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Roy Hamilton Dark End Of The Street - Operatic Soul 63-69 (CD)

Dark End Of The Street - Operatic Soul 63-69 (CD)
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catalog number: CDRV294

weight in Kg 0,100


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Roy Hamilton: Dark End Of The Street - Operatic Soul 63-69 (CD)

(2009/RAVEN9 28 tracks (multi label collection) with 8 page booklet


Roy Hamilton - Dark End Of The Street - Operatic Soul 63-69 (CD) Medium 1
1: Let Go  
2: Midnight Town - Daybreak City  
3: The Sinner (El Pecador)  
4: The Same One  
5: For Your Precious Love  
6: Crying In The Chapel  
7: The Panic Is On  
8: Answer Me, My Love  
9: Gloomy Sunday  
10: Don't Worry About Me  
11: Heartache (Hurry On By)  
12: Tore Up Over You  
13: The Impossible Dream  
14: God Bless The Child  
15: Reach Out For Me  
16: You'll Never Walk Alone  
17: Let The Music Play  
18: Crackin' Up Over You  
19: I Taught Her Everything She Knows  
20: Lament  
21: You Shook Me Up  
22: Wait Until Dark  
23: My Peaceful Forest  
24: The Dark End Of The Steet  
25: 100 Years  
26: Angelica  
27: Hang-ups  
28: It's Only Make Believe  


Artikeleigenschaften von Roy Hamilton: Dark End Of The Street - Operatic Soul 63-69 (CD)

  • Interpret: Roy Hamilton

  • Albumtitel: Dark End Of The Street - Operatic Soul 63-69 (CD)

  • Format CD
  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Title Dark End Of The Street - Operatic Soul 63-69 (CD)
  • Release date 2009
  • Label RAVEN

  • SubGenre Pop - Vocal Pop

  • EAN: 0612657029428

  • weight in Kg 0.100

Artist description "Hamilton, Roy"

Roy Hamilton

Don't Let Go

Big voiced Roy Hamilton had an inestimable impact on rock music and R&B, although his proclivity for Broadway material usually earns his exclusion from most rock and R&B lists. That said, his soulful interpretations of pop material like You’ll Never Walk Alone, Unchained Melody, and Ebb Tide influenced Elvis, the Righteous Brothers, Timi Yuro, and many other lesser luminaries. His originals, like You Can Have Her and this romping classic, became both R&B and pop classics. Hamilton was from Leesburg, Georgia (born April 16, 1929), and lived in New Jersey from age 14. He sang with the Searchlight Gospel Singers, and won a talent contest at the 21 Club in Bayonne, NJ (reputedly the show at which Nappy Brown was also discovered).

Local dee-jay Bill Cook placed him on a live radio show from the Caravan Club, and Hamilton tore up the house with his rendition of You’ll Never Walk Alone. Cook assumed Hamilton’s management and landed a contract with the Epic division of Columbia Records (launched in 1953, Epic was meant to be a little more adventurous than the parent label). All was going well until one night in April 1956 at the Flame Bar in Detroit when Hamilton couldn’t take the stage. Bill Cook found him collapsed in his dressing room. Diagnosed with tubercular pneumonia, Hamilton was forced into hospital, while Cook announced to the media in early June that his star had retired due to ill health. Cook said that Hamilton would resume his career as a painter after his recovery.

One year later, though, Hamilton was back in the recording studio. In July 1957, Hamilton made his first personal appearance in over a year at an all-star show in Atlanta with LaVern Baker, Little Willie John, Nappy Brown, and the Cardinals. By October, Hamilton was back in the saddle, touring almost constantly, but needed a hit to legitimize his comeback. At the end of 1957, just as he was breaking box office records at the Howard Theater in Washington, D.C., Epic released his recording of Jesse Stone’s Don't Let Go featuring an orchestra under Stone’s direction (trivia buffs reckon that it’s the first rock 'n’ roll record to be recorded in stereo).

It was published by Roosevelt Music, a cooperative of mostly black songwriters, headlined by Stone and Charlie Singleton, that tried to take on the major publishers. Another Roosevelt writer, Otis Blackwell, reckons that he had a hand in the success of Don’t Let Go. Jesse had arranged [it] a little low,” he told Ralph Newman. “When I came to the session, Jesse was kind of despondent 'cause Roy couldn't seem to get it the way he wanted it. So I said, ‘Lets pick it up,’ and told Roy to holler 'uh uh’ every time I tapped him on the shoulder. That was the thing at the time, everyone moaning and groaning.” It reached #13 on the pop charts, and Hamilton was most assuredly back. 

Various - Blowing The Fuse 1958 - Classics That Rocked The Jukebox
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