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Buddy Holly - His Live And Music - Book/Buch John J. Goldrosen: His Life And Music

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English, 256 pages/Seiten, 18x11 cm, rare b/w pictures. Probably the best book on Buddy Holly... more

Buddy Holly - His Live And Music - Book/Buch: John J. Goldrosen: His Life And Music

English, 256 pages/Seiten, 18x11 cm, rare b/w pictures. Probably the best book on Buddy Holly includes Discography.
This is the original from 1975 - very rare

BUDDY HOLLY
The very name conjures up atundred tunes, the ever-recurring anthems of the rock'n'roll era, His success will seemingly never falter, nor his influence ever fade. But who was he? Very little has been written about his life and background, and what there is tends to be both speculative and often contradictory. But here, for the first time, are the facts.

This book is the result of a 20,000 mile trek across America, weeks of research and countless hours of interview with Holly's family, friends and associates. John Goldrosen has painstakinglypieced together Holly's story-from his childhood in Lubbock, Texas, through his professional successes and failures, up to the fatal plane crash in 1959. This is the real picture of the man behind the myth.

BUDDY HOLLY His Life and Music
Buddy Holly—the very name conjures up a hundred tunes, the ever-recurring anthems of the rock'n'roll era. His success will seemingly never falter, nor his influence ever fade. But who was he? Very little has been written about his life and background, and what there is tends to be both speculative and often contradictory. But here, for the first time, are the facts. John Goldrosen spent two years putting together the real Buddy Holly story—from his childhood in Lubbock, Texas, through his professional successes and failures, up to the fatal plane crash in 1959.

PREFACE by JohnBeecher
When I first became aware of Buddy Holly and the Crickets it was not through hearing their records on the radio—the BBC Light Programme in 1957 didn't provide many opportunities to listen to rock'n'roll, being devoted at the time to a curious mixture of entertainment ranging from the Billy Cotton Band Show to Educating Archie, the latter possibly being the only radio show ever to star a ventriloquist's dummy. My early record purchases show that I was heavily influenced by BBC Television's sole contribution to rock'n'roll, Six-Five Special. My parents, noting this interest in music, offered to buy me some records for Christmas and asked for a list of preferences. There was one record I wanted more than any other—"That'll Be The Day" by the Crickets. I first heard of this record through a friend who seemed to be first with everything. His mother regularly bought records for him and had provided him with a guitar, which he played within hours, much to my envy. One morning, he practically dragged me in off the street to hear his latest acquisition, "That'll Be The Day".

I don't remember how many times I asked him to play the record again, but I do remember that nothing impressed me like that record did. For the moment it didn't matter who was singing, or how many frustrating hours the group might have spent getting the record together. All that mattered to me was getting a copy for myself just as soon as possible. Christmas day arrived, and a package containing three 78's. "That'll Be The Day" was not among them. My parents, on hearing a few bars of it in the record shop, had decided that it was "too noisy". Right, but wasn't that the whole point, wasn't that the beauty of it? Of course, since our gramophone was in the middle of the sitting room, they had some interest in what I was going to play over and over again, but at the time that didn't occur to me. Within a few days I had bought a copy ...

Article properties: Buddy Holly - His Live And Music - Book/Buch: John J. Goldrosen: His Life And Music

  • Interpret: Buddy Holly - His Live And Music - Book/Buch

  • Album titlle: John J. Goldrosen: His Life And Music

  • Label FUTURA PUB

  • Year of publication 1975
  • Sprache Englisch
  • Biographies & Memoirs
  • Einband Broschiert
  • Seiten 256
  • Artikelart Bücher/Books

  • ISBN-13 9780859470186
  • Verleger Charisma Books
  • Größe 17,5 x 11,2 x 2 cm
  • ISBN-10 0859470180
  • Autor John J. Goldrosen
  • EAN: 2500000253959

  • weight in Kg 0.18
Buddy Holly Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in... more
"Buddy Holly - His Live And Music - Book/Buch"

Buddy Holly

Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in 1936. He was one of the most innovative and influential rock'n'roll artists, and the very first professional rocker to play a Fender Stratocaster. Backed by the Crickets – Niki Sullivan (guitar), Joe B. Mauldin (double bass) and Jerry Allison (drums) – he recorded his first hit, 'That'll Be The Day', at the Norman Petty Studio in Clovis, New Mexico in 1957, following on with 'Peggy Sue', 'Oh Boy!' and others.

He had a promising career ahead of him when he was tragically killed in a plane crash on 2 February 1959 together with Ritchie Valens and the Big Bopper. He was inducted into the Rock and Roll Hall Of Fame in 1986 in the first cohort.

 

Buddy Holly
Buddy Holly was born on Sept. 7, 1936, in Lubbock, Texas, and christened Charles Hardin Holley. Lubbock's geo-graphical position meant that Holly would have heard hillbilly, Mexican and black music on the radio during his formative years, this cosmopolitan musical background was to prove vital to the versatility he latei displayed in his own work. As a youngster he took up the violin, but soon changed to guitar. He showed an early interest in C&W, and while still at school had his own show on KDAV, the local radio sta-tion. He was partnered by Bob Montgomery, and in 1954 they made some hillbilly demo records which were posthu-mously issued as Holly in the Hills. Together with bass-player Larry Welborn, Buddy and Bob would sometimes fill the 'local talent' spot when travelling package shows visited the area. As a result of this exposure, and with help from KDAV disc-jockey Dave Stone, Nashville agent Eddie Cran-dall and publisher Jim Denny, Buddy Holly was signed to Decca in 1956 to cut some singles in Nashville. Two were released without success, and before his contract with Decca was up Holly was beginning to look elsewhere, guessing that the option would not be renewed.

Although Decca handled Holly rather insensitively (i.e. no more nor less off-handedly than any other bright young hopeful) these early sessions did produce at least two Holly classics, 'Midnight Shift' and 'Rock Around With 011ie Vee', and Holly worked with musicians like Sonny Curtis and Jerry Allison who were later to be involved in the Crickets. The tapes were eventually issued as That'll Be The Day. Allison and Holly had been schoolfriends, and had often played together as a drum /guitar duo. The limitations of this line-up helped forge their style, the smooth switch from rhythm to lead in Buddy's guitar-playing, the versa-tility of Jerry's drumming. In 1955, when the two started playing together professionally, it was still unusual to find drums in a country line-up. Soon after his last Decca session, Holly started working at Norman Petty's studio in Clovis, New Mexico.

Petty, who was also a middle-of-the-road band leader, was a pioneer of the small, independent recording studio, he was also unusual in that he charged per song rather than per hour, which put less pressure on musicians. Holly, Allison and Welborn, to-gether with a vocal quartet which included Cricket-to-be Niki Sullivan, recorded 'That'll Be The Day' and 'I'm Look-ing For Someone To Love' in February, 1957. Petty first submitted the songs to Roulette in New York, since they had already had hits originating from his studio with Buddy Knox and Jimmy Bowen. They weren't interested, but Holly and the Crickets were soon signed by Coral. The record made No. 3 in America and No. 1 in Britain, and was fol-lowed with almost equal success by 'Oh Boy' / 'Not Fade Away'. By this time, Joe Mauldin had become the Crickets' bass-player, with Niki Sullivan on rhythm guitar. Before long Petty, who had quickly assumed a managerial position, began to record Holly solo as well as with the Crickets, though the musicians were often the same. Holly's first hit under his own name was 'Peggy Sue', late in 1957, followed in Britain by 'Listen To Me' and in both countries by 'Rave On' and the Bobby Darin number 'Early In The Morning' (by which time, mid-1958, Holly had begun to record in New York without the Crickets as well as in Clovis). After a British tour with the Crickets in that year, Holly married Maria Elena Santiago and moved to New York. The rest of the Crickets didn't want to make the move and so split from Holly. This was probably inevitable. Petty was trying to broaden Holly's career and one of the first results was to record him with the Dick Jacobs Orchestra (notably `It Doesn't Matter Anymore').

Holly's backing group on live . dates at this time included Tommy Allsup, whom he had brought into the Crickets earlier to play lead guitar (it is a mistake to assume that Holly fulfilled this role on all his records). Other notable musicians with whom Holly worked at this time were saxophonist King Curtis, and the young Waylon Jennings, whose first solo record, 'Joie Blon', was produced by Buddy Holly. Early in 1959, Holly's career was at a crossroads. In spite of the significant early impact both with the Crickets and as a solo performer, in spite of his own single-minded attitude towards success and the attempts he was making to create the basis for a long career, there was little in strict commercial terms to suggest (except with hindsight) that he was any different from many other rock performers of the time. It is, of course, inconceivable that, had he lived, he would not have risen further from the pack and still be accorded the respect that his prolific few years have so justly earned for him. He died on February 3, 1959, together with Ritchie Valens and the Big Bopper soon after taking off from Mason City airport in Iowa, en route between package-tour concerts in Clear Lake and Fargo. His current record, 'Heartbeat', was barely making an impact on the Hot Hundred. The first posthumous release, 'It Doesn't Matter Any-more' PRaining In My Heart', was a huge hit in both Ameri-ca and Britain.

And in Britain a series of processed tapes put out by Norman Petty kept him in the charts until the mid-Sixties, while an album of his best-known tracks was still in the Top Ten of the budget-price charts ten years earlier. Buddy Holly said 'We owe it all to Elvis'. Countless stars of the Sixties owe a similar debt to. Holly. He was one of the two great singer / songwriter /musicians of the pop Fifties (the other being Chuck Berry). He was a pioneer of the subse-quently-standard two guitars/ bass / drums line-up, and of double-tracking. Almost anything that a pop song can say was said by the twenty-two-year-old Buddy Holly nearly two decades ago.

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