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Various Collected (3-LP, 180gram Vinyl)

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(2015/Music On Vinyl) 57 tracks, inlay, 180g Vinyl. more

Various: Collected (3-LP, 180gram Vinyl)

(2015/Music On Vinyl) 57 tracks, inlay, 180g Vinyl.

Article properties: Various: Collected (3-LP, 180gram Vinyl)

  • Interpret: Various

  • Album titlle: Collected (3-LP, 180gram Vinyl)

  • Label MUSIC ON VINYL

  • Genre Rock'n'Roll

  • Year of publication 2015
  • Geschwindigkeit 33 U/min
  • Vinyl record size LP (12 Inch)
  • Mint (M)
  • Sleeve Grading Mint (M)
  • Vinyl weight 180g Vinyl
  • Deluxe Edition
  • Artikelart LP

  • EAN: 0600753507766

  • weight in Kg 0.7
Holly, Buddy - Collected (3-LP, 180gram Vinyl) LP 1
01 Peggy Sue Various
02 That'll Be The Day Various
03 Heartbeat Various
04 Everyday Various
05 Rave On Various
06 Oh Boy! Various
07 Peggy Sue Got Married Various
08 Words Of Love Various
09 Crying, Waiting, Hoping Various
10 It's So Easy Various
11 Not Fade Away Various
12 It's Too Late Various
13 Ting-A-Ling Various
14 Last Night Various
15 True Love Ways Various
16 It Doesn't Matter Anymore Various
17 You're So Square (Baby, I Don't Care) Various
18 Wishing Various
19 Brown Eyed Handsome Man Various
Holly, Buddy - Collected (3-LP, 180gram Vinyl) LP 2
01 Blue Suede Shoes Various
02 Bo Diddley Various
03 Raining In My Heart Various
04 Modern Don Juan Various
05 Ready Teddy Various
06 Rock Around With Ollie Vee Various
07 Down The Line Various
08 Because I Love You Various
09 Early In The Morning Various
10 Love Is Strange Various
11 It's Not My Fault Various
12 Shake Rattle And Roll Various
13 Valley Of Tears Various
14 Holly Hop Various
15 Gone Various
16 Reminiscing Various
17 WellAll Right Various
18 Honky Tonk Various
19 Look At Me Various
Holly, Buddy - Collected (3-LP, 180gram Vinyl) LP 3
01 That's My Desire Various
02 An Empty Cup (And A Broken Date) Various
03 Rock Me My Baby Various
04 Baby Won't You Come Out Tonight Various
05 Love's Made A Fool Of You Various
06 Queen Of The Ballroom Various
07 Come Back Baby Various
08 Have You Ever Been Lonely Various
09 Girl On My Mind Various
10 Love Me Various
11 Midnight Shift Various
12 Send Me Some Lovin' Various
13 Dearest (Ummm, Oh Yeah) Various
14 What To Do Various
15 Maybe Baby Various
16 Slippin' And Slidin' Various
17 Fool's Paradise Various
18 Wait Till The Sun Shines Nellie Various
19 That Makes It Tough Various
Buddy Holly Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in... more
"Various"

Buddy Holly

Singer/songwriter/guitarist born Charles Hardin Holley in Lubbock, Texas in 1936. He was one of the most innovative and influential rock'n'roll artists, and the very first professional rocker to play a Fender Stratocaster. Backed by the Crickets – Niki Sullivan (guitar), Joe B. Mauldin (double bass) and Jerry Allison (drums) – he recorded his first hit, 'That'll Be The Day', at the Norman Petty Studio in Clovis, New Mexico in 1957, following on with 'Peggy Sue', 'Oh Boy!' and others.

He had a promising career ahead of him when he was tragically killed in a plane crash on 2 February 1959 together with Ritchie Valens and the Big Bopper. He was inducted into the Rock and Roll Hall Of Fame in 1986 in the first cohort.

 

Buddy Holly
Buddy Holly was born on Sept. 7, 1936, in Lubbock, Texas, and christened Charles Hardin Holley. Lubbock's geo-graphical position meant that Holly would have heard hillbilly, Mexican and black music on the radio during his formative years, this cosmopolitan musical background was to prove vital to the versatility he latei displayed in his own work. As a youngster he took up the violin, but soon changed to guitar. He showed an early interest in C&W, and while still at school had his own show on KDAV, the local radio sta-tion. He was partnered by Bob Montgomery, and in 1954 they made some hillbilly demo records which were posthu-mously issued as Holly in the Hills. Together with bass-player Larry Welborn, Buddy and Bob would sometimes fill the 'local talent' spot when travelling package shows visited the area. As a result of this exposure, and with help from KDAV disc-jockey Dave Stone, Nashville agent Eddie Cran-dall and publisher Jim Denny, Buddy Holly was signed to Decca in 1956 to cut some singles in Nashville. Two were released without success, and before his contract with Decca was up Holly was beginning to look elsewhere, guessing that the option would not be renewed.

Although Decca handled Holly rather insensitively (i.e. no more nor less off-handedly than any other bright young hopeful) these early sessions did produce at least two Holly classics, 'Midnight Shift' and 'Rock Around With 011ie Vee', and Holly worked with musicians like Sonny Curtis and Jerry Allison who were later to be involved in the Crickets. The tapes were eventually issued as That'll Be The Day. Allison and Holly had been schoolfriends, and had often played together as a drum /guitar duo. The limitations of this line-up helped forge their style, the smooth switch from rhythm to lead in Buddy's guitar-playing, the versa-tility of Jerry's drumming. In 1955, when the two started playing together professionally, it was still unusual to find drums in a country line-up. Soon after his last Decca session, Holly started working at Norman Petty's studio in Clovis, New Mexico.

Petty, who was also a middle-of-the-road band leader, was a pioneer of the small, independent recording studio, he was also unusual in that he charged per song rather than per hour, which put less pressure on musicians. Holly, Allison and Welborn, to-gether with a vocal quartet which included Cricket-to-be Niki Sullivan, recorded 'That'll Be The Day' and 'I'm Look-ing For Someone To Love' in February, 1957. Petty first submitted the songs to Roulette in New York, since they had already had hits originating from his studio with Buddy Knox and Jimmy Bowen. They weren't interested, but Holly and the Crickets were soon signed by Coral. The record made No. 3 in America and No. 1 in Britain, and was fol-lowed with almost equal success by 'Oh Boy' / 'Not Fade Away'. By this time, Joe Mauldin had become the Crickets' bass-player, with Niki Sullivan on rhythm guitar. Before long Petty, who had quickly assumed a managerial position, began to record Holly solo as well as with the Crickets, though the musicians were often the same. Holly's first hit under his own name was 'Peggy Sue', late in 1957, followed in Britain by 'Listen To Me' and in both countries by 'Rave On' and the Bobby Darin number 'Early In The Morning' (by which time, mid-1958, Holly had begun to record in New York without the Crickets as well as in Clovis). After a British tour with the Crickets in that year, Holly married Maria Elena Santiago and moved to New York. The rest of the Crickets didn't want to make the move and so split from Holly. This was probably inevitable. Petty was trying to broaden Holly's career and one of the first results was to record him with the Dick Jacobs Orchestra (notably `It Doesn't Matter Anymore').

Holly's backing group on live . dates at this time included Tommy Allsup, whom he had brought into the Crickets earlier to play lead guitar (it is a mistake to assume that Holly fulfilled this role on all his records). Other notable musicians with whom Holly worked at this time were saxophonist King Curtis, and the young Waylon Jennings, whose first solo record, 'Joie Blon', was produced by Buddy Holly. Early in 1959, Holly's career was at a crossroads. In spite of the significant early impact both with the Crickets and as a solo performer, in spite of his own single-minded attitude towards success and the attempts he was making to create the basis for a long career, there was little in strict commercial terms to suggest (except with hindsight) that he was any different from many other rock performers of the time. It is, of course, inconceivable that, had he lived, he would not have risen further from the pack and still be accorded the respect that his prolific few years have so justly earned for him. He died on February 3, 1959, together with Ritchie Valens and the Big Bopper soon after taking off from Mason City airport in Iowa, en route between package-tour concerts in Clear Lake and Fargo. His current record, 'Heartbeat', was barely making an impact on the Hot Hundred. The first posthumous release, 'It Doesn't Matter Any-more' PRaining In My Heart', was a huge hit in both Ameri-ca and Britain.

And in Britain a series of processed tapes put out by Norman Petty kept him in the charts until the mid-Sixties, while an album of his best-known tracks was still in the Top Ten of the budget-price charts ten years earlier. Buddy Holly said 'We owe it all to Elvis'. Countless stars of the Sixties owe a similar debt to. Holly. He was one of the two great singer / songwriter /musicians of the pop Fifties (the other being Chuck Berry). He was a pioneer of the subse-quently-standard two guitars/ bass / drums line-up, and of double-tracking. Almost anything that a pop song can say was said by the twenty-two-year-old Buddy Holly nearly two decades ago.

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