Picks
27 Love Me (Take 1) With The Picks
28 Girl On My Mind (Take 1) With The Picks
29 Peggy Sue Got Married (Take 1, Instrumental Backing Dubbed By The Fireballs)
30 It Doesn't Matter Any More (Take 1) Stereo
31 True Love Ways (Take 1) Stereo
32 Raining In My Heart (Take 1) Stereo
33 Love Is Strange (Take 1) Stereo
34 Learning The Game (Take 1) Dubbed Stereo
35 Because I Love You (Take 1) Dubbed Stereo
Holly, Buddy - The Buddy I Knew (7-CD) CD 6
01 Blue Suede Shoes
02 Shake, Rattle And Roll
03 Bo Diddley
04 Ain't Got No Home
05 Holly Hop
06 Last Night
07 Maby Baby
08 Words Of Love
09 Jingle For Bob Thiele
10 Jingle For Murray Deutch
11 Send Me Some Lovin'
12 It's Too Late
13 Mona (Rehearsal)
14 Mona (Take 1)
15 Mona (Take 2)
16 Mona (False And Take 3)
17 That's My Desire (Take 1)
18 That's My Desire (Take 2)
19 That's My Desire (Take 3)
20 Fool's Paradise (Take 3)
21 Think It Over (Take 3)
22 Think It Over (Take 4)
23 Think It Over (Take 5)
24 Now, We're One
25 Jingle For The Radio Station KLLL
26 Jingle For The Radio Station KLLL
27 Promo For The Radio Station WACK
28 Promo For The Radio Station KSYD
29 Baby, It's Love
30 Flowers Of My Heart
31 Memories
32 Soft Place In My Heart
33 Queen Of The Ballroom
34 I Gambled My Heart
35 Door To My Heart
36 Brown-Eyed Handsome Man
Holly, Buddy - The Buddy I Knew (7-CD) CD 7
01 Dearest
02 Love Is Strange
03 Smokey Joe's Cafe
04 Leave My Woman Alone
05 Newscast About Plane Crash
06 Newscast About Plane Crash
07 Newscast About Plane Crash
08 Interview With Red Robinson
09 Interview With Dale Lowery
10 Interview With Pat Barton
11 Interview With Alan Freed
12 Interview With Dick Clark
13 That'll Be The Day
14 Peggy Sue
15 Interview With Ed Sullivan
16 Oh Boy!
17 That'll Be The Day
18 Peggy Sue
19 Oh Boy!
20 Because I Love You
21 I'll Miss My Heart
22 Whole Lotta Lovin' (Take 2) Overdubbed Backing
23 It's A Wonderful Feeling
24 Don't Do Me This Way
25 Patty Baby
26 Real Wild Child
27 Real Wild Child (Alternative Take)
28 Oh You Beautiful Doll (Take 1)
29 Oh You Beautiful Doll (Take 2)
30 Oh You Beautiful Doll
31 Stay Close To Me (False and Take 4)
32 Don't Cha Know
33 Don't Come Back Knockin
34 I Wanna Play House With You (Baby, Let's Play House)
35 Love Me
36 Down The Line
37 Gotta Get You Near Me Blues
38 You And I Are Through
Buddy Holly Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in... more
"Buddy Holly"

Buddy Holly

Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in 1936. He was one of the most innovative and influential rock'n'roll artists, and the very first professional rocker to play a Fender Stratocaster. Backed by the Crickets – Niki Sullivan (guitar), Joe B. Mauldin (double bass) and Jerry Allison (drums) – he recorded his first hit, 'That'll Be The Day', at the Norman Petty Studio in Clovis, New Mexico in 1957, following on with 'Peggy Sue', 'Oh Boy!' and others.

He had a promising career ahead of him when he was tragically killed in a plane crash on 2 February 1959 together with Ritchie Valens and the Big Bopper. He was inducted into the Rock and Roll Hall Of Fame in 1986 in the first cohort.

 

Buddy Holly
Buddy Holly was born on Sept. 7, 1936, in Lubbock, Texas, and christened Charles Hardin Holley. Lubbock's geo-graphical position meant that Holly would have heard hillbilly, Mexican and black music on the radio during his formative years, this cosmopolitan musical background was to prove vital to the versatility he latei displayed in his own work. As a youngster he took up the violin, but soon changed to guitar. He showed an early interest in C&W, and while still at school had his own show on KDAV, the local radio sta-tion. He was partnered by Bob Montgomery, and in 1954 they made some hillbilly demo records which were posthu-mously issued as Holly in the Hills. Together with bass-player Larry Welborn, Buddy and Bob would sometimes fill the 'local talent' spot when travelling package shows visited the area. As a result of this exposure, and with help from KDAV disc-jockey Dave Stone, Nashville agent Eddie Cran-dall and publisher Jim Denny, Buddy Holly was signed to Decca in 1956 to cut some singles in Nashville. Two were released without success, and before his contract with Decca was up Holly was beginning to look elsewhere, guessing that the option would not be renewed.

Although Decca handled Holly rather insensitively (i.e. no more nor less off-handedly than any other bright young hopeful) these early sessions did produce at least two Holly classics, 'Midnight Shift' and 'Rock Around With 011ie Vee', and Holly worked with musicians like Sonny Curtis and Jerry Allison who were later to be involved in the Crickets. The tapes were eventually issued as That'll Be The Day. Allison and Holly had been schoolfriends, and had often played together as a drum /guitar duo. The limitations of this line-up helped forge their style, the smooth switch from rhythm to lead in Buddy's guitar-playing, the versa-tility of Jerry's drumming. In 1955, when the two started playing together professionally, it was still unusual to find drums in a country line-up. Soon after his last Decca session, Holly started working at Norman Petty's studio in Clovis, New Mexico.

Petty, who was also a middle-of-the-road band leader, was a pioneer of the small, independent recording studio, he was also unusual in that he charged per song rather than per hour, which put less pressure on musicians. Holly, Allison and Welborn, to-gether with a vocal quartet which included Cricket-to-be Niki Sullivan, recorded 'That'll Be The Day' and 'I'm Look-ing For Someone To Love' in February, 1957. Petty first submitted the songs to Roulette in New York, since they had already had hits originating from his studio with Buddy Knox and Jimmy Bowen. They weren't interested, but Holly and the Crickets were soon signed by Coral. The record made No. 3 in America and No. 1 in Britain, and was fol-lowed with almost equal success by 'Oh Boy' / 'Not Fade Away'. By this time, Joe Mauldin had become the Crickets' bass-player, with Niki Sullivan on rhythm guitar. Before long Petty, who had quickly assumed a managerial position, began to record Holly solo as well as with the Crickets, though the musicians were often the same. Holly's first hit under his own name was 'Peggy Sue', late in 1957, followed in Britain by 'Listen To Me' and in both countries by 'Rave On' and the Bobby Darin number 'Early In The Morning' (by which time, mid-1958, Holly had begun to record in New York without the Crickets as well as in Clovis). After a British tour with the Crickets in that year, Holly married Maria Elena Santiago and moved to New York. The rest of the Crickets didn't want to make the move and so split from Holly. This was probably inevitable. Petty was trying to broaden Holly's career and one of the first results was to record him with the Dick Jacobs Orchestra (notably `It Doesn't Matter Anymore').

Holly's backing group on live . dates at this time included Tommy Allsup, whom he had brought into the Crickets earlier to play lead guitar (it is a mistake to assume that Holly fulfilled this role on all his records). Other notable musicians with whom Holly worked at this time were saxophonist King Curtis, and the young Waylon Jennings, whose first solo record, 'Joie Blon', was produced by Buddy Holly. Early in 1959, Holly's career was at a crossroads. In spite of the significant early impact both with the Crickets and as a solo performer, in spite of his own single-minded attitude towards success and the attempts he was making to create the basis for a long career, there was little in strict commercial terms to suggest (except with hindsight) that he was any different from many other rock performers of the time. It is, of course, inconceivable that, had he lived, he would not have risen further from the pack and still be accorded the respect that his prolific few years have so justly earned for him. He died on February 3, 1959, together with Ritchie Valens and the Big Bopper soon after taking off from Mason City airport in Iowa, en route between package-tour concerts in Clear Lake and Fargo. His current record, 'Heartbeat', was barely making an impact on the Hot Hundred. The first posthumous release, 'It Doesn't Matter Any-more' PRaining In My Heart', was a huge hit in both Ameri-ca and Britain.

And in Britain a series of processed tapes put out by Norman Petty kept him in the charts until the mid-Sixties, while an album of his best-known tracks was still in the Top Ten of the budget-price charts ten years earlier. Buddy Holly said 'We owe it all to Elvis'. Countless stars of the Sixties owe a similar debt to. Holly. He was one of the two great singer / songwriter /musicians of the pop Fifties (the other being Chuck Berry). He was a pioneer of the subse-quently-standard two guitars/ bass / drums line-up, and of double-tracking. Almost anything that a pop song can say was said by the twenty-two-year-old Buddy Holly nearly two decades ago.

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