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Buddy Holly Not Fade Away - Complete 1957 Recordings 3-CD

Not Fade Away - Complete 1957 Recordings 3-CD
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(2008/ET) 90 tracks including live tracks, interviews, promo spots , other performers... more

Buddy Holly: Not Fade Away - Complete 1957 Recordings 3-CD

(2008/ET) 90 tracks including live tracks, interviews, promo spots , other performers (feat.backings by Buddy Holly)

Article properties: Buddy Holly: Not Fade Away - Complete 1957 Recordings 3-CD

  • Interpret: Buddy Holly

  • Album titlle: Not Fade Away - Complete 1957 Recordings 3-CD

  • Label EL TORO

  • Genre Rock'n'Roll

  • Year of publication 2008
  • Price code N1
  • Artikelart CD

  • EAN: 8437003699696

  • weight in Kg 0.2
Holly, Buddy - Not Fade Away - Complete 1957 Recordings 3-CD CD 1
01 I'm Lookin' For Someone To Love Buddy Holly
02 That'll Be The Day Buddy Holly
03 Last Night (Undubbed original vers.) Buddy Holly
04 Maybe Baby (first vers.) Buddy Holly
05 Last Night Buddy Holly
06 Words Of Love (demo) Buddy Holly
07 Words Of Love Buddy Holly
08 Mailman, Bring Me No More Blues Buddy Holly
09 Not Fade Away (incomplete alt. take) Buddy Holly
10 Not Fade Away Buddy Holly
11 Everyday Buddy Holly
12 Ready Teddy Buddy Holly
13 Valley Of Tears Buddy Holly
14 Tell Me How Buddy Holly
15 Buddy's Phone Call To Pau Cohen Of Decca Rec. Buddy Holly
16 Go Boy Go (KDAV demo) DALE, Gary
17 Gone (KDAV demo) DALE, Gary
18 Go Boy Go (Norman Petty demo) DALE, Gary
19 The Golden Rocket (Norman Petty demo) DALE, Gary
20 Gone (Norman Petty demo) DALE, Gary
21 I Overlooked An Orchid (Norman Petty demo) DALE, Gary
22 On My Mind Again WALKER, Billy
23 Viva La Matador WALKER, Billy
24 A Whole Lot Of Lovin' (take 1) ROBINSON, Jim
25 A Whole Lot Of Lovin' (take 2) ROBINSON, Jim
26 A Whole Lot Of Lovin' (take 3) ROBINSON, Jim
27 A Whole Lot Of Lovin' ROBINSON, Jim
28 It's A Wonderful Feeling ROBINSON, Jim
29 Starlight (original without echo) HUDDLE, Jack
30 Starlight HUDDLE, Jack
31 Believe Me HUDDLE, Jack
Holly, Buddy - Not Fade Away - Complete 1957 Recordings 3-CD CD 2
01 Peggy Sue (alt. take) Buddy Holly
02 Peggy Sue Buddy Holly
03 Listen To Me Buddy Holly
04 That'll Be The Day (Promotional Recording Buddy Holly
05 For Bob Thiele Of Coral Records) Buddy Holly
06 That'll Be The Day (Promotional Recording Buddy Holly
07 For Murray Deutch of Southern Music) Buddy Holly
08 Oh, Boy! (undubbed original version) Buddy Holly
09 Oh, Boy! Buddy Holly
10 That'll Be The Day (Promotional Recording Buddy Holly
11 For Bill Randle Of WERE Radio, Ohio) Buddy Holly
12 I'm Gonna Love You Too Buddy Holly
13 Send Me Some Lovin' (original undubbed demo) Buddy Holly
14 It's Too Late (original undubbed demo) Buddy Holly
15 Send Me Some Lovin' Buddy Holly
16 It's Too Late Buddy Holly
17 Man From Texas ROBINSON, Jim
18 Honey, Honey DALE, Gary
19 Look To The Future DALE, Gary
20 By The Mission Wall CRAWFORD, Fred
21 Wreck Of The Old '97 HESTER, Carolyn
22 Scarlet Ribbons HESTER, Carolyn
23 Sugartime (take 1) PHILLIPS, Charlie
24 Sugartime (promo?) PHILLIPS, Charlie
25 One Faded Rose (take 1) PHILLIPS, Charlie
26 Sugartime PHILLIPS, Charlie
27 One Faded Rose PHILLIPS, Charlie
28 Humble Heart DAVIS, Sherry
29 Broken Promises DAVIS, Sherry
30 Moondreams (with THE PICKS) NORMAN PETTY TRIO
31 Moondreams (instrumental) NORMAN PETTY TRIO
32 Moondreams (version with THE ROSES) NORMAN PETTY TRIO
Holly, Buddy - Not Fade Away - Complete 1957 Recordings 3-CD CD 3
01 You Have Got Love Buddy Holly
02 Maybe Baby Buddy Holly
03 An Empty Cup (And A Broken Date) Buddy Holly
04 Rock Me, My Baby Buddy Holly
05 That'll Be The Day (unidentified live fragm.) Buddy Holly
06 That'll Be The Day (Live On The Ed Sullivan Buddy Holly
07 CBS TV Show) Buddy Holly
08 Peggy Sue (Live On The Ed Sullivan CBS..) Buddy Holly
09 Interview With Ed Sullivan Buddy Holly
10 Little Baby Buddy Holly
11 You're So Sqaure (Baby I Don't Care) Buddy Holly
12 Look At Me Buddy Holly
13 Mona (rehearsal) Buddy Holly
14 Mona (take 1) Buddy Holly
15 Mona (take 2) Buddy Holly
16 Mona (take 3) Buddy Holly
17 Peggy Sue (Live On The Arthur Murray TV Show) Buddy Holly
18 Don't Do Me This Way! (first version) TUCKER, Rick
19 Patty Baby TUCKER, Rick & THE PICKS
20 Don't Do Me This Way! TUCKER, Rick & THE PICKS
21 Promotional Spot For Bill Randle Of WERE Buddy Holly
22 Radio, Ohio #1 Buddy Holly
23 Promotional Spot For Bill Randle Of WERE Buddy Holly
24 Radio, Ohio #2 Buddy Holly
25 Promotional Spot For Don Passerby Of Cornwall Buddy Holly
26 Radio, Canada #1 Buddy Holly
27 Promotional Spot For Don Passerby Of Cornwall Buddy Holly
28 Radio, Canada #2 Buddy Holly
29 Promotional Spot For Don Passerby Of Cornwall Buddy Holly
30 Radio, Canada #3 Buddy Holly
31 Promotional Spot For Don Passerby Of Cornwall Buddy Holly
32 Radio, Canada #4 Buddy Holly
33 Interview With Red Robinson Of CKWX Radio,CDN Buddy Holly
34 Promotional Spot For Red Robinson Of CKWX Buddy Holly
35 Radio, Canada Buddy Holly
36 Interview With Freeman Hoover Of KCSR Radio, Buddy Holly
37 Nebraska Buddy Holly
38 Promotional Spot For Freeman Hovver Of KCSR Buddy Holly
39 Radio, Nebraska Buddy Holly
40 Interview With Dale Lowery Of KTOP Radio, Buddy Holly
41 Kansas Buddy Holly
Buddy Holly Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in... more
"Buddy Holly"

Buddy Holly

Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in 1936. He was one of the most innovative and influential rock'n'roll artists, and the very first professional rocker to play a Fender Stratocaster. Backed by the Crickets – Niki Sullivan (guitar), Joe B. Mauldin (double bass) and Jerry Allison (drums) – he recorded his first hit, 'That'll Be The Day', at the Norman Petty Studio in Clovis, New Mexico in 1957, following on with 'Peggy Sue', 'Oh Boy!' and others.

He had a promising career ahead of him when he was tragically killed in a plane crash on 2 February 1959 together with Ritchie Valens and the Big Bopper. He was inducted into the Rock and Roll Hall Of Fame in 1986 in the first cohort.

 

Buddy Holly
Buddy Holly was born on Sept. 7, 1936, in Lubbock, Texas, and christened Charles Hardin Holley. Lubbock's geo-graphical position meant that Holly would have heard hillbilly, Mexican and black music on the radio during his formative years, this cosmopolitan musical background was to prove vital to the versatility he latei displayed in his own work. As a youngster he took up the violin, but soon changed to guitar. He showed an early interest in C&W, and while still at school had his own show on KDAV, the local radio sta-tion. He was partnered by Bob Montgomery, and in 1954 they made some hillbilly demo records which were posthu-mously issued as Holly in the Hills. Together with bass-player Larry Welborn, Buddy and Bob would sometimes fill the 'local talent' spot when travelling package shows visited the area. As a result of this exposure, and with help from KDAV disc-jockey Dave Stone, Nashville agent Eddie Cran-dall and publisher Jim Denny, Buddy Holly was signed to Decca in 1956 to cut some singles in Nashville. Two were released without success, and before his contract with Decca was up Holly was beginning to look elsewhere, guessing that the option would not be renewed.

Although Decca handled Holly rather insensitively (i.e. no more nor less off-handedly than any other bright young hopeful) these early sessions did produce at least two Holly classics, 'Midnight Shift' and 'Rock Around With 011ie Vee', and Holly worked with musicians like Sonny Curtis and Jerry Allison who were later to be involved in the Crickets. The tapes were eventually issued as That'll Be The Day. Allison and Holly had been schoolfriends, and had often played together as a drum /guitar duo. The limitations of this line-up helped forge their style, the smooth switch from rhythm to lead in Buddy's guitar-playing, the versa-tility of Jerry's drumming. In 1955, when the two started playing together professionally, it was still unusual to find drums in a country line-up. Soon after his last Decca session, Holly started working at Norman Petty's studio in Clovis, New Mexico.

Petty, who was also a middle-of-the-road band leader, was a pioneer of the small, independent recording studio, he was also unusual in that he charged per song rather than per hour, which put less pressure on musicians. Holly, Allison and Welborn, to-gether with a vocal quartet which included Cricket-to-be Niki Sullivan, recorded 'That'll Be The Day' and 'I'm Look-ing For Someone To Love' in February, 1957. Petty first submitted the songs to Roulette in New York, since they had already had hits originating from his studio with Buddy Knox and Jimmy Bowen. They weren't interested, but Holly and the Crickets were soon signed by Coral. The record made No. 3 in America and No. 1 in Britain, and was fol-lowed with almost equal success by 'Oh Boy' / 'Not Fade Away'. By this time, Joe Mauldin had become the Crickets' bass-player, with Niki Sullivan on rhythm guitar. Before long Petty, who had quickly assumed a managerial position, began to record Holly solo as well as with the Crickets, though the musicians were often the same. Holly's first hit under his own name was 'Peggy Sue', late in 1957, followed in Britain by 'Listen To Me' and in both countries by 'Rave On' and the Bobby Darin number 'Early In The Morning' (by which time, mid-1958, Holly had begun to record in New York without the Crickets as well as in Clovis). After a British tour with the Crickets in that year, Holly married Maria Elena Santiago and moved to New York. The rest of the Crickets didn't want to make the move and so split from Holly. This was probably inevitable. Petty was trying to broaden Holly's career and one of the first results was to record him with the Dick Jacobs Orchestra (notably `It Doesn't Matter Anymore').

Holly's backing group on live . dates at this time included Tommy Allsup, whom he had brought into the Crickets earlier to play lead guitar (it is a mistake to assume that Holly fulfilled this role on all his records). Other notable musicians with whom Holly worked at this time were saxophonist King Curtis, and the young Waylon Jennings, whose first solo record, 'Joie Blon', was produced by Buddy Holly. Early in 1959, Holly's career was at a crossroads. In spite of the significant early impact both with the Crickets and as a solo performer, in spite of his own single-minded attitude towards success and the attempts he was making to create the basis for a long career, there was little in strict commercial terms to suggest (except with hindsight) that he was any different from many other rock performers of the time. It is, of course, inconceivable that, had he lived, he would not have risen further from the pack and still be accorded the respect that his prolific few years have so justly earned for him. He died on February 3, 1959, together with Ritchie Valens and the Big Bopper soon after taking off from Mason City airport in Iowa, en route between package-tour concerts in Clear Lake and Fargo. His current record, 'Heartbeat', was barely making an impact on the Hot Hundred. The first posthumous release, 'It Doesn't Matter Any-more' PRaining In My Heart', was a huge hit in both Ameri-ca and Britain.

And in Britain a series of processed tapes put out by Norman Petty kept him in the charts until the mid-Sixties, while an album of his best-known tracks was still in the Top Ten of the budget-price charts ten years earlier. Buddy Holly said 'We owe it all to Elvis'. Countless stars of the Sixties owe a similar debt to. Holly. He was one of the two great singer / songwriter /musicians of the pop Fifties (the other being Chuck Berry). He was a pioneer of the subse-quently-standard two guitars/ bass / drums line-up, and of double-tracking. Almost anything that a pop song can say was said by the twenty-two-year-old Buddy Holly nearly two decades ago.

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